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Compert Con Culainn
''Compert Con Culainn'' ( en, The Conception of Cú Chulainn) is an early medieval Irish narrative about the conception and birth of the hero Cú Chulainn. Part of the Ulster Cycle of Irish mythology, it survives in two major versions. Manuscripts The tale exists in two main recensions. The earliest witness of the first version is the Lebor na hUidre (LU), compiled in the 12th century. The principal scribe (M) was responsible for writing down the main text, while a later reviser (H) erased the ending to make room for his own sequel from the time of Cú Chulainn's birth. According to H's notes, the text was included in the CÃn Dromma Snechtai, an 8th-century manuscript now lost. Further copies of Recension I have come down in six manuscripts of the 15th and 16th centuries, all of them in some way associated with Connacht. The second recension survives in Egerton 1782 and D IV 2, where they immediately follow the first. This recension is also called ''Feis Tige Becfholtaig'' “T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lebor Na HUidre
The manuscript known as Lebor na hUidre (English translation: Book of the Dun Cow) is the oldest extant written in Gaelic (Irish), and the texts included therein recount Irish history through an eschatological lens. The Christian authors who contributed wrote about God’s intervention throughout the island’s history and attempted to understand His larger plan for Ireland.The authors recognized paganism as a part of Irish history but emphasized God’s influence on the mortal, pagan world in order to situate the Christianization of Ireland within the wider context of the spread of Christianity across Western Europe. /nowiki> Written in the 11th and 12th centuries, the inclusion of secular texts is also suggested to be politically motivated, as the scribes were writing in response to the sociopolitical issues that affected them during the time of production, such as the internecine familial strife amongst provinces, and the eventual external strife between the native population ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emain Macha
Navan Fort ( sga, Emain Macha ; ga, Eamhain Mhacha, label=Modern Irish ) is an ancient ceremonial monument near Armagh, Northern Ireland. According to tradition it was one of the great royal sites of pre-Christian Gaelic Ireland and the capital of the Ulaidh. It is a large circular hilltop enclosure—marked by a bank and ditch—inside which is a circular mound and the remains of a ring barrow. Archeological investigations show that there were once buildings on the site, including a huge roundhouse-like structure that has been likened to a temple. In a ritual act, this timber structure was filled with stones, deliberately burnt down and then covered with earth to create the mound which stands today. It is believed that Navan was a pagan ceremonial site and was regarded as a sacred space. It features prominently in Irish mythology, especially in the tales of the Ulster Cycle. According to the ''Oxford Dictionary of Celtic Mythology'', "the amhain Mhachaof myth and legend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narratives Of The Ulster Cycle
A narrative, story, or tale is any account of a series of related events or experiences, whether nonfictional (memoir, biography, news report, documentary, travelogue, etc.) or fictional ( fairy tale, fable, legend, thriller, novel, etc.). Narratives can be presented through a sequence of written or spoken words, through still or moving images, or through any combination of these. The word derives from the Latin verb ''narrare'' (to tell), which is derived from the adjective ''gnarus'' (knowing or skilled). Narration (i.e., the process of presenting a narrative) is a rhetorical mode of discourse, broadly defined (and paralleling argumentation, description, and exposition), is one of four rhetorical modes of discourse. More narrowly defined, it is the fiction-writing mode in which a narrator communicates directly to an audience. The school of literary criticism known as Russian formalism has applied methods that are more often used to analyse narrative fiction, to non-fictio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Irish Literature
Early Irish literature is one of the oldest vernacular literatures in Western Europe, though inscriptions utilising Irish and Latin are found on Ogham stones dating from the 4th century, indicating simultaneous usage of both languages by this period of late antiquity. According to Professor Elva Johnston, "the Irish were apparently the first western European people to develop a full-scale vernacular written literature expressed in a range of literary genres". A significant number of loan words in Irish from other Indo-European languages, including, but not limited to Latin and Greek, are evidenced in Sanas Cormaic, which dates from the 9th century. Two of the earliest examples of literature from an Irish perspective are Saint Patrick's ''Confessio'' and ''Letter to Coroticus'', written in Latin some time in the 5th century, and preserved in the ''Book of Armagh''. The earliest Irish authors It is unclear when literacy first came to Ireland. The earliest Irish writings are inscr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ériu (journal)
