College Of Fine And Applied Art (Khartoum)
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College Of Fine And Applied Art (Khartoum)
The College of Fine and Applied Art in Khartoum is the only public art school in Sudan. Its predecessor was founded by the Anglo-Egyptian Sudan, British administration in 1945 as School of Design in the former Gordon Memorial College (later the University of Khartoum). In 1951, it was incorporated into the Khartoum Technical Institute that became the Sudan University of Science and Technology (SUST) in 1971, and the school was renamed College of Fine and Applied Art. Some of the notable Sudanese artists who studied or taught at the college are Kamala Ibrahim Ishaq, Ibrahim El-Salahi and Ahmed Shibrain, also known internationally as members of the Khartoum School of Modernism, Modernist art. Despite considerable setbacks caused mainly by the neglect of several governments since the late 1980s, the art school continues into the 21st century and is the place where many of Sudan's modern visual artists have started their artistic education. After the Sudanese Revolution of 2018/19, the ...
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Khartoum
Khartoum or Khartum ( ; ar, الخرطوم, Al-Khurṭūm, din, Kaartuɔ̈m) is the capital of Sudan. With a population of 5,274,321, its metropolitan area is the largest in Sudan. It is located at the confluence of the White Nile, flowing north from Lake Victoria, and the Blue Nile, flowing west from Lake Tana in Ethiopia. The place where the two Niles meet is known as ''al-Mogran'' or ''al-Muqran'' (; English: "The Confluence"). From there, the Nile continues north towards Egypt and the Mediterranean Sea. Divided by these two parts of the Nile, Khartoum is a tripartite metropolis with an estimated population of over five million people, consisting of Khartoum proper, and linked by bridges to Khartoum North ( ) and Omdurman ( ) to the west. Khartoum was founded in 1821 as part of Egypt, north of the ancient city of Soba. While the United Kingdom exerted power over Egypt, it left administration of the Sudan to it until Mahdist forces took over Khartoum. The British atte ...
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Slade School Of Fine Art
The UCL Slade School of Fine Art (informally The Slade) is the art school of University College London (UCL) and is based in London, England. It has been ranked as the UK's top art and design educational institution. The school is organised as a department of UCL's Faculty of Arts and Humanities. History The school traces its roots back to 1868 when lawyer and philanthropist Felix Slade (1788–1868) bequeathed funds to establish three Chairs in Fine Art, to be based at Oxford University, Cambridge University and University College London, where six studentships were endowed. Distinguished past teachers include Henry Tonks, Wilson Steer, Randolph Schwabe, William Coldstream, Andrew Forge, Lucian Freud, Phyllida Barlow, John Hilliard, Bruce McLean, Alfred Gerrard. Edward Allington was Professor of Fine Art and Head of Graduate Sculpture until his death in 2017. Two of its most important periods were immediately before, and immediately after, the turn of the twentieth cen ...
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Rashid Diab
Rashid Diab ( ar, راشد دياب, Wad Madani, Sudan, 1957) is a Sudanese painter, visual artist and art historian. Life and artistic career Diab studied at the School of Fine and Applied Arts in Khartoum, from which he graduated in 1978 with honours. Sponsored by a scholarship from the government of Spain, he continued his studies at the Complutense University of Madrid, and submitted his PhD thesis on the ''‘Philosophy of Sudanese Art’'' in 1991. Back in Khartum since 1999, Diab has been active as a painter, art teacher and director of his own artistic center. His work has been widely exhibited and included in private collections. The Encyclopedia of African History describes Diab's colourful style as an exemplification of the generation of artists that followed Sudanese pioneers like Ibrahim el-Salahi, Ibrahim El Salahi of the School of Khartoum and "''developed a more universal aesthetic, that merges Western, African, and Islamic influences and expresses cultura ...
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Mo Abarro
Mo Abbaro (17 October 1933 – 12 March 2016),"Mo Abbaro, ceramicist – obituary"
'''', 19 May 2016.
Abbaro, Halida and Besheer (2016)
"Mohammed Ahmed Abdalla Abbaro 1933-2016"
''CPA News: The Craft Potters Association'', Number 167, pp. 8–9.
also known professionally as Mo Abdalla or Mohammed Ahmed Abdalla Abbaro, was a London-based

Hassan Musa
Hassan Musa (born 1951 in El Nuhud, Sudan), is a Sudanese-born French contemporary painter. He is one of the Sudanese pioneers in contemporary art and zoomorphic calligraphy. Musa’s artwork is known to adapt, mix and combine diverse styles from contrasting parts of the world: his stylistic inspirations are rooted from European painting, Arabic calligraphy and Chinese watercolor. Musa’s paintings gather printed textiles which are utilized as canvas. Its theme habitually appropriates classical Western artworks to approach and challenge well-known figures such as Osama bin Laden, Che Guevara, Vincent van Gogh or Josephine Baker. One of the most well-known statements of the artist is “Images are like blows: we receive them, we give them back. We transmit violent things because that is the way we receive them. It's a way to survive, my images are my line of defense”. Musa here elaborates on how he uses his interpretation on western politics, culture and art to revive images pres ...
