Condom Cathedral
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Condom Cathedral
Condom Cathedral (french: Cathédrale Saint-Pierre de Condom) is a Catholic church and former cathedral dedicated to Saint Peter in Condom, Gers, France. It was listed as a ''monument historique'' in 1840. It was formerly the seat of the Bishops of Condom; the diocese was added to the Archdiocese of Auch in 1822. Building description The cathedral dominates the town, which sits on a hill above the Baïse River. It was designed at the end of the 15th century and erected from 1506 to 1531, making it one of the last major buildings in the Gers region to be constructed in the Southern French Gothic style of south-west France. The church has buttresses all around and there is a square tower over the west front. The west front door has the Four Evangelists' symbols in the tympanum, and the south nave door in the Flamboyant Gothic style has 24 small statues in the niches of the archivolt. Inside, the wide aisleless nave is lit by the clerestory windows with ''grisaille'' glass. The ...
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Condom, Gers
Condom ( oc, Condòm; ), also known as Condom-en-Armagnac, is a commune in southwestern France in the department of Gers, of which it is a subprefecture. Geography Localisation The town of Condom is located in the northern part of the department of Gers, halfway between Mont-de-Marsan (to the west) and Montauban (to the east), and north of Auch. Roads and transports ;Way of St. James Condom is a town on the Via Podiensis, one of the three major French arms of the pilgrimage route, the Way of St. James. This particular route begins in Le Puy and ends in Santiago de Compostela in northwest Spain. Pilgrims arrive at Condom after Miradoux and continue on to Larressingle. Toponymy There is no relationship between the English word ''condom'' and this town. The toponym ''Condom'' comes from the Gaulish words ''condate'' and ''magos'' combined into ''Condatomagos'', which means "market or field, of the confluence". ''Condatómagos'' evolved into ''Condatóm'' and then i ...
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Flamboyant
Flamboyant (from ) is a form of late Gothic architecture that developed in Europe in the Late Middle Ages and Renaissance, from around 1375 to the mid-16th century. It is characterized by double curves forming flame-like shapes in the bar-tracery, which give the style its name; by the multiplication of ornamental ribs in the vaults; and by the use of the arch in accolade. Ribs in Flamboyant tracery are recognizable by their flowing forms, which are influenced by the earlier curvilinear tracery of the Second Gothic (or Second Pointed) styles. Very tall and narrow pointed arches and gables, particularly double-curved ogee arches, are common in buildings of the Flamboyant style. In most regions of Europe, Late Gothic styles like Flamboyant replaced the earlier Rayonnant style and other early variations. The style was particularly popular in Continental Europe. In the 15th and 16th centuries, architects and masons in the Kingdom of France, the Crown of Castile, the Duchy o ...
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Cloister
A cloister (from Latin ''claustrum'', "enclosure") is a covered walk, open gallery, or open arcade running along the walls of buildings and forming a quadrangle or garth. The attachment of a cloister to a cathedral or church, commonly against a warm southern flank, usually indicates that it is (or once was) part of a monastic foundation, "forming a continuous and solid architectural barrier... that effectively separates the world of the monks from that of the serfs and workmen, whose lives and works went forward outside and around the cloister." Cloistered (or ''claustral'') life is also another name for the monastic life of a monk or nun. The English term ''enclosure'' is used in contemporary Catholic church law translations to mean cloistered, and some form of the Latin parent word "claustrum" is frequently used as a metonymic name for ''monastery'' in languages such as German. History of the cloister Historically, the early medieval cloister had several antecedents: the ...
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Baldaquin
A baldachin, or baldaquin (from it, baldacchino), is a canopy of state typically placed over an altar or throne. It had its beginnings as a cloth canopy, but in other cases it is a sturdy, permanent architectural feature, particularly over high altars in cathedrals, where such a structure is more correctly called a ciborium when it is sufficiently architectural in form. Baldachins are often supported on columns, especially when they are disconnected from an enclosing wall. A cloth of honour is a simpler cloth hanging vertically behind the throne, usually continuing to form a canopy. It can also be used for similar canopies in interior design, for example above beds, and for processional canopies used in formal state ceremonies such as coronations, held up by four or more men with poles attached to the corners of the cloth. "''Baldachin''" was originally a luxurious type of cloth from Baghdad, from which name the word is ultimately derived, appearing in English as "''baudekin ...
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Pulpit
A pulpit is a raised stand for preachers in a Christian church. The origin of the word is the Latin ''pulpitum'' (platform or staging). The traditional pulpit is raised well above the surrounding floor for audibility and visibility, accessed by steps, with sides coming to about waist height. From the late medieval period onwards, pulpits have often had a canopy known as the sounding board, ''tester'' or ''abat-voix'' above and sometimes also behind the speaker, normally in wood. Though sometimes highly decorated, this is not purely decorative, but can have a useful acoustic effect in projecting the preacher's voice to the congregation below. Most pulpits have one or more book-stands for the preacher to rest his or her bible, notes or texts upon. The pulpit is generally reserved for clergy. This is mandated in the regulations of the Catholic Church, and several others (though not always strictly observed). Even in Welsh Nonconformism, this was felt appropriate, and in some ...