''Ériu'' is an academic journal of Irish language studies. It was established in 1904 as the journal of the School of Irish Learning in Dublin.''Ériu'' Royal Irish Academy. When the school was incorporated into the in 1926, the academy continued publication of the journal, in the same format and with the same title. Originally, the journal was published in two parts annually, together making a volume, but parts slipped further apart after Volume III. Articles are written in either Irish or English. References External links *[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Revue Celtique
A revue is a type of multi-act popular theatrical entertainment that combines music, dance, and sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932. Though most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Similar to the related subforms of operetta and musical theatre, the revue art form brings together music, dance and sketches to create a compelling show. In contrast to these, however, revue does not have an overarching storyline. Rather, a general theme serves as the motto for a loosely-related series of acts that alternate between solo performances and dance ensembles. Owing to high ticket prices, ribald publicity campaigns and the occasional use of prurient material, the revue was typically patronized by audience members who earned more and felt even less restricted by middle-class s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zeitschrift Für Celtische Philologie
The ''Zeitschrift für celtische Philologie'' is an academic journal of Celtic studies, which was established in 1897 by the German scholars Kuno Meyer and Ludwig Christian Stern.Busse, Peter E. "''Zeitschrift für celtische Philologie''." In ''Celtic Culture. A Historical Encyclopedia'', ed. J.T. Koch. 5 vols: vol. 5. Santa Barbara et al., 2006. p. 1823. It was the first journal devoted exclusively to Celtic languages and literature and is the oldest significant journal of Celtic studies still in existence today. The emphasis is on (early) Irish language and literature and Continental Celtic languages, but other aspects of Celtic philology and literature (including modern literature) also receive attention. Apart from Stern and Meyer, previous editors include Julius Pokorny, Ludwig Mühlhausen, Rudolf Thurneysen, Rudolf Hertz, Heinrich Wagner, Hans Hartmann, and Karl Horst Schmidt. The current editors-in-chief are Jürgen Uhlich, Torsten Meißner and Bernhard Maier. In addition t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conall Cernach
Conall Cernach (modern spelling: Conall Cearnach) is a hero of the Ulaid in the Ulster Cycle of Irish mythology. He had a crooked neck and is said to have always slept with the head of a Connachta, Connachtman under his knee. His epithet is normally translated as "victorious" or "triumphant", although it is an obscure word, and some texts struggle to explain it. Alternative meanings include "angular, having corners", "swollen", or "possessing a dish or receptacle". The original form of the name "Conall" in Ogham inscriptions was ''Cunavalas''. Legendary biography Physical description In the destruction of Da Derga's Hostel, Conall Cernach is described as follows: "I saw a man there in an ornamented dining compartment, who was the fairest of the warriors of Ireland. A fleecy crimson cloak about him. As white as the snow one of the cheeks on him, as freckled-red as the foxglove the other cheek. One of his two eyes is as blue as a hyacinth, as black as a beetle’s back the other ey ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
County Louth
County Louth ( ; ga, An Lú) is a coastal county in the Eastern and Midland Region of Ireland, within the province of Leinster. Louth is bordered by the counties of Meath to the south, Monaghan to the west, Armagh to the north and Down to the north-east, across Carlingford Lough. It is the smallest county in Ireland by land area and the 17th most populous, with just over 139,100 residents as of 2022. The county is named after the village of Louth. Louth County Council is the local authority for the county. History County Louth is named after the village of Louth, which in turn is named after Lugh, a god of the ancient Irish. Historically, the placename has had various spellings; , , and (see Historic Names List, for full listing). is the modern simplified spelling. The county is steeped in myth, legend and history, and is a setting in the epic. Later it saw the influence of the Vikings, as seen in the name of Carlingford Lough. They also established a longphort a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Findchóem
Findchóem (also spelled Finnchóem, Findcháem, Finncháem, Fionnchaomh) is a character from the Ulster Cycle of Irish mythology. The sister of the Ulster king Conchobar mac Nessa, she is the wife of the poet Amergin, the mother of Conall Cernach Conall Cernach (modern spelling: Conall Cearnach) is a hero of the Ulaid in the Ulster Cycle of Irish mythology. He had a crooked neck and is said to have always slept with the head of a Connachtman under his knee. His epithet is normally transla ... and the wet-nurse of Cúchulainn. Ulster Cycle {{celt-myth-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amergin Mac Eccit
Amergin, also spelled Amorgen, Amairgin, Aimhirghin, Amorghain, may refer to: *Amergin Glúingel, poet and druid of the Irish Mythological Cycle *Amergin mac Eccit, poet and hero of the Irish Ulster Cycle *Amergin of Maigh Seóla Amergin of Maigh Seóla, father of Finbarr of Cork, fl. c. 550. Amergin is described as an artisan from Connacht, and a member of the Uà Briúin. He is said to have belonged to a branch that ruled Maigh Seóla, although they would not be consi ... ( 550), father of Finbarr of Cork, Ireland *Amergin, a crater on Europa {{Disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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