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Common Threads (album)
''Common Threads'' (subtitled ''Live at the Tractor Tavern, Seattle'') is a live album by multi-instrumentalist and composer Joe McPhee recorded in 1995 and first released on the Deep Listening label.Joe McPhee discography
accessed April 22, 2015


Reception

Allmusic reviewer Thom Jurek states "the quintet creates a spacious yet wonderfully murky chamber music, utilizing timbre as its force for forward momentum. The three-string instruments are given free rein to cover or open spaces inside this mode and create intervals of their own for McPhee and S. Dempster. They create textures in space by employing timbral chromatics of timbre and tonal extension and contraction to achieve their aims".
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Joe McPhee
Joe McPhee (born November 3, 1939) is an American jazz multi-instrumentalist born in Miami, Florida, a player of tenor, alto, and soprano saxophone, the trumpet, flugelhorn and valve trombone. McPhee grew up in Poughkeepsie, New York, and is most notable for his free jazz work done from the late 1960s to the present day. Life and career McPhee was born in Miami, Florida, on November 3, 1939. He began playing trumpet when he was eight, before learning other instruments. He played in various high school and then military bands before starting his recording career. His first recording came in 1967, when he appeared on the Clifford Thornton album entitled ''Freedom and Unity''. McPhee taught himself saxophone at the age of 32 after experiencing the music of John Coltrane, Albert Ayler, and Ornette Coleman. During the late 1960s and early 1970s, McPhee lectured on jazz music at Vassar College. In 1975, Werner Uehlinger started the Swiss label Hathut Records with the specific int ...
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Stuart Dempster
Stuart Dempster (born July 7, 1936 in Berkeley, California) is a trombonist, didjeridu player, improviser, and composer. Biography After Dempster completed his studies at San Francisco State College, he was appointed assistant professor at the California State College at Hayward, and instructor at the San Francisco Conservatory (1960–66). During this period he was also a member of the Performing Group at Mills College, and from 1962 to 1966 was first trombonist in the Oakland Symphony Orchestra. In 1967–68, he was a Creative Associate at the State University of New York at Buffalo under Lukas Foss. While there he helped organize the first commercial recording of Terry Riley's ''In C'', in the 1964 premiere of which he had also performed . The following year he was appointed assistant professor at the University of Washington, in Seattle, where he was promoted to full professor in 1985. In 1971–72 he was a Fellow at the Center for Advanced Study at the University of Illi ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Michael Bisio
Michael Bisio (March 4, 1955 Troy, New York, Troy, New York) is an American jazz double bassist, composer, and bandleader. Since 2009 he has been the bassist for the Matthew Shipp Trio. Bisio appears on over 100 CDs, leading on 12 CDs and co-leading on another dozen. Bisio has composed over one hundred works which have been performed in clubs, concert venues, and festivals. They have been broadcast over assorted media. Most have been recorded; some were composed for films and theater, and one found was used in animation. In his book ''Jackson Street After Hours'', music critic Paul de Barros called Bisio one of the heirs to Seattle's earthy yet innovative tradition and marked his compositional style as "a spare, bluesy sound, the sweet- and-sour timbres favored by Charles Mingus." Bisio composed the music for Karl Krogstad's film ''Strings'' (1985). ''Beat Angel'' (2004), a film by Randy Allred with Vincent Balestri, features Bisio's compositions and improvisations. In his fi ...
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Cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned in perfect fifths: from low to high, scientific pitch notation, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages. Played by a ''List of cellists, cellist'' or ''violoncellist'', it enjoys a large solo repertoire Cello sonata, with and List of solo cello pieces, without accompaniment, as well as numerous cello concerto, concerti. As a solo instrument, the cello uses its whole range, from bassline, bass to soprano, and in chamber music such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figure ...
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Erhu
The ''erhu'' (; ) is a Chinese two-stringed bowed musical instrument, more specifically a spike fiddle, which may also be called a ''Southern Fiddle'', and is sometimes known in the Western world as the ''Chinese violin'' or a ''Chinese two-stringed fiddle''. It is used as a solo instrument as well as in small ensembles and large orchestras. It is the most popular of the huqin family of traditional bowed string instruments used by various ethnic groups of China. As a very versatile instrument, the erhu is used in both traditional and contemporary music arrangements, such as pop, rock and jazz. History The ''Erhu'' can be traced back to proto-Mongolic instruments which first appeared in China during the Tang dynasty. It is believed to have evolved from the '' Xiqin'' ( 奚 琴). The xiqin is believed to have originated from the Xi people located in current northeast China. The first Chinese character of the name of the instrument ( 二, ''èr'', two) is believed to come fr ...
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Violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular use. The violin typically has four strings (music), strings (some can have five-string violin, five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow (music), bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical music, Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and ...
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Eyvind Kang
Eyvindur Y. Kang (born 23 June 1971) is an American composer and multi-instrumentalist. His primary instrument is viola, but has also performed on violin, tuba, keyboards and others. In addition to his solo work, Kang has worked extensively with Bill Frisell and John Zorn. Biography Eyvindur Y. Kang was born 23 June 1971 in Corvallis, Oregon, United States. Kang says his family heritage is "a mixture of Icelandic, Danish and Korean." He was raised in Canada and the United States, and has since lived and worked in countries ranging from Italy to Iceland. He studied piano and violin as a child, and as a teen played bass guitar in a reggae band. A recurring theme in his solo work is the "NADE", the meaning of which Kang is not willing to disclose. Referring titles include "Theme from the first NADE", "5th NADE/Invisible Man", "Theme from the sixth NADE" (all three from the debut album ''7 NADEs'', 1996); "Jewel of the NADE", "Mystic NADE" (both from ''Theater of Mineral NADEs'', ...
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Didgeridoo
The didgeridoo (; also spelt didjeridu, among other variants) is a wind instrument, played with vibrating lips to produce a continuous drone while using a special breathing technique called circular breathing. The didgeridoo was developed by Aboriginal peoples of northern Australia at least 1,000 years ago, and is now in use around the world, though still most strongly associated with Indigenous Australian music. In the Yolŋu languages of the indigenous people of northeast Arnhem Land the name for the instrument is the ''yiḏaki'', or more recently by some, ''mandapul''. In the Bininj Kunwok language of West Arnhem Land it is known as ''mako''. A didgeridoo is usually cylindrical or conical, and can measure anywhere from long. Most are around long. Generally, the longer the instrument, the lower its pitch or key. Flared instruments play a higher pitch than unflared instruments of the same length. History There are no reliable sources of the exact age of the didgeridoo. ...
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Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ...
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Soprano Saxophone
The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument invented in the 1840s. The soprano is the third-smallest member of the saxophone family, which consists (from smallest to largest) of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass saxophone and tubax. Soprano saxophones are the smallest and thus highest-pitched saxophone in common use. The instrument A transposing instrument pitched in the key of B, modern soprano saxophones with a high F key have a range from concert A3 to E6 (written low B to high F) and are therefore pitched one octave above the tenor saxophone. There is also a soprano saxophone pitched in C, which is uncommon; most examples were produced in America in the 1920s. The soprano has all the keys of other saxophone models (with the exception of the low A on some baritones and altos). Soprano saxophones were originally keyed from low B to high E, but a low B mechanism was patented in 1887 and ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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