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Color Scroller
A colour scroller or colour changer is an electro-mechanical lighting accessory used in theater, film, dance and concerts to change the colour projected by stage lighting instruments without the need of a person to be in the vicinity of the light. A colour scroller moves plastic "gel" colour gel ctually dyed polyester and/or other base materials coated with dyesinto the beam of the light. It is generally attached to the gel frame holder at the transmitting end of a lighting fixture, so colour is introduced after the beam characteristics have been defined by the optics of the lighting instrument. Most scrollers are controlled via DMX512 protocol, but some models (e.g. Wybron's Colouram IT) also utilize the RDM protocol. When colour scrollers were first introduced around 1980, a number of companies produced them, including: Avolites, GAM Products, Morpheus Lights, Rainbow, Rosco Laboratories and Wybron Inc. Now the main manufacturers are: A.C. Lighting, Apollo, Morpheus Lights a ...
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Stage Lighting Instrument
Stage lighting instruments (lanterns, or luminaires in Europe) are used in stage lighting to illuminate theatrical productions, concerts, and other performances taking place in live performance venues. They are also used to light television studios and sound stages. Many stagecraft terms vary between the United States and the United Kingdom. In the United States, lighting fixtures are often called "instruments" or "units". In the UK, they are called "lanterns" or "luminaires". This article mainly uses terms common to the United States. Components :''See the picture at the top of the page for the physical location of most components.'' Stage lighting instruments all have the following components: Housing The lamp housing is a metal or plastic container that serves as a body for the entire instrument and prevents light from spilling in unwanted directions. It comprises all of the exterior of the fixture except for the lens or opening. The housing may be designed with specific e ...
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Colour Gel
Color (American English) or colour (British English) is the visual perceptual property deriving from the spectrum of light interacting with the photoreceptor cells of the eyes. Color categories and physical specifications of color are associated with objects or materials based on their physical properties such as light absorption, reflection, or emission spectra. By defining a color space, colors can be identified numerically by their coordinates. Because perception of color stems from the varying spectral sensitivity of different types of cone cells in the retina to different parts of the spectrum, colors may be defined and quantified by the degree to which they stimulate these cells. These physical or physiological quantifications of color, however, do not fully explain the psychophysical perception of color appearance. Color science includes the perception of color by the eye and brain, the origin of color in materials, color theory in art, and the physics of electr ...
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DMX512
DMX512 is a standard for digital communication networks that are commonly used to control lighting and effects. It was originally intended as a standardized method for controlling stage lighting dimmers, which, prior to DMX512, had employed various incompatible proprietary protocols. It quickly became the primary method for linking controllers (such as a lighting console) to dimmers and special effects devices such as fog machines and intelligent lights. DMX512 has also expanded to uses in non-theatrical interior and architectural lighting, at scales ranging from strings of Christmas lights to electronic billboards and stadium or arena concerts. It can now be used to control almost anything, reflecting its popularity in all types of venues. DMX512 uses a unidirectional EIA-485 (RS-485) differential signaling at its physical layer, in conjunction with a variable-size, packet-based communication protocol. DMX512 does not include automatic error checking and correctio ...
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RDM (lighting)
{{manual, date=February 2016 Remote Device Management (RDM) is a protocol enhancement to USITT DMX512 that allows bi-directional communication between a lighting or system controller and attached RDM compliant devices over a standard DMX line. This protocol will allow configuration, status monitoring, and management of these devices in such a way that does not disturb the normal operation of standard DMX512 devices that do not recognize the RDM protocol. The standard was originally developed by the Entertainment Services and Technology Association - Technical Standards (ESTAand is officially known as "ANSI E1.20, Remote Device Management Over DMX512 Networks. Technical Details RDM Physical layer The RDM protocol and the RDM physical layer were designed to be compatible with legacy equipment. All compliant legacy DMX512 receivers should be usable in mixed systems with an RDM controller (console) and RDM responders (receivers). DMX receivers and RDM responders can be used with ...
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Avolites
Avolites Ltd is a multinational technology company based in Park Royal, London. Avolites manufactures high end professional lighting control consoles, stage dimming equipment, and media servers for use in the professional stage lighting and media control systems industries. In 2011 the company expanded into the media server sector of the entertainments technology market by acquiring software developed by Immersive Ltd, supplying control systems used in the 2012 Summer Olympics opening ceremony, and the 2014 Winter Olympics opening ceremony. The company has received awards for many of its products, including the ART-series dimmers, the Sapphire Media, and the Ai media server software. History Avolites started as a lighting production company in 1976 when a group of touring road crew formed a company to manufacture their designs for a touring dimmer rack, the Avolites FD dimmer. The company then expanded into manufacturing lighting control consoles, initially releasin ...
