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Collegiata Di San Martino
The Collegiata di San Martino is a Renaissance-style, Roman Catholic collegiate church in the center of Sinalunga, province of Siena, region of Tuscany, Italy. It is now part of the Diocese of Montepulciano-Chiusi-Pienza. Located in a town hotly contested by Siena and Florence prior to the 16th century, the town's castle was razed after Florence defeated the Sienese forces during the Italian War of 1551–1559. The stones were reused to build the Collegiata in 1588. Among the artworks in the church, some derived from the nearby old church of San Martino, later called Santa Croce; they include: *''Madonna and Child with Saints Martin and Sebastian'' by |
Benvenuto Di Giovanni
Benvenuto di Giovanni, also known as Benvenuto di Giovanni di Meo del Guasta (13 September 1436 – c. 1518) was an Italian painter and artist known for his choral miniatures, pavement designs, and frescoes. Working chiefly in Siena, he was first recognized to be working as an artist in 1453 and continued his work nearly until his death in approximately 1518. During his lifetime, he was influenced by many various artists and in the 1480s, Benvenuto's style changed drastically. Though Benvenuto did explore into other fields of work, painting was consistently a part of his life. His son, Girolamo di Giovanni, followed in his footsteps and also became a painter. In fact, there have often been instances in which the work of one the two has been confused for that of the other. Nevertheless, Benvenuto left behind significantly more works. Some of his works were both signed and dated, some were only signed, and some were only dated. However, regardless of debate over date or authorship, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Architecture In Tuscany
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally dat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Roman Catholic Church Buildings In Italy
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Nicola Nasini
Giuseppe Nicola Nasini (January 25, 1657– July 3, 1736) was an Italian painter of the Baroque period, active in Rome and Tuscany. Biography Born in Castel del Piano, now in the Province of Grosseto, Giuseppe was the son of the painter Francesco Nasini and was one of the Tuscan pupils in the Medici-patronized Grand-Ducal Academy for the Arts located in Rome and directed from 1673–86, by Ciro Ferri. He was also sponsored in Rome by Agostino Chigi. From 1679 to 1680, Nasini completed over a dozen portraits of Chigi's family; some are copies of paintings by Jacob Ferdinand Voet and Alessandro Mattia da Farnese. On October 15, 1680, his paintings of the ''Judgement of Solomon'' and ''Elias meets a child and widow'' was awarded second prize for design in the first class of painting at the Accademia di San Luca contest. In July 1681, he completed a ''St Peter of Alcantara'' for the church in the Villa Medicea L'Ambrogiana, near Montelupo Fiorentino Nasini returned to Florence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Nasini
Francesco Nasini (Piancastagnaio, either 1611 or 1621– Castel del Piano, 1695) was an Italian painter of the Baroque period, active mainly in towns outside of Siena, Italy. Francesco was the progenitor of a pedigree of painters. He had a brother, Antonio Annibale Nasini. Most famous of all the family was his son Giuseppe Nicola Nasini (1664-1736), who traveled to Rome and had widespread patronage. Francesco was also the father of Antonio Nasini (1631-1716), who like his father, was mainly active near Siena. Finally, Apollonio Nasini, son of Giuseppe, was also a painter of some distinction. Francesco was very prolific in the province of Siena. In an inventory of works of art in Siena, many works are listed by specific members of the family, or attributed to the family. For example, in the right chapel of the church of the Madonna del Rimedii, were frescoes, in poor condition, of Saints Cecilia, Agnese, Margherita, Barbara, Rocco, and Agustine (1700). In a chapel on the left, were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rutilio Manetti
Rutilio di Lorenzo Manetti (c. 1571 – 22 July 1639) was an Italian painter of late-Mannerism or proto-Baroque, active mainly in Siena. Biography He was influenced and/or taught by the local artists Francesco Vanni and Ventura Salimbeni. He is known to have collaborated with Raffaello Vanni, the son of Francesco. Among his masterpieces are his contributions to the Casino Mediceo, which he worked alongside Matteo Rosselli, Giovanni Lanfranco, and Cesare Dandini. One of his pupils or followers is Stefano Volpi. He is known for the following works in Siena or nearby towns: ''Story of St Catherine and Pope Gregory'' (1597; Palazzo Pubblico), ''Baptism of Christ'' (1600; church of San Giovannino in Pantaneto); a fresco cycle of the ''Story of St Roch'' (1605–1610; San Rocco alla Lupa), ''Pope Alexander I freed from prison by an Angel'' from San Giovanni Battista in Sant'Ansano in Greti; a ''Temptation of Saint Anthony'' (1620, Sant'Agostino); a ''Rest on the Flight to Egypt'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Sodoma
Il Sodoma (1477 – 14 February 1549) was the name given to the Italian Renaissance painter Giovanni Antonio Bazzi. Il Sodoma painted in a manner that superimposed the High Renaissance style of early 16th-century Rome onto the traditions of the provincial Sienese school; he spent the bulk of his professional life in Siena, with two periods in Rome. Biography Giovanni Bazzi was born in Vercelli, Piedmont, in 1477. His first master was the "archaic" Martino Spanzotti; he also appears to have been a student of the painter Giovenone. After acquiring the strong colouring and other distinctive stylistic features of the Lombard school and – though he is not known to have travelled to Milan – somehow absorbing the superficial mannerisms of Leonardo (Freedberg 1993:117), he travelled to Siena before 1503, perhaps at the behest of agents of the Spannocchi family, and began with fresco cycles for Olivetan monks and a series of small Ovidian ceiling panels and a frieze depicting t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Architecture
Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of Ancient Greece, ancient Greek and Ancient Rome, Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to Spain, France, Germany, England, Russia and other parts of Europe at different dates and with varying degrees of impact. Renaissance style places emphasis on symmetry, proportion (architecture), proportion, geometry and the regularity of parts, as demonstrated in the architecture of classical antiquity and in particular ancient Roman architecture, of which many examples remained. Orderly arrangements of columns, pi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Croce, Sinalunga
Santa Croce is a Renaissance-style, Roman Catholic church in the center of Sinalunga, province of Siena, region of Tuscany, Italy. It is now part of the Diocese of Montepulciano-Chiusi-Pienza. The church stands adjacent to, but predates, the Collegiata di San Martino. The façade dates to the a Mannerist architect of the 16th century. The façade has an empty frame above the central portal and other awkward elements. The church has lost many of the artworks, but still retains an altarpiece by the school of Luca Signorelli Luca Signorelli ( – 16 October 1523) was an Italian Renaissance painter from Cortona in Tuscany, who was noted in particular for his ability as a draftsman and his use of foreshortening. His massive frescos of the ''Last Judgment'' (1499–15 ..., depicting the ''Marriage of the Virgin''. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian War Of 1551–1559
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Culture of Italy, Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) {{Disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
