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Compression Driver
A compression driver is a small specialized diaphragm loudspeaker which generates the sound in a horn loudspeaker. It is attached to an acoustic horn, a widening duct which serves to radiate the sound efficiently into the air. It works in a "compression" mode; the area of the loudspeaker diaphragm is significantly larger than the throat aperture of the horn so that it provides high sound pressures. Horn-loaded compression drivers can achieve very high efficiencies, around 10 times the efficiency of direct-radiating cone loudspeakers. They are used as midrange and tweeter drivers in high power sound reinforcement loudspeakers, and in reflex or folded-horn loudspeakers in megaphones and public address systems. History In 1924 C. R. Hanna and J. Slepian were the first to discuss the benefits of using a large radiating diaphragm with a horn of smaller throat area as a means of increasing the efficiency of horn loudspeaker drivers. They correctly surmised that this arrange ...
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Midrange Driver
A mid-range speaker is a loudspeaker driver that reproduces sound in the frequency range from 250 to 2000 Hz. It is also known as a squawker. Mid-range drivers are usually cone types or, less commonly, dome types, or compression horn drivers. The radiating diaphragm of a cone mid-range unit is a truncated cone, with a voice coil attached at the neck, along with the spider portion of the suspension, and with the cone surround at the wide end. Cone mid-range drivers typically resemble small woofers. The most common material used for mid-range cones is paper, occasionally impregnated and/or surface-treated with polymers or resins in order to improve vibrational damping. Other mid-range cone materials include plastics such as polypropylene, Cobex, Bextrene, woven Kevlar, fiberglass, carbon fiber, or light metal alloys based on aluminium, magnesium, titanium, or other alloys. The radiating surface of a dome mid-range is typically a 90-degree section of a sphere, made from cloth, metal ...
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Loudspeaker
A loudspeaker (commonly referred to as a speaker or speaker driver) is an electroacoustic transducer that converts an electrical audio signal into a corresponding sound. A ''speaker system'', also often simply referred to as a "speaker" or "loudspeaker", comprises one or more such speaker ''drivers'', an enclosure, and electrical connections possibly including a crossover network. The speaker driver can be viewed as a linear motor attached to a diaphragm which couples that motor's movement to motion of air, that is, sound. An audio signal, typically from a microphone, recording, or radio broadcast, is amplified electronically to a power level capable of driving that motor in order to reproduce the sound corresponding to the original unamplified electronic signal. This is thus the opposite function to the microphone; indeed the ''dynamic speaker'' driver, by far the most common type, is a linear motor in the same basic configuration as the dynamic microphone which uses such ...
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Horn Loudspeaker
A horn loudspeaker is a loudspeaker or loudspeaker element which uses an horn (acoustic), acoustic horn to increase the overall efficiency of the driving element(s). A common form ''(right)'' consists of a compression driver which produces sound waves with a small metal diaphragm vibrated by an electromagnet, attached to a horn, a flaring duct to conduct the sound waves to the open air. Another type is a woofer driver mounted in a loudspeaker enclosure which is divided by internal partitions to form a zigzag flaring duct which functions as a horn; this type is called a ''folded horn'' speaker. The horn serves to improve the coupling efficiency between the speaker driver and the air. The horn can be thought of as an "acoustic transformer" that provides impedance matching between the relatively density, dense diaphragm material and the less-dense air. The result is greater acoustic output power from a given driver. The narrow part of the horn next to the driver is called the "throat" ...
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Horn (acoustic)
An acoustic horn or waveguide is a tapered sound guide designed to provide an acoustic impedance match between a sound source and free air. This has the effect of maximizing the efficiency with which sound waves from the particular source are transferred to the air. Conversely, a horn can be used at the receiving end to optimize the transfer of sound from the air to a receiver. Acoustic horns are found in nature in the form of the burrows constructed by male mole crickets to amplify their song. The earliest appearance of the horn in connection to sound in The Times was published in 1786: Applications Acoustic horns are used in: * horn loudspeakers * brass and woodwind musical instruments * vehicle horns such as those used on cars, trucks, trains, boats, and bicycles * megaphones, often used by lifeguards at public swimming pools. * foghorns, used to warn ships * ear horns, used by people who are hard of hearing (the human ear itself having the form of a horn) * pickup horn ...
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Tweeter
A tweeter or treble speaker is a special type of loudspeaker (usually dome, inverse dome or horn-type) that is designed to produce high audio frequencies, typically deliver high frequencies up to 100 kHz. The name is derived from the high pitched sounds made by some birds (tweets), especially in contrast to the low woofs made by many dogs, after which low-frequency drivers are named (woofers). Operation Nearly all tweeters are electrodynamic drivers using a voice coil suspended within a fixed magnetic field. These designs operate by applying current from the output of an amplifier circuit to a coil of wire called a voice coil. The voice coil produces a varying magnetic field, which works against the fixed magnetic field of a permanent magnet around which the cylindrical voice coil is suspended, forcing the voice coil and the diaphragm attached to it to move. This mechanical movement resembles the waveform of the electronic signal supplied from the amplifier's output ...
