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Concubinage In China
Concubinage in China traditionally resembled marriage in that concubines were recognized sexual partners of a man and were expected to bear children for him. Unofficial concubines () were of lower status, and their children were considered illegitimate. The English term concubine is also used for what the Chinese refer to as ''pínfēi'' (), or "consorts of emperors", an official position often carrying a very high rank. The practice of concubinage in China was outlawed when the Chinese Communist Party came to power in 1949. History In premodern China it was illegal and socially disreputable for a man to have more than one wife at a time, but it was acceptable to have concubines. From the earliest times wealthy men purchased concubines and added them to their household in addition to their wife. The purchase of concubine was similar to the purchase of a servant or slave, yet concubines had a higher social status. In the earliest records a man could have as many concubines as ...
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Tongzhi Emperor
The Tongzhi Emperor (27 April 1856 – 12 January 1875), born Zaichun of the Aisin Gioro clan, was the ninth List of emperors of the Qing dynasty, Emperor of the Qing dynasty, and the eighth Qing emperor to rule over China proper. His reign, from 1861 to 1875, which effectively lasted through his adolescence, was largely overshadowed by the rule of his mother, Empress Dowager Cixi. Although he had little influence over state affairs, the events of his reign gave rise to what historians call the "Tongzhi Restoration", an unsuccessful modernization program. Life The only surviving son of the Xianfeng Emperor and Empress Dowager Cixi, the Tongzhi Emperor was namesake to the attempted political reform initiated by his mother, called the Tongzhi Restoration. His first regnal name was Qixiang (祺祥; Manchu: ''Fengšengge sabingga''), but this name was later changed, as per tradition upon his succession, to "Tongzhi". The regnal name means 'order and prosperity' coming from the Confucian ...
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Traditional Chinese Marriage
Traditional Chinese marriage () is a ceremonial ritual within Chinese societies that involves not only a union between spouses, but also a union between the two families of a man and a woman, sometimes established by pre-arrangement between families. Marriage and family are inextricably linked, which involves the interests of both families. Within Chinese culture, romantic love and monogamy was the norm for most citizens. Around the end of primitive society, traditional Chinese marriage rituals were formed, with deer skin betrothal in the Fuxi era, the appearance of the "meeting hall" during the Xia and Shang dynasties, and then in the Zhou dynasty, a complete set of marriage etiquette ("six rituals") gradually formed. The richness of this series of rituals proves the importance the ancients attached to marriage. In addition to the unique nature of the "three letters and six rituals", monogamy, remarriage and divorce in traditional Chinese marriage culture are also distinctive ...
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Stanley Ho
Stanley Ho Hung-sun (; 25 November 192126 May 2020) was a Hong Kong-Macau billionaire businessman. His original patrilineal surname was Bosman, which was later sinicized to 何 (Ho). He was the founder and chairman of SJM Holdings, which owns nineteen casinos in Macau including the Grand Lisboa. Ho was nicknamed variously ''Godfather'' and ''King of Gambling'', reflecting the government-granted monopoly he held on the Macau gambling industry for 40 years. His wealth was divided among his daughter, Pansy Ho ($5.3 billion) who owns MGM Macau, fourth wife Angela Leong ($4.1 billion) who is managing director of SJM Holdings, and son Lawrence Ho ($2.6 billion) who owns City of Dreams. Ho was the founder and chairman of Shun Tak Holdings, through which he owned many businesses including entertainment, tourism, shipping, real estate, banking, and air transport. It is estimated that his businesses employ almost one-fourth of the workforce of Macau. Apart from Hong K ...
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Great Qing Legal Code
The Great Qing Legal Code (or Great Ching Legal Code), also known as the Qing Code (Ching Code) or, in Hong Kong law, as the ''Ta Tsing Leu Lee'' (大清律例), was the legal code of the Qing empire (1644–1912). The code was based on the Ming legal code, the Great Ming Code, which was kept largely intact. Compared to the Ming code which had no more than several hundred statutes and sub-statutes, the Qing code contained 1,907 statutes from over 30 times of revisions between 1644 and 1912. One of the first of these revisions was in 1660, completed by Wei Zhouzuo and Bahana. The Qing code was the last legal code of imperial China. By the end of Qing dynasty, it had been the only legal code enforced in China for nearly 270 years. Even with the fall of imperial Qing in 1912, the Confucian philosophy of social control enshrined in the Qing code remain influential in the German-based system of the Republic of China, and later, the Soviet-based system of the People's Republic of China ...
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Empresses In The Palace
''Empresses in the Palace'' (, ''lit.'' ''The Legend of Zhen Huan''), is a 2011 Chinese television series based on the novel of the same name by Liu Lianzi. Directed by Zheng Xiaolong, it stars Sun Li in the title role of Zhen Huan. The series started airing in China for the first time on 17 November 2011. Premise In 1722, Aisin-Gioro Yinzhen ascends to the throne of the Qing dynasty as the Yongzheng Emperor, thanks to the help of Nian Gengyao (Duke of the Second Class) and Longkodo (Duke of the First Class). Nian Gengyao's younger sister, Consort Hua, serves as a concubine to the Emperor and wins his favor among the women in his harem. The Empress tolerates her rival in many things, allowing her to act in ways that would normally be seen as disrespectful. Six months into his reign, the Empress Dowager encourages her son to expand his harem and add newer, younger women to serve him and increase the family line. Among the ones who are chosen for the selection is Zhen Huan. Ot ...