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Boss (architecture)
In architecture, a boss is a knob or protrusion of wood, stone, or metal. Description Bosses can often be found in the ceilings of buildings, particularly at the keystones at the intersections of a rib vault. In Gothic architecture, such roof bosses (or ceiling bosses) are often intricately carved with foliage, heraldic devices or other decorations. Many feature animals, birds, or human figures or faces, sometimes realistic, but often Grotesque: the Green Man is a frequent subject. The Romanesque Norwich Cathedral in Norfolk, England, has the largest number of painted carved stone bosses in the world; an extensive and varied collection of over one thousand individual pieces. Many of these decorated bosses still bear the original gilt and pigments from the time of their creation. A different sense of boss was also an important feature of ancient and Classical construction. When stone components were rough-cut offsite at quarries, they were usually left with bosses (small ...
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Liturgy
Liturgy is the customary public ritual of worship performed by a religious group. ''Liturgy'' can also be used to refer specifically to public worship by Christians. As a religious phenomenon, liturgy represents a communal response to and participation in the sacred through activities reflecting praise, thanksgiving, remembrance, supplication, or repentance. It forms a basis for establishing a relationship with God. Technically speaking, liturgy forms a subset of ritual. The word ''liturgy'', sometimes equated in English as " service", refers to a formal ritual enacted by those who understand themselves to be participating in an action with the divine. Etymology The word ''liturgy'' (), derived from the technical term in ancient Greek ( el, λειτουργία), ''leitourgia'', which literally means "work for the people" is a literal translation of the two words "litos ergos" or "public service". In origin, it signified the often expensive offerings wealthy Greeks made in ser ...
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Ambulatory
The ambulatory ( la, ambulatorium, ‘walking place’) is the covered passage around a cloister or the processional way around the east end of a cathedral or large church and behind the high altar. The first ambulatory was in France in the 11th century but by the 13th century ambulatories had been introduced in England and many English cathedrals were extended to provide an ambulatory. The same feature is often found in Indian architecture and Buddhist architecture generally, especially in older periods. Ritual circumambulation or parikrama around a stupa or cult image is important in Buddhism and Hinduism. Often the whole building was circumambulated, often many times. The Buddhist chaitya hall always allowed a path for this, and the Durga temple, Aihole (7th or 8th century) is a famous Hindu example. The term is also used to describe a garden feature in the grounds of a country house. A typical example is the one shown, which stands in the grounds of Horton Court in Gloucest ...
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Chancel
In church architecture, the chancel is the space around the altar, including the choir and the sanctuary (sometimes called the presbytery), at the liturgical east end of a traditional Christian church building. It may terminate in an apse. Overview The chancel is generally the area used by the clergy and choir during worship, while the congregation is in the nave. Direct access may be provided by a priest's door, usually on the south side of the church. This is one definition, sometimes called the "strict" one; in practice in churches where the eastern end contains other elements such as an ambulatory and side chapels, these are also often counted as part of the chancel, especially when discussing architecture. In smaller churches, where the altar is backed by the outside east wall and there is no distinct choir, the chancel and sanctuary may be the same area. In churches with a retroquire area behind the altar, this may only be included in the broader definition of chancel. I ...
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Openwork
Openwork or open-work is a term in art history, architecture and related fields for any technique that produces decoration by creating holes, piercings, or gaps that go right through a solid material such as metal, wood, stone, pottery, cloth, leather, or ivory. Such techniques have been very widely used in a great number of cultures. The term is rather flexible, and used both for additive techniques that build up the design, as for example most large features in architecture, and those that take a plain material and make cuts or holes in it. Equally techniques such as casting using Molding (process), moulds create the whole design in a single stage, and are common in openwork. Though much openwork relies for its effect on the viewer seeing right through the object, some pieces place a different material behind the openwork as a background. Varieties Techniques or styles that normally use openwork include all the family of lace and cutwork types in textiles, including broderie ...
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Gothic Revival
Gothic Revival (also referred to as Victorian Gothic, neo-Gothic, or Gothick) is an architectural movement that began in the late 1740s in England. The movement gained momentum and expanded in the first half of the 19th century, as increasingly serious and learned admirers of the neo-Gothic styles sought to revive medieval Gothic architecture, intending to complement or even supersede the neoclassical styles prevalent at the time. Gothic Revival draws upon features of medieval examples, including decorative patterns, finials, lancet windows, and hood moulds. By the middle of the 19th century, Gothic had become the preeminent architectural style in the Western world, only to fall out of fashion in the 1880s and early 1890s. The Gothic Revival movement's roots are intertwined with philosophical movements associated with Catholicism and a re-awakening of high church or Anglo-Catholic belief concerned by the growth of religious nonconformism. Ultimately, the "Anglo-Catholicism" t ...
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Grisaille
Grisaille ( or ; french: grisaille, lit=greyed , from ''gris'' 'grey') is a painting executed entirely in shades of grey or of another neutral greyish colour. It is particularly used in large decorative schemes in imitation of sculpture. Many grisailles include a slightly wider colour range. Paintings executed in brown are referred to as ''brunaille'', and paintings executed in green are called ''verdaille''. A grisaille may be executed for its own sake, as an underpainting for an oil painting (in preparation for glazing layers of colour over it) or as a model from which an engraver may work (as was done by Rubens and his school). Full colouring of a subject makes many demands of an artist, and working in grisaille was often chosen as it may be quicker and cheaper than traditional painting, although the effect was sometimes deliberately chosen for aesthetic reasons. Grisaille paintings resemble the drawings, normally in monochrome, that artists from the Renaissance on were tra ...
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