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Concertino For Harpsichord And String Orchestra (Leigh)
Concertino for Harpsichord and String Orchestra is a short harpsichord concerto written in 1934 by English composer Walter Leigh. It was premiered by the English composer and pianist Elizabeth Poston. Movements: #Allegro #Andante #Allegro vivace In the first movement, a lively dialogue between soloist and orchestra culminates in a barred cadenza for the harpsichord, followed by a repeat of the opening statement. The ''Andante'' is a arabandelike movement, in ABA form. The ten-bar theme stated by the soloist is repeated by the orchestra. In the B section, elements from the first theme are reassembled into new motives. The first theme is shared between cellos and violins on its return, with the harpsichord playing accompanying arpeggios. The last movement is in 6/8 and abounds in cross-rhythms; a number of short themes succeed each other rapidly. A short cadenza leads to a reprise incorporating themes from all three of the movements. Piano has occasionally replaced harpsichord in ...
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Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ...
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George Malcolm (musician)
George John Malcolm CBE KSG (28 February 191710 October 1997) was an English pianist, organist, composer, harpsichordist, and conductor. Malcolm's first instrument was the piano, and his first teacher was a nun who recognised his talent and recommended him to the Royal College of Music at the age of seven, where he studied under Kathleen McQuitty FRCM until he was 19. He attended Wimbledon College, and went on to study at Balliol College, Oxford in the 1930s.Obituary
. Retrieved 22 September 2014.
During the

Harpsichord Concertos
A harpsichord concerto is a piece of music for an orchestra with the harpsichord in a solo role (though for another sense, see below). Sometimes these works are played on the modern piano (see ''piano concerto''). For a period in the late 18th century, Joseph Haydn and Thomas Arne wrote concertos that could be played interchangeably on harpsichord, fortepiano, and (in some cases) pipe organ. The Baroque harpsichord concerto The harpsichord was a common instrument in the 1730s, but never as popular as string or wind instruments in the concerto role in the orchestra, probably due to its relative lack of volume in an orchestral setting. In this context, harpsichords were more usually employed as a continuo instrument, playing a harmonised bass part in nearly all orchestral music, the player often also directing the orchestra. Bach's Brandenburg Concerto No.5 in D major, BWV 1050, may be the first work in which the harpsichord appears as a concerto soloist. In this piece, its usual ...
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Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts and ...
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Compact Disc
The compact disc (CD) is a Digital media, digital optical disc data storage format that was co-developed by Philips and Sony to store and play digital audio recordings. In August 1982, the first compact disc was manufactured. It was then released in October 1982 in Japan and branded as ''Compact Disc Digital Audio, Digital Audio Compact Disc''. The format was later adapted (as CD-ROM) for general-purpose data storage. Several other formats were further derived, including write-once audio and data storage (CD-R), rewritable media (CD-RW), Video CD (VCD), Super Video CD (SVCD), Photo CD, Picture CD, Compact Disc-Interactive (CD-i) and Enhanced Music CD. Standard CDs have a diameter of and are designed to hold up to 74 minutes of uncompressed stereo digital audio or about 650 mebibyte, MiB of data. Capacity is routinely extended to 80 minutes and 700 mebibyte, MiB by arranging data more closely on the same sized disc. The Mini CD has various diameters ranging from ; t ...
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Kathleen Long
Kathleen (Ida) Long CBE (7 July 189620 March 1968) was an English pianist and teacher. Life and career Long was born in Brentford, a suburb of London in the UK. McVeagh, Diana"Long, Kathleen"''Grove Music Online'', Oxford Music Online, accessed 3 April 2012 She was a child prodigy who first performed in public at the age of eight at Aeolian Hall in 1915."Long, Kathleen Ida"
''Who Was Who'', A & C Black, 1920–2008; online edition, Oxford University Press, December 2007, accessed 3 April 2012
From 1910 to 1916 she studied with at the

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Decca Records
Decca Records is a British record label established in 1929 by Edward Lewis (Decca), Edward Lewis. Its U.S. label was established in late 1934 by Lewis, Jack Kapp, American Decca's first president, and Milton Rackmil, who later became American Decca's president. In 1937, anticipating Nazi Germany, Nazi aggression leading to World War II, Lewis sold American Decca and the link between the U.K. and U.S. Decca labels was broken for several decades. The British label was renowned for its development of recording methods, while the American company developed the concept of cast albums in the musical genre. Both wings are now part of the Universal Music Group. The U.S. Decca label was the foundation company that evolved into UMG (Universal Music Group). Label name The name dates back to a portable phonograph, gramophone called the "Decca Dulcephone" patented in 1914 by musical instrument makers Barnett Samuel and Sons. The name "Decca" was coined by Wilfred S. Samuel by merging the w ...
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Neville Dilkes
Neville Dilkes (born 28 August 1930) is an English conductor and organist. He was born in Derby, England to a musical family. He became a Fellow of Trinity College of Music, London, and later did his National Service in the Royal Army Medical Corps. He taught at Repton, and then in 1955 was named Director of Music at Corby Grammar School, where he mounted a school production of Gluck's opera '' Orfeo ed Euridice''. This brought together a number of musicians from the Midlands, who formed the Kettering Symphony Orchestra under Dilkes' leadership.
In 1961 he formed the Midland Sinfonia and also a chamber music performance group,
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Colin Tilney
Colin Tilney (born 31 October 1933) is a harpsichordist, fortepianist and teacher. Education and professional life Born in London, Tilney studied music and modern languages at Cambridge University, studied harpsichord with Mary Potts at King's College, Cambridge, and became a student of Gustav Leonhardt. After graduation at Cambridge he spent several years as an opera coach and piano accompanist at Sadler's Wells Theatre and the New Opera Company, following which he focused his energies on teaching and performing on early keyboard instruments. In 1964 he was the harpsichordist under the direction of Igor Stravinsky for the second Columbia recording of ''The Rake's Progress''. Life and work in Canada In 1979 Tilney moved to Canada and settled in Toronto, where he continued to teach privately and at the Royal Conservatory of Music. He performed with Tafelmusik Baroque Orchestra and the Toronto Consort, as well as touring to Asia, Australia, Europe and Great Britain. In 1985 he for ...
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Trevor Pinnock
Trevor David Pinnock (born 16 December 1946 in Canterbury, England) is a British harpsichordist and conductor. He is best known for his association with the period-performance orchestra The English Concert, which he helped found and directed from the keyboard for over 30 years in baroque and classical music. He is a former artistic director of Canada's National Arts Centre Orchestra and founded The Classical Band in New York. Since his resignation from The English Concert in 2003, Pinnock has continued his career as a conductor, appearing with major orchestras and opera companies around the world. He has also performed and recorded as a harpsichordist in solo and chamber music and conducted and otherwise trained student groups at conservatoires. Trevor Pinnock won a Gramophone Award for his recording of Bach's ''Brandenburg Concertos'' with the European Brandenburg Ensemble, an occasional orchestra formed to mark his 60th birthday. Biography and career Early life Trevor Pi ...
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Concerto
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three- movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebastia ...
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