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Harems
Harem (Persian: حرمسرا ''haramsarā'', ar, حَرِيمٌ ''ḥarīm'', "a sacred inviolable place; harem; female members of the family") refers to domestic spaces that are reserved for the women of the house in a Muslim family. A harem may house a man's wife or wives, their pre-pubescent male children, unmarried daughters, female domestic servants, and other unmarried female relatives. In harems of the past, slave concubines were also housed in the harem. In former times some harems were guarded by eunuchs who were allowed inside. The structure of the harem and the extent of monogamy or polygamy has varied depending on the family's personalities, socio-economic status, and local customs. Similar institutions have been common in other Mediterranean and Middle Eastern civilizations, especially among royal and upper-class families, and the term is sometimes used in other contexts. In traditional Persian residential architecture the women's quarters were known as ''andaru ...
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Jia Tanchun
Jia Tanchun ( Chinese: 賈探春; Pinyin: Jiǎ Tànchūn, rendered Quest Spring in Chi-chen Wang's translation) is the younger half-sister of Jia Baoyu and a major character in the 18th century Chinese novel ''Dream of the Red Chamber''. She is the daughter of Jia Zheng and his concubine, Concubine Zhao. Tanchun is a very clever and capable person, once temporarily managing all household and economical affairs of the Rongguo Mansion when Wang Xifeng had a miscarriage. Despite this achievement, however, the fact she is the daughter of a concubine is still such a burden that she often claims Lady Wang Lady Wang (王夫人) is a character in the classic Chinese 18th century novel ''Dream of the Red Chamber''. She is the wife of Jia Zheng, and mother of Jia Zhu (dead at the start of the novel), Jia Yuanchun and Jia Baoyu. She is the elder sis ..., Baoyu's mother, as her own. Tanchun is also the "founder" of the White Crabapple Poetry Club, a private poetry club for the resi ...
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Jia Baoyu
Jia Baoyu (, and his surname is a homophone with "false" or "fictitious") is the principal character in the classic 18th century Chinese novel ''Dream of the Red Chamber''. Introduction The first chapter describes how one piece of stone was left over from when the Wall of Heaven was repaired by the Goddess Nüwa. That stone, changed into a piece of luminous jade, is given a chance to learn the emptiness of human existence by following another incarnation who is to be Jia Baoyu. Baoyu is thus born with a magical piece of jade in his mouth. His name, which literally means "precious jade", was given him in honor of this. The jade and Baoyu share a mystical link, and the Cheng-Gao version ends after the jade is lost for good and Baoyu himself disappears. Lin Daiyu was a fairy flower, was later incarnated as Daiyu to pay back her “debt of tears" to Jia Baoyu, who watered and gave life to the flower. Baoyu is portrayed as having little interest in learning the Confucian classics, ...
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Cao Xueqin
Cáo Xuěqín ( ; ); (4 April 1710 — 10 June 1765)Briggs, Asa (ed.) (1989) ''The Longman Encyclopedia'', Longman, was a Chinese writer during the Qing dynasty. He is best known as the author of ''Dream of the Red Chamber'', one of the Four Great Classical Novels of Chinese literature. His given name was Cáo Zhān () and his courtesy name was Mèngruǎn (). Family Cao Xueqin was born to a Han Chinese clan that was brought into personal service (as ''booi aha'' or bondservants of Cigu Niru) to the Manchu royalty in the late 1610s. His ancestors distinguished themselves through military service in the Plain White Banner () of the Eight Banners and subsequently held posts as officials which brought both prestige and wealth. After the Plain White Banner was put under the direct jurisdiction of the Qing emperor, Cao's family began to serve in civil positions of the Imperial Household Department. During the Kangxi Emperor's reign, the clan's prestige and power reached its height ...
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Autobiographical Novel
An autobiographical novel is a form of novel using autofiction techniques, or the merging of autobiographical and fictive elements. The literary technique is distinguished from an autobiography or memoir by the stipulation of being fiction. Because an autobiographical novel is partially fiction, the author does not ask the reader to expect the text to fulfill the "autobiographical pact".Philippe Lejeune"Autobiographical Pact," pg. 19 Names and locations are often changed and events are recreated to make them more dramatic but the story still bears a close resemblance to that of the author's life. While the events of the author's life are recounted, there is no pretense of exact truth. Events may be exaggerated or altered for artistic or thematic purposes. Novels that portray settings and/or situations with which the author is familiar are not necessarily autobiographical. Neither are novels that include aspects drawn from the author's life as minor plot details. To be consid ...
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