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Comiat
A ''maldit'' (, also spelled ''maudit''; , modern spelling ''maleit'', "curse") was a genre of Catalan and Occitan literature practised by the later troubadours. It was a song complaining about a lady's behaviour and character. A related genre, the ''comiat'' (, ; "dismissal"), was a song renouncing a lover. The maldit and the comiat were often connected as a ''maldit-comiat'' (or ''comiat-maldit'') and they could be used to attack and renounce a figure other than a lady or a lover, like a commanding officer (when combined, in a way, with the ''sirventes''). The ''maldit-comiat'' is especially associated with the Catalan troubadours. Martí de Riquer describes ''un autèntic maldit-comiat'' as a song where a poet leaves a mistress to whom he has long been fruitlessly devoted, and explains her failings which have led him to depart. The earliest ''comiat'' is probably a fragmentary work by Uc Catola, of the first generation of troubadours. ''Maldits'' in Catalonia The most famou ...
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Troubadour
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of troubadou ...
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Guillem De Masdovelles
Guillem de Masdovelles (; fl. 1389–1438) was a Catalan soldier, courtier, politician, and poet. His family came from the Penedès, but he was active in Barcelona, where he became a civic leader. His fifteen poems are preserved alongside the work of his nephew, Joan Berenguer, in a chansonnier compiled by Joan around 1470, the Cançoner dels Masdovelles. Guillem exchanged some poetry with his nephew, who also translated some of Guillem's Occitan pieces into the Catalan language. Guillem also participated in at least three public poetry contests. Military career and ''sirventes'' Guillem is first attested in 1389, when he wrote a ''sirventesch'' during the ''guerra dels armanyaguesos'', war against the Armagnacs. He dedicated the piece to Ramon d'Abella, commander of the cavalry company with which he was fighting at the time. Late in 1389 the count of Armagnac, John III, invaded northern Catalonia from across the Pyrenees in an attempt to seize the Kingdom of Majorca, w ...
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Western Medieval Lyric Forms
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Martín De Riquer
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Bernart De Palaol
Bernat de Palaol or de Mallorques (; fl. 1386) was a Catalan troubadour and merchant from Majorca. He was sometimes called ''lo mercader mallorquí'' (the Majorcan merchant). On 3 May 1386 Bernat participated publicly in a ''partimen'' (poetical debate) with Jacme Rovira before the judges Germà de Gontaut and Ramon Galbarra at the Consistori del Gay Saber in Toulouse. The subject of the debate was this: there was a young lord who loved a young lady who did not return the love, yet there was another young lady, of equal worth, who loved him deeply but to whom he was unattracted; to which of these should he devote his service? Bernat defended the second lady, but the judges found in favour of Jacme and the first lady: the lord, they said, ought to devote himself to the one he truly loves, not the one who truly loves him. Bernat produced only one surviving work, a combination of ''maldit'' and ''comiat'' that began ''Cercatz d'uymay, ja.n siatz belha y pros''. In the tradition of ...
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Consistori De Barcelona
The Consistori (de la Gaya Sciència) de Barcelona (, ; "Academy of the Gay Science of Barcelona") was a literary academy founded in Barcelona by John the Hunter, King of Aragon and Count of Barcelona, in 1393 in imitation of the Consistori del Gay Saber founded in Toulouse in 1323. The poetry produced by and for the Consistori was heavily influenced by the troubadours. The Consistori's chief purpose was to promote "correct" styles and themes and discourage vices (''vicis'') by awarding prizes in competition to poets who adhered to the "rules" of poetic composition. The names of few poets laureate have come down to us and despite some excellent descriptions of the Consistori's activities, associated persons and poems are obscure. Prehistory and origins At Pentecost, 31 May 1338, a contest was held at Lleida before Peter the Ceremonious, John's predecessor, at which those poems adjudged the best were given awards. A panel of judges was designated in advance by the king. It was to pas ...
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Consistori Del Gay Saber
The Consistori del Gay Saber (; "Consistory of the Gay Science") was a poetic academy founded at Toulouse in 1323 to revive and perpetuate the lyric poetry of the troubadours. Also known as the Acadèmia dels Jòcs Florals or Académie des Jeux Floraux ("Academy of the Floral Games"), it is the most ancient literary institution of the Western world. It was founded in 1323 in ToulouseM. de Ponsan, ''Histoire de l' Académie des Jeux floraux'' (Toulouse, 1764), p. 4, French. and later restored by Clémence Isaure as the Consistori del Gay Saber with the goal of encouraging Occitan poetry. The best verses were given prizes at the floral games in the form of different flowers, made of gold or silver, such as violets, rose hips, marigolds, amaranths or lilies. The Consistori eventually became gallicised. It was renewed by Louis XIV in 1694 and still exists today. The has had such prestigious members as Ronsard, Marmontel, Chateaubriand, Voltaire, Alfred de Vigny, Victor Hugo and ...
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Leys D'amor
Guilhem Molinier or Moulinier ( 1330–50) was a medieval Occitan poet from Toulouse. His most notable work is ''Leys d'amors'' ("Laws of Love"), a treatise on rhetoric and grammar that achieved great notoriety and, beyond the Occitan, influenced poets writing in Catalan as well as in Galician or Italian, for which they served as a reference. The occasion for its composition was the founding in 1323 of the Consistori de la Sobregaya Companhia del Gay Saber ("Consistory of the Happy Company of the Gay Science") at Toulouse. The consistory consisted of seven members who organized poetic contests and rewarded lyric poems that best imitated the style of the 12th- and 13th-century troubadours. Molinier was not an original member of the consistory, but he was its chancellor in 1348, when he was tasked with codifying the principles of Occitan lyric poetry. In this work he had a collaborator, Marc Bartholomieu. A final version was approved by the consistory in 1356.. The original ''Leys ...
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Courtly Love
Courtly love ( oc, fin'amor ; french: amour courtois ) was a medieval European literary conception of love that emphasized nobility and chivalry. Medieval literature is filled with examples of knights setting out on adventures and performing various deeds or services for ladies because of their "courtly love". This kind of love is originally a literary fiction created for the entertainment of the nobility, but as time passed, these ideas about love changed and attracted a larger audience. In the high Middle Ages, a "game of love" developed around these ideas as a set of social practices. "Loving nobly" was considered to be an enriching and improving practice. Courtly love began in the ducal and princely courts of Aquitaine, Provence, Champagne, ducal Burgundy and the Norman Kingdom of Sicily at the end of the eleventh century. In essence, courtly love was an experience between erotic desire and spiritual attainment, "a love at once illicit and morally elevating, passionate and ...
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