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Dichroic Filter
A dichroic filter, thin-film filter, or interference filter is a color filter used to selectively pass light of a small range of colors while reflecting other colors. By comparison, dichroic mirrors and dichroic reflectors tend to be characterized by the colors of light that they reflect, rather than the colors they pass. Dichroic filters can filter light from a white light source to produce light that is perceived by humans to be highly saturated in color. Such filters are popular in architectural and theatrical applications. Dichroic reflectors known as cold mirrors are commonly used behind a light source to reflect visible light forward while allowing the invisible infrared light to pass out of the rear of the fixture. Such an arrangement allows intense illumination with less heating of the illuminated object. Many quartz-halogen lamps have an integrated dichroic reflector for this purpose, being originally designed for use in slide projectors to avoid melting the slides, ...
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Intelligent Lighting
Intelligent lighting refers to lighting that has automated or mechanical abilities beyond those of traditional, stationary illumination. Although the most advanced intelligent lights can produce extraordinarily complex effects, the intelligence lies with the human lighting designer, control system programmer, or the lighting operator, rather than the fixture itself. For this reason, intelligent lighting (ILS) is also known as automated lighting, moving lights, moving heads, or simply movers. More recently the term has fallen into disuse as abilities once reserved to a specific category of lighting instruments (most notably colour changing and variable focus) have become pervasive across a range of fixtures. The distinction has become more blurred with the introduction of machines that would not be considered lights but share the ability to move their orientation and are operated by the same DMX512 control protocol, such as moving yoke projectors. History There are many patents ...
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Lighting Control Console
A lighting control console (also called a lightboard, lighting board, or lighting desk) is an electronic device used in theatrical lighting design to control multiple stage lights at once. They are used throughout the entertainment industry and are normally placed at the front of house (FOH) position or in a control booth. All lighting control consoles can control dimmers which control the intensity of the lights. Many modern consoles can control Intelligent lighting (lights that can move, change colors and gobo patterns), fog machines and hazers, and other special effects devices. Some consoles can also interface with other electronic performance hardware (i.e. sound boards, projectors, media servers, automated winches and motors, etc.) to improve synchronization or unify their control. Lighting consoles communicate with the dimmers and other devices in the lighting system via an electronic control protocol. The most common protocol used in the entertainment industry today ...
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Daisy Chain (electrical Engineering)
In electrical and electronic engineering, a daisy chain is a wiring scheme in which multiple devices are wired together in sequence or in a ring, similar to a garland of daisy flowers. Daisy chains may be used for power, analog signals, digital data, or a combination thereof. The term ''daisy chain'' may refer either to large scale devices connected in series, such as a series of power strips plugged into each other to form a single long line of strips, or to the wiring patterns embedded inside of devices. Other examples of devices which can be used to form daisy chains are those based on Universal Serial Bus (USB), FireWire, Thunderbolt and Ethernet cables. Signal transmission For analog signals, connections usually consist of a simple electrical bus and, especially in the case of a chain of many devices, may require the use of one or more repeaters or amplifiers within the chain to counteract attenuation (the natural loss of energy in such a system). Digital signal ...
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Source Four
The Electronic Theatre Controls (ETC) Source Four (also known unofficially as Source 4 or S4) is an ellipsoidal reflector spotlight (ERS) used in stage lighting. First released in 1992, the Source Four was invented by David Cunningham and features an improved lamp and reflector compared to previous ERS designs, tool-free lamp adjustment, and a rotating, interchangeable shutter barrel. The Source Four is widely used by professional theaters across the globe. Glass reflector The Source Four uses a faceted borosilicate reflector behind the lamp. Nearly all stage lights have some form of reflector positioned behind the lamp to reflect otherwise wasted light out of the front of the instrument. The Source Four's reflector is dichroic, meaning that it reflects light of only certain wavelengths. The Source Four's reflector reflects back 95% of the visible light striking it, while allowing over 90% of the infrared radiation (heat) to pass out the back of the instrument. This produce ...
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