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Collegiata Di San Michele Arcangelo, Lucignano
The Collegiata di San Michele Arcangelo is Renaissance-style Roman Catholic church located on Via San Giuseppe #1, at one end of the Piazza del Tribunale, in the town of Lucignano, Province of Arezzo, region of Tuscany, Italy. History This collegiate church was designed by Orazio Porta, and built at the site of an ancient castle destroyed during the Florentine-Sienese conflict of 1556. Attached to the castle had been an oratory dedicated to '' St Michael Archangel''. The ruins of the fortress were used to construct this church. The scenographic, baroque, travertine marble stairs, with convex followed by concave levels were designed in 1712 by the Jesuit architect and painter Andrea Pozzo. Only the lower half of the facade was partially complete with brick. Nearly all the stone except for the portal (1715), in pietra serena, remains rough. The interior houses main altar dedicated to ''Saints Peter and Paul'' by Andrea Pozzo. It holds two altarpieces: a ''Visitation'' (1631) by Matte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collegiata Di San Michele Arcangelo (Lucignano)
Collegiata di San Michele Arcangelo may refer to: * Collegiata di San Michele Arcangelo, Lucignano * Collegiata di San Michele Arcangelo, Solofra The Collegiata di San Michele Arcangelo, translated as ''Collegiate Church of St Michael Archangel'', is a richly decorated, Baroque style, Roman Catholic church in Solofra, Province of Avellino, Italy. History The collegiata was instituted by ... See also * San Michele Arcangelo (other) {{disambig, church ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietra Serena
Pietra serena is a blue-gray sandstone used extensively in Renaissance Florence for architectural details. It is also known as Macigno stone. The material obtained at Fiesole is considered the best and is also quarried at Arezzo, Cortona, and Volterra, although it is no longer being actively mined and has been placed under conservation status due to depleting resources. Examples of its use in Florence include the interior pilasters, entablatures, and other decorative elements of Brunelleschi's Pazzi Chapel and Michelangelo's Medici Chapel. The most well-known of its quarries in the Florentine area is the Trassinaia quarry. History Pietra serena was first largely discovered by the Etruscans in the Archaic period who occupied the medieval Italian area of Fiesole. It was used in the construction of much notable Italian architecture during the "Golden Age of Rome", including that of artists such as Michelangelo, Donatello, Brunelleschi, and Vasari. It was also used in building str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Architecture In Tuscany
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally dat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Catholic Churches In Tuscany
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *'' Epistle to the Romans'', shortened to ''Romans'', a letter in the New Testament of the Christian Bible Roman or Romans may also refer to: Arts and entertainment Music * Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *" Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television * Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People *Roman (given name), a given name, including a list of people and fictional characters *Roman (surname), including a list of people named Roman or Romans *ῬωμΠ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Churches In Lucignano
Church may refer to: Religion * Church (building), a building for Christian religious activities * Church (congregation), a local congregation of a Christian denomination * Church service, a formalized period of Christian communal worship * Christian denomination, a Christian organization with distinct doctrine and practice * Christian Church, either the collective body of all Christian believers, or early Christianity Places United Kingdom * Church (Liverpool ward), a Liverpool City Council ward * Church (Reading ward), a Reading Borough Council ward * Church (Sefton ward), a Metropolitan Borough of Sefton ward * Church, Lancashire, England United States * Church, Iowa, an unincorporated community * Church Lake, a lake in Minnesota Arts, entertainment, and media * ''Church magazine'', a pastoral theology magazine published by the National Pastoral Life Center Fictional entities * Church (''Red vs. Blue''), a fictional character in the video web series ''Red vs. Blue'' * Churc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Ademollo
Luigi Ademollo (April 30, 1764 – February 11, 1849) was an Italian painter. Biography He was born in Milan. He studied at the Brera Academy, where he was taught by Giulio Traballesi, Giocondo Albertolli, and Giuseppe Piermarini. He left Milan in 1783 and traveled and worked in Rome and Florence. He married Margaret Cimballi Ferrara in Rome in 1792 and had several children. Ademollo primarily painted frescoes with biblical scenes from the Old and New Testaments. In 1789 he was appointed professor at the Academy of Fine Arts in Florence. He painted in theaters, including the decoration of sipari (theater curtains). He helped fresco the Royal Chapel in the Pitti Palace and also the churches of Santissima Annunziata and Sant'Ambrogio. In Siena, he painted frescoes for the Palazzo Venturi Gallerani and Palazzo Segardi. He died in Florence in 1849. His son Agostino Ademollo (1799–1841) was a writer of romances, including ''Marietta di' Ricci''. His grandson Carlo Ademollo Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rutilio Manetti
