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Concerto For Orchestra (Carter)
The Concerto for Orchestra is a four-movement concerto for orchestra written in 1969 by the American composer Elliott Carter. The work was commissioned by the New York Philharmonic to commemorate their 125th anniversary and was premiered by the orchestra under the conductor Leonard Bernstein in the Philharmonic Hall, New York City, on February 5, 1970. Composition The piece has a duration of approximately 22 minutes and is composed in four movements: #Allegro #Presto volando #Maestoso #Allegro agitato To compose the work, Carter split the orchestra into four harmonically juxtaposing sections designated by musical range: high, middle-high, middle-low, and low. Additionally, different percussion instruments were assigned to accompany each of the four sections. Instrumentation The work is scored for an orchestra comprising three flutes (2nd and 3rd doubling piccolo), three oboes (3rd doubling cor anglais), three clarinets (2nd doubling bass clarinet, 3rd doubling E-flat clarin ...
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Bassoon
The bassoon is a woodwind instrument in the double reed family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuosity. It is a non-transposing instrument and typically its music is written in the bass and tenor clefs, and sometimes in the treble. There are two forms of modern bassoon: the Buffet (or French) and Heckel (or German) systems. It is typically played while sitting using a seat strap, but can be played while standing if the player has a harness to hold the instrument. Sound is produced by rolling both lips over the reed and blowing direct air pressure to cause the reed to vibrate. Its fingering system can be quite complex when compared to those of other instruments. Appearing in its modern form in the 19th century, the bassoon figures prominently in orchestral, concert band, and chamber music literature, and is occasionally heard in pop, r ...
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A Symphony Of Three Orchestras
''A Symphony of Three Orchestras'' is an orchestra composition by the American composer Elliott Carter. The work was commissioned by the New York Philharmonic through a grant from the National Endowment for the Arts. It was composed from June through December 1976 and was first performed in New York City on February 17, 1977 by the New York Philharmonic under the conductor Pierre Boulez. The composition is dedicated to Boulez and the New York Philharmonic. Composition ''A Symphony of Three Orchestras'' has a duration of roughly 17 minutes and is composed in a single movement. The work was inspired by the beginning of Hart Crane's poem '' The Bridge'' as it describes New York Harbor and the Brooklyn Bridge. Instrumentation The work is scored for a large orchestra divided into three ensembles. The first ensemble comprises three horns, three trumpets, two trombones, bass trombone, tuba, timpani, and strings (7-8 desks of violins, 3-4 desks of violas, 2-3 desks of cellos, and ...
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Cello Concerto (Carter)
The Cello Concerto is a composition for solo cello and orchestra by the American composer Elliott Carter. The work was commissioned by the Chicago Symphony Orchestra for the cellist Yo-Yo Ma. It was first performed in Chicago, Illinois, on September 27, 2001 by Yo-Yo Ma and the Chicago Symphony Orchestra under the conductor Daniel Barenboim. Composition The Cello Concerto has a duration of roughly 18 minutes and is composed in seven movements played continuously: #Drammatico #Allegro appassionato #Giocoso #Lento #Maestoso #Tranquillo #Allegro fantastico Carter briefly described the composition in the score program notes, writing, "My Cello Concerto is introduced by the soloist alone, playing a frequently interrupted cantilena that presents ideas later to be expanded into movements. These movements are connected by episodes that often refer to the final 'Allegro fantastico'. In this score I have tried to find meaningful, personal ways of revealing the cello's vast array of wonderf ...
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Fred Sherry
Fred Sherry (born 1948) is an American cellist who is particularly admired for his work as a chamber musician and concert soloist. He studied with Leonard Rose at the Juilliard School before winning the Young Concert Artists International Auditions in 1968. In 1971 he co-founded the Speculum Musicae and in 1973 he co-founded the Tashi Quartet. Since the mid-1980s he has been a regular performer with Bargemusic and the Chamber Music Society of Lincoln Center, the latter of which he served as Artistic Director for between 1989–1993. He has appeared as a soloist with the Los Angeles Philharmonic, New Japan Philharmonic, Boston Symphony Orchestra, and L'Orchestre de la Suisse Romande. He currently serves on the faculty at the Juilliard School, the Manhattan School of Music, and Mannes College The New School for Music. Discography With Chick Corea * '' The Leprechaun'' (Polydor, 1976) *'' Lyric Suite for Sextet'' (ECM, 1982) with Gary Burton *''Children's Songs'' (ECM, 1983) *''Sept ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Pedal Harp
The pedal harp (also known as the concert harp) is a large and technologically modern harp, designed primarily for use in art music. It may be played solo, as part of a chamber ensemble, or in an orchestra. It typically has 47 strings with seven strings per octave, giving a range of six and a half octaves. In this type of harp the pedals alter the pitch of the strings, so that the pedal harp can easily play works written in any key. This is particularly important in the harmonically complex music of the Romantic period and later 20th-century classical music. Parts Body and strings A pedal harp typically stands about high, is deep, and wide at the bass end of the soundboard. It weighs about . The body of the harp consists of a straight upright pillar, sometimes adorned with a crown at the top; a soundboard, which in most harps is pear-shaped with additional width at the bottom, although some older instruments have soundboards that are straight-sided but widening toward t ...
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Timpani
Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettle drums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are ''pedal timpani'' and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized drum stick called a ''timpani stick'' or ''timpani mallet''. Timpani evolved from military drums to become a staple of the classical orchestra by the last third of the 18th century. Today, they are used in many types of ensembles, including concert bands, marching bands, orchestras, and even in some rock bands. ''Timpani'' is an Italian ...
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Tuba
The tuba (; ) is the lowest-pitched musical instrument in the brass family. As with all brass instruments, the sound is produced by lip vibrationa buzzinto a mouthpiece. It first appeared in the mid-19th century, making it one of the newer instruments in the modern orchestra and concert band. The tuba largely replaced the ophicleide. ''Tuba'' is Latin for "trumpet". A person who plays the tuba is called a tubaist, a tubist, or simply a tuba player. In a British brass band or military band, they are known as bass players. History Prussian Patent No. 19 was granted to Wilhelm Friedrich Wieprecht and Johann Gottfried Moritz (1777–1840) on September 12, 1835 for a "bass tuba" in F1. The original Wieprecht and Moritz instrument used five valves of the Berlinerpumpen type that were the forerunners of the modern piston valve. The first tenor tuba was invented in 1838 by Carl Wilhelm Moritz (1810–1855), son of Johann Gottfried Moritz. The addition of valves made it po ...
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Bass Trombone
The bass trombone (german: Bassposaune, it, trombone basso) is the bass instrument in the trombone family of brass instruments. Modern instruments are pitched in the same B♭ as the tenor trombone but with a larger bore, bell and mouthpiece to facilitate low register playing, and usually two valves to fill in the missing range immediately above the pedal tones. History The earliest bass trombones were the bass sackbuts, usually pitched in G, F, or E♭ below the B♭ tenor. They had a smaller bore and less flared bell than modern instruments, and a longer slide with an attached handle to allow slide positions otherwise beyond the reach of a fully outstretched arm. The earliest known surviving specimen is an instrument in G built in Germany in 1593. This instrument matches descriptions and illustrations by Praetorius from his 1614–20 ''Syntagma Musicum''. These bass sackbuts were sometimes called , , and (Old German, , referring to intervals below B♭), though sometimes ...
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Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ...
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