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Sound Reinforcement System
A sound reinforcement system is the combination of microphones, signal processors, amplifiers, and loudspeakers in enclosures all controlled by a mixing console that makes live or pre-recorded sounds louder and may also distribute those sounds to a larger or more distant audience. In many situations, a sound reinforcement system is also used to enhance or alter the sound of the sources on the stage, typically by using electronic effects, such as reverb, as opposed to simply amplifying the sources unaltered. A sound reinforcement system for a rock concert in a stadium may be very complex, including hundreds of microphones, complex live sound mixing and signal processing systems, tens of thousands of watts of amplifier power, and multiple loudspeaker arrays, all overseen by a team of audio engineers and technicians. On the other hand, a sound reinforcement system can be as simple as a small public address (PA) system, consisting of, for example, a single microphone connected to ...
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Megaphone
A megaphone, speaking-trumpet, bullhorn, blowhorn, or loudhailer is usually a portable or hand-held, cone-shaped acoustic horn used to amplify a person's voice or other sounds and direct it in a given direction. The sound is introduced into the narrow end of the megaphone, by holding it up to the face and speaking into it, and the sound waves radiate out the wide end. A megaphone increases the volume of sound by increasing the acoustic impedance seen by the vocal cords, matching the impedance of the vocal cords to the air, so that more sound power is radiated. It also serves to direct the sound waves in the direction the horn is pointing. It somewhat distorts the sound of the voice because the frequency response of the megaphone is greater at higher sound frequencies. Since the 1960s the voice-powered ''acoustic megaphone'' described above has been replaced by the ''electric megaphone'', which uses a microphone, an electrically-powered amplifier and a folded horn loudsp ...
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Public Address Systems
A public address system (or PA system) is an electronic system comprising microphones, amplifiers, loudspeakers, and related equipment. It increases the apparent volume (loudness) of a human voice, musical instrument, or other acoustic sound source or recorded sound or music. PA systems are used in any public venue that requires that an announcer, performer, etc. be sufficiently audible at a distance or over a large area. Typical applications include sports stadiums, public transportation vehicles and facilities, and live or recorded music venues and events. A PA system may include multiple microphones or other sound sources, a mixing console to combine and modify multiple sources, and multiple amplifiers and loudspeakers for louder volume or wider distribution. Simple PA systems are often used in small venues such as school auditoriums, churches, and small bars. PA systems with many speakers are widely used to make announcements in public, institutional and commercial buildings ...
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Phase Plug
In a loudspeaker, a phase plug, phasing plug or acoustical transformer is a mechanical interface between a speaker driver and the audience. The phase plug extends high frequency response because it guides waves outward toward the listener rather than allowing them to interact destructively near the driver. Phase plugs are commonly found in high-powered horn loudspeakers used in professional audio, in the mid- and high-frequency bandpasses, positioned between the compression driver diaphragm and the acoustic horn. They may also be present in front of woofer cones in some loudspeaker designs. In each case they serve to equalize sound wave path lengths from the driver to the listener, to prevent cancellations and frequency response problems. The phase plug can be considered a further narrowing of the horn throat, becoming an extension of the horn to the surface of the diaphragm. History An electromechanical driver of the sort later used in loudspeakers was invented by German industria ...
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Studio Monitor
Studio monitors are loudspeakers in speaker enclosures specifically designed for professional audio production applications, such as recording studios, filmmaking, television studios, radio studios and project or home studios, where accurate audio reproduction is crucial. Among audio engineers, the term ''monitor'' implies that the speaker is designed to produce relatively flat (linear) phase and frequency responses. In other words, it exhibits minimal emphasis or de-emphasis of particular frequencies, the loudspeaker gives an accurate reproduction of the tonal qualities of the source audio ("uncolored" or "transparent" are synonyms), and there will be no relative phase shift of particular frequencies—meaning no distortion in sound-stage perspective for stereo recordings. Beyond stereo sound-stage requirements, a linear phase response helps impulse response remain true to source without encountering "smearing". An unqualified reference to a ''monitor'' often refers to a ''ne ...
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Electro-Voice
Electro-Voice (EV) is an American manufacturer of audio equipment, including microphones, amplifiers, and loudspeakers, focused on pro audio applications such as sound reinforcement. As a subdivision of Bosch Communications Systems Inc. since 2006, Electro-Voice markets products for use by consumers as well as small or large concert venues, broadcasting, houses of worship, and in retail situations. History On September 1, 1927, Lou Burroughs and Albert R. Kahn began a small business called Radio Engineers, servicing radio receivers in the basement of the Century Tire and Rubber Company in South Bend, Indiana. Because of the Great Depression, according to Kahn, “We found ourselves insolvent to the extent of $5,000” ($ today). They decided to focus their business on audio products. The company designed a PA system for Notre Dame football coach Knute Rockne. Rockne, who had difficulty being heard at football practices due to health problems that affected his voice, called the n ...
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Community Professional Loudspeakers
Community Professional Loudspeakers is an American manufacturer of loudspeakers and sound reinforcement equipment. The company has been located in the Philadelphia area since its inception in 1968, and has occupied its present location in Chester, Pennsylvania since 1981. A majority share of Community was acquired by Audioprof Group International (AGI) of Antwerp, Belgium, in October 2015. AGI already owned Apart Audio of Belgium. Both Community and Apart Audio were acquired in July 2019 by Biamp of Beaverton, Oregon. Background Bruce Howze founded the company in 1968, which was first named Community Light and Sound. The company originally started in the Philadelphia area, and now occupies a 100,000 square foot space in Chester, Pennsylvania. Community established itself as the first company to utilize fiberglass to create large yet lightweight loudspeaker horns and enclosures. In 1970, it introduced its first notable live sound reinforcement loudspeaker product, the LMF, a fib ...
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