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Osman Waqialla
Osman Waqialla ( ar, عثمان وقيع الله, 1925−4 January 2007), was a 20th century Sudanese painter and calligrapher, noted for his creative use of Arabic letter forms in his artworks, thereby integrating African and Islamic cultural traditions into the contemporary art of Sudan. This use of Arabic calligraphy as a modern, non-religious graphic form places Waquialla within the Arabic art movement that became known as the Hurufiyya movement. Life and career Waqialla was born in Rufa'a, in Central Sudan, Al Jazirah state on the banks of the Blue Nile. He graduated from the School of Design, Gordon Memorial College, Khartoum, Sudan in 1945. In 1946, he received a scholarship and moved to England to join Camberwell School of Arts and Crafts in London and finished his studied in 1949. Later he moved to Cairo, Egypt, where he trained as a calligrapher under the master Sayyid Muhammed Ibrahim (died 1994) at the Cairo School of Arabic Calligraphy. During his time at Cam ...
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Calligraphy
Calligraphy (from el, link=y, καλλιγραφία) is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner". Modern calligraphy ranges from functional inscriptions and designs to fine-art pieces where the letters may or may not be readable. Classical calligraphy differs from type design and non-classical hand-lettering, though a calligrapher may practice both. CD-ROM Calligraphy continues to flourish in the forms of wedding invitations and event invitations, font design and typography, original hand-lettered logo design, religious art, announcements, graphic design and commissioned calligraphic art, cut stone inscriptions, and memorial documents. It is also used for props and moving images for film and television, and also for testimonials, birth and death cert ...
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Modern Art
Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic for the traditional arts, toward abstraction is characteristic of much modern art. More recent artistic production is often called contemporary art or postmodern art. Modern art begins with the heritage of painters like Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat and Henri de Toulouse-Lautrec all of whom were essential for the development of modern art. At the beginning of the 20th century Henri Matisse and several other young artists including the Proto-Cubism, pre-c ...
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Khartoum Polytechnic Complex, College Of Fine And Applied Art Sudan 1978 Designed By Abdel-Moneim Mustafa Ayoub And Omer Salim - Site Landscape Proposals
Khartoum or Khartum ( ; ar, الخرطوم, Al-Khurṭūm, din, Kaartuɔ̈m) is the capital of Sudan. With a population of 5,274,321, its metropolitan area is the largest in Sudan. It is located at the confluence of the White Nile, flowing north from Lake Victoria, and the Blue Nile, flowing west from Lake Tana in Ethiopia. The place where the two Niles meet is known as ''al-Mogran'' or ''al-Muqran'' (; English: "The Confluence"). From there, the Nile continues north towards Egypt and the Mediterranean Sea. Divided by these two parts of the Nile, Khartoum is a tripartite metropolis with an estimated population of over five million people, consisting of Khartoum proper, and linked by bridges to Khartoum North ( ) and Omdurman ( ) to the west. Khartoum was founded in 1821 as part of Egypt, north of the ancient city of Soba. While the United Kingdom exerted power over Egypt, it left administration of the Sudan to it until Mahdist forces took over Khartoum. The British att ...
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Encyclopædia Britannica
The (Latin for "British Encyclopædia") is a general knowledge English-language encyclopaedia. It is published by Encyclopædia Britannica, Inc.; the company has existed since the 18th century, although it has changed ownership various times through the centuries. The encyclopaedia is maintained by about 100 full-time editors and more than 4,000 contributors. The 2010 version of the 15th edition, which spans 32 volumes and 32,640 pages, was the last printed edition. Since 2016, it has been published exclusively as an online encyclopaedia. Printed for 244 years, the ''Britannica'' was the longest running in-print encyclopaedia in the English language. It was first published between 1768 and 1771 in the Scottish capital of Edinburgh, as three volumes. The encyclopaedia grew in size: the second edition was 10 volumes, and by its fourth edition (1801–1810) it had expanded to 20 volumes. Its rising stature as a scholarly work helped recruit eminent con ...
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Islamic Art
Islamic art is a part of Islamic culture and encompasses the visual arts produced since the 7th century CE by people who lived within territories inhabited or ruled by Muslim populations. Referring to characteristic traditions across a wide range of lands, periods, and genres, Islamic art is a concept used first by Western art historians since the late 19th century. Public Islamic art is traditionally non- representational, except for the widespread use of plant forms, usually in varieties of the spiralling arabesque. These are often combined with Islamic calligraphy, geometric patterns in styles that are typically found in a wide variety of media, from small objects in ceramic or metalwork to large decorative schemes in tiling on the outside and inside of large buildings, including mosques. Other forms of Islamic art include Islamic miniature painting, artefacts like Islamic glass or pottery, and textile arts, such as carpets and embroidery. The early developments of Isla ...
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African Art
African art describes the modern and historical paintings, sculptures, installations, and other visual culture from native or indigenous Africans and the African continent. The definition may also include the art of the African diasporas, such as: African American, Caribbean or art in South American societies inspired by African traditions. Despite this diversity, there are unifying artistic themes present when considering the totality of the visual culture from the continent of Africa. Pottery, metalwork, sculpture, architecture, textile art and fibre art are important visual art forms across Africa and may be included in the study of African art. The term "African art" does not usually include the art of the North African areas along the Mediterranean coast, as such areas had long been part of different traditions. For more than a millennium, the art of such areas had formed part of Berber or Islamic art, although with many particular local characteristics. The Art of E ...
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