Concerning Hobbits
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Concerning Hobbits
"Concerning Hobbits" is a piece by composer Howard Shore derived from ''The Lord of the Rings: The Fellowship of the Ring'' soundtrack. It is a concert suite of the music of the Hobbits, arranged from the music heard in the film during the early Shire scenes, and features the various themes and leitmotifs composed for the Shire and Hobbits; it is intended to evoke feelings of peace.Marillyn MillerA Magpie's Nest, Concerning Hobbits. It is also the title of one of the sections of the prologue to ''The Lord of the Rings'' by J. R. R. Tolkien. Excerpts of the piece can be heard during an extended scene in the 2012 film '' The Hobbit: An Unexpected Journey'', where it was tracked intentionally. The piece has become synonymous with the Shire and Hobbiton themes. Orchestration The piece uses a large symphony orchestra (originally, The London Philharmonic Orchestra), including an on-stage band consisting of various Celtic instruments including tin whistle and fiddle. Although both i ...
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Howard Shore
Howard Leslie Shore (born October 18, 1946) is a Canadian composer and conductor noted for his film scores. He has composed the scores for over 80 films, most notably the scores for ''The Lord of the Rings'' and ''The Hobbit'' film trilogies. He won three Academy Awards for his work on ''The Lord of the Rings'', with one being for the song " Into the West", an award he shared with Eurythmics lead vocalist Annie Lennox and writer/producer Fran Walsh, who wrote the lyrics. He is also a consistent collaborator with director David Cronenberg, having scored all but one of his films since 1979. Shore has also composed a few concert works including one opera, '' The Fly'', based on the plot of Cronenberg's 1986 film, which premiered at the Théâtre du Châtelet in Paris on July 2, 2008; a short piece named ''Fanfare for the Wanamaker Organ and the Philadelphia Orchestra''; and a short overture for the Swiss 21st Century Symphony Orchestra. Shore has also composed for television, in ...
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Classical Guitar
The classical guitar (also known as the nylon-string guitar or Spanish guitar) is a member of the guitar family used in classical music and other styles. An acoustic wooden string instrument with strings made of gut or nylon, it is a precursor of the modern acoustic and electric guitars, both of which use metal strings. Classical guitars derive from the Spanish vihuela and gittern of the fifteenth and sixteenth century. Those instruments evolved into the seventeenth and eighteenth-century baroque guitar—and by the mid-nineteenth century, early forms of the modern classical guitar. For a right-handed player, the traditional classical guitar has twelve frets clear of the body and is properly held up by the left leg, so that the hand that plucks or strums the strings does so near the back of the sound hole (this is called the classical position). However, the right-hand may move closer to the fretboard to achieve different tonal qualities. The player typically holds the left leg ...
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May It Be
"May It Be" is a song by Irish recording artist Enya. It was composed by Enya and Roma Ryan for Peter Jackson's 2001 film '' The Lord of the Rings: The Fellowship of the Ring''. The song entered the German Singles Chart at number one in 2002 and was performed by Enya at the 74th Academy Awards. "May It Be" was acclaimed by music critics and received nominations for the Academy Award for Best Original Song, the Golden Globe Award for Best Original Song, and the Grammy Award for Best Song Written for Visual Media. Composition Director Peter Jackson approached Enya (under the suggestion of Howard Shore), asking if she would be interested in writing a song for ''The Lord of the Rings''.Enya Fan Studio. Enya Fan Studio, 2005. Web. 22 October 2010. Thrilled at the prospect, Enya headed to New Zealand to see the preliminary edits of the film. Enya worked on the song with Nicky Ryan, her producer, and Roma Ryan, her lyricist. Nicky produced Enya's vocals and arranged the music while Roma ...
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In Dreams (Howard Shore Song)
"In Dreams" is a song by Howard Shore, with lyrics by Fran Walsh, originally written for Peter Jackson's 2001 film '' The Lord of the Rings: The Fellowship of the Ring''. In the film, it was sung by the boy soprano Edward Ross of the London Oratory School Schola. The song makes use of all the variants of one of the musical themes or leitmotifs used in the music written for ''The Lord of the Rings'' film series, namely "The Shire", with its "pensive", "rural", and "hymn" settings. It was originally the main end-credits song, a direct continuation of the Breaking of the Fellowship piece, which features the Hymn variant as well. The musicologist Doug Adams comments that "Like all Shore's music for the hobbits, this song is designed to feel as if it could be both about the Shire and from it—as if it were some sweetly nostalgic song sung at the closing of the Green Dragon nneach night." Since then, it has been arranged for many occasions, including a full symphonic version by ...
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Classic FM (UK)
Classic FM (styled as CLASSIC M) is one of the United Kingdom's three Independent National Radio stations and is owned and operated by Global. The station broadcasts classical music and was launched in 1992. Classic FM was the first national classical music station to launch since the opening of BBC Radio 3, 25 years earlier, in September 1967, and 46 years since the opening of Radio 3's predecessor, The Third Programme, in September 1946. Until March 2019, when Scala Radio was launched, it was the only privately-owned classical music radio service broadcasting terrestrially in the UK; it is still, however, the only such service broadcasting on analogue FM radio. , the station has a weekly audience of 4.6million listeners. Overview Classic FM broadcasts nationally on FM, DAB digital radio, Freeview, satellite and cable television and is available internationally by streaming audio over the internet. It is the only Independent National Radio station to broadcast on FM alongs ...