Rutilio di Lorenzo Manetti (c. 1571 – 22 July 1639) was an Italian painter of late-Mannerism or proto-Baroque, active mainly in Siena. Biography He was influenced and/or taught by the local artists Francesco Vanni and Ventura Salimbeni. He is known to have collaborated with Raffaello Vanni, the son of Francesco. Among his masterpieces are his contributions to the Casino Mediceo, which he worked alongside Matteo Rosselli, Giovanni Lanfranco, and Cesare Dandini. One of his pupils or followers is Stefano Volpi. He is known for the following works in Siena or nearby towns: ''Story of St Catherine and Pope Gregory'' (1597; Palazzo Pubblico), ''Baptism of Christ'' (1600; church of San Giovannino in Pantaneto); a fresco cycle of the ''Story of St Roch'' (1605–1610; San Rocco alla Lupa), ''Pope Alexander I freed from prison by an Angel'' from San Giovanni Battista in Sant'Ansano in Greti; a ''Temptation of Saint Anthony'' (1620, Sant'Agostino); a ''Rest on the Flight to Egypt'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carpoforo Tencalla
Carpoforo Tencalla (or Tencala) (10 September 1623 - 9 March 1685) was an influential Swiss-Italian Baroque painter of canvases and frescoes. He is little studied and has come only recently to the attention of art critics and historians. He introduced 17th-century Italian painting style with its mythological subjects to Central Europe, reviving the art of fresco on large surfaces. Biography Tencalla was born in Bissone in southern Switzerland. He began his apprenticeship in Lombardy, probably in Milan, Bergamo and Verona, possibly under Isidoro Bianchi, who was related to his mother. Other potential mentoring figures include Giovanni Stefano Danedi (1608–1689), Giuseppe Danedi (1609-1680) and Carlo Francesco Nuvolone (1609-1702). Tencalla's works also show influences from the Bolognese, Roman and Venetian schools. He began in 1655 as a fresco painter under the direction of the Italian architect-engineer Filiberto Lucchese in the Pálffy castle Červený Kameň (now S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacinto Gimignani
Giacinto Gimignani (1606 – December 9, 1681) was an Italian painter, active mainly in Rome, during the Baroque period. He was also an engraver in aquaforte. Biography Gimignani was born in Pistoia, where his father, Alessio (1567–1651) was also a painter and former pupil of Jacopo Ligozzi. Gimignani had been patronized by the prominent Guido Rospigliosi, Cardinal Secretary of State, and descendant of prominent Rospigliosi family of Pistoia. By 1630 his father arranged for him to travel to Rome, where he is said to have begun training under Poussin, and by 1632 transferring to work under Pietro da Cortona. Luigi Lanzi describes that he learned design from the former, and color from the latter. In Rome, his first known work is the fresco of the ''Rest on the Flight to Egypt'' (1632), a lunette in the chapel of the Palazzo Barberini. He competed with Camassei and Maratta for fresco commissions, including the fresco of the ''Vision of the Cross by Constantine the Great'' in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Onorio Marinari
Onorio Marinari (1627 – January 5, 1715) was an Italian painter and printmaker of the Baroque period, active mainly in Florence. His father, Sigismondo di Pietro Marinari, was also a painter, and he trained with his cousin, Carlo Dolci, later being also influenced by Simone Pignoni and Francesco Furini. His fresco in the Palazzo Capponi, Florence, is dated 1707. He worked mainly in Florence for Florentine and Tuscan clients, but he did not devote himself only to painting. In fact, in 1674, he published an essay on astronomy entitled ''Fabbrica ed uso dell' Annulo Astronomico''. Bartolomeo Bimbi image:Bartolomeo Bimbi.jpg, left, 180px, Medici citrus collection, 1715 Bartolomeo Bimbi (15 May 1648 – 1729) was a Florence, Florentine painter of still lifes, commissioned by his patrons including Cosimo III de' Medici, Grand Duke of Tuscan ... was one of his pupils. Annunciazione - Onorio Marinari.jpg, ''Annunciation'', 1699 Onorio Marinari Santa Catalina The Wallace Collection ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matteo Rosselli
Matteo Rosselli (10 August 1578 – 18 January 1650) was an Italian painter of the late Florentine Counter- Mannerism and early Baroque. He is best known however for his highly populated grand-manner historical paintings. Biography He first apprenticed with Gregorio Pagani. On 26 February 1599, he was inducted to the Accademia del Disegno, and in 1605 traveled to Rome to work with Domenico Passignano for six months. He completed some frescoes on ''The Legend of the Origin of the Servite Order'' (1614–1618) in the Palazzo Pitti and in the Cloister of the Basilica della Santissima Annunziata; a ''Madonna and child with St Francis'' altarpiece for the Church of Santa Maria Maggiore in Florence; and an ''Adoration of the Magi'' (1607) for the Church of Sant'Andrea in Montevarchi. He painted a ''Crucifixion'' (1613) now in the parish church at Scarperia. He painted a ''Last Supper'' (1614) now in Conservatorio di San Pier Martire. Upon the French monarch's death, he was commiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Pozzo
Andrea Pozzo (; Latinized version: ''Andreas Puteus''; 30 November 1642 – 31 August 1709) was an Italian Jesuit brother, Baroque painter, architect, decorator, stage designer, and art theoretician. Pozzo was best known for his grandiose frescoes using the technique of quadratura to create an illusion of three-dimensional space on flat surfaces. His masterpiece is the nave ceiling of the Church of Sant'Ignazio in Rome. Through his techniques, he became one of the most noteworthy figures of the Baroque period. He is also noted for the architectural plans of Ljubljana Cathedral (1700), inspired by the designs of the Jesuit churches Il Gesù and S. Ignazio in Rome. Biography Early years Born in Trento (then under Austrian rule), he studied Humanities at the local Jesuit High School. Showing artistic inclinations he was sent by his father to work with an artist; Pozzo was then 17 years old (in 1659). Judging by aspects of his early style this initial artistic training came probab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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