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Bodhrán
The bodhrán (, ; plural ''bodhráin'' or ''bodhráns'') is a frame drum used in Irish music ranging from in diameter, with most drums measuring . The sides of the drum are deep. A goatskin head is tacked to one side (synthetic heads or other animal skins are sometimes used). The other side is open-ended for one hand to be placed against the inside of the drum head to control the pitch and timbre. One or two crossbars, sometimes removable, may be inside the frame, but this is increasingly rare on modern instruments. Some professional modern bodhráns integrate mechanical tuning systems similar to those used on drums found in drum kits. It is usually with a hex key that the bodhrán skins are tightened or loosened depending on the atmospheric conditions. History Seán Ó Riada declared the bodhrán to be the native drum of the ancient Celts (as did bodhrán maker Paraic McNeela), suggesting that it was possibly used originally for winnowing or wool dying, with a musical hist ...
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Ostinato
In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's '' Boléro'' and the ''Carol of the Bells'', and popular songs such as Donna Summer and Giorgio Moroder's "I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's "Baba O'Riley" (1971), and The Verve's " Bitter Sweet Symphony" (1997). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an os ...
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The Shire
The Shire is a region of J. R. R. Tolkien's fictional Middle-earth, described in ''The Lord of the Rings'' and other works. The Shire is an inland area settled exclusively by hobbits, the Shire-folk, largely sheltered from the goings-on in the rest of Middle-earth. It is in the northwest of the continent, in the region of Eriador and the Kingdom of Arnor. The Shire is the scene of action at the beginning and end of Tolkien's ''The Hobbit'', and of the sequel, ''The Lord of the Rings''. Five of the protagonists in these stories have their homeland in the Shire: Bilbo Baggins (the title character of ''The Hobbit''), and four members of the Fellowship of the Ring: Frodo Baggins, Sam Gamgee, Merry Brandybuck and Pippin Took. The main action in ''The Lord of the Rings'' returns to the Shire near the end of the book, in "The Scouring of the Shire", when the homebound hobbits find the area under the control of Saruman's ruffians, and set things to rights. Tolkien based the Shire's ...
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Hobbiton
The Shire is a region of J. R. R. Tolkien's fictional Middle-earth, described in ''The Lord of the Rings'' and other works. The Shire is an inland area settled exclusively by hobbits, the Shire-folk, largely sheltered from the goings-on in the rest of Middle-earth. It is in the northwest of the continent, in the region of Eriador and the Kingdom of Arnor. The Shire is the scene of action at the beginning and end of Tolkien's ''The Hobbit'', and of the sequel, ''The Lord of the Rings''. Five of the protagonists in these stories have their homeland in the Shire: Bilbo Baggins (the title character of ''The Hobbit''), and four members of the Fellowship of the Ring: Frodo Baggins, Sam Gamgee, Merry Brandybuck and Pippin Took. The main action in ''The Lord of the Rings'' returns to the Shire near the end of the book, in "The Scouring of the Shire", when the homebound hobbits find the area under the control of Saruman's ruffians, and set things to rights. Tolkien based the Shire's ...
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Doug Adams (music Journalist)
Doug Adams is a musician, author, lecturer, and educator. He is the author of ''The Music of the Lord of the Rings Films'', a book about the music in ''The Lord of the Rings'' films. Career Adams previously worked for Film Score Monthly where, among other articles, he wrote extensive analyses of the themes used in John Williams' Star Wars film scores. After graduate school in 2001, Adams was selected by Howard Shore to observe and document his work on ''The Lord of the Rings'' films. Adams spent just under ten years writing the book, ''The Music of the Lord of the Rings Films''. He also wrote the booklets and liner notes packaged with the extended versions of ''The Lord of the Rings'' scores. Adams also works at Hickory Creek Middle School in Frankfort, Illinois as a band director. Adams' association with Howard Shore continued in 2011, during which time he acted as an advisor to Shore's ''The Lord of the Rings in Concert'' series and produced a recording of an orchestrion ...
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Musicologist
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthe ...
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Concertina
A concertina is a free-reed musical instrument, like the various accordions and the harmonica. It consists of expanding and contracting bellows, with buttons (or keys) usually on both ends, unlike accordion buttons, which are on the front. The concertina was developed independently in both England and Germany. The English version was invented in 1829 by Sir Charles Wheatstone, while Carl Friedrich Uhlig introduced the German version five years later, in 1834. Various forms of concertini are used for classical music, for the traditional musics of Ireland, England, and South Africa, and for tango and polka music. Systems The word ''concertina'' refers to a family of hand-held bellows-driven free reed instruments constructed according to various ''systems'', which differ in terms of keyboard layout, and whether individual buttons (keys) produce the same ( unisonoric) or different ( bisonoric) notes with changes in the direction of air pressure. Because the concertina was deve ...
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