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Collecting Society
A copyright collective (also known as a copyright society, copyright collecting agency, licensing agency or copyright collecting society or collective management organization) is a non-governmental body created by copyright law or private agreement which licenses copyrighted works on behalf of the authors and engages in collective rights management. Copyright societies track all the events and venues where copyrighted works are used and ensure that the copyright holders listed with the society are remunerated for such usage. The copyright society publishes its own tariff scheme on its websites and collects a nominal administrative fee on every transaction. Copyright societies evolved out of the need to have an organised body for licensing and managing copyrighted works. Without copyright societies, it would be impossible for users like restaurants, malls and large events to collect licenses from individual copyright holders and negotiate terms with them. Copyright societies negoti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Copyright Law
A copyright is a type of intellectual property that gives its owner the exclusive legal right to copy, distribute, adapt, display, and perform a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to Limitations and exceptions to copylimitations based on public interest considerations, such as the fair use doctrine in the United States and fair dealings doctrine in the United Kingdom. Some jurisdictions require "fixing" copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders. These rights normally include reproduction, control over derivative works, distribution, Performing rights, public performance, and moral rights such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Composer
A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and definition The term is descended from Latin, ''compōnō''; literally "one who puts together". The earliest use of the term in a musical context given by the ''Oxford English Dictionary'' is from Thomas Morley's 1597 ''A Plain and Easy Introduction to Practical Music'', where he says "Some wil be good descanters ..and yet wil be but bad composers". "Composer" is a loose term that generally refers to any person who writes music. More specifically, it is often used to denote people who are composers by occupation, or those who work in the tradition of Western classical music. Writers of exclusively or primarily songs may be called composers, but since the 20th century the terms ' songwriter' or ' singer-songwriter' are more often used, p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SESAC
SESAC is a for-profit performance-rights organization in the United States. Founded in 1930 as the Society of European Stage Authors and Composers, it is the second-oldest performance-rights organization in the United States.About us SESAC. Retrieved on 2007-07-20. SESAC has 30,000 songwriters and more than 1 million compositions in its catalogue. History The Society of European Stage Authors and Composers was founded by Paul Heinecke, a German immigrant, in New York in 1930. SESAC originally strove to support underrepresented European stage authors and composers with their American performance royalties, hence the original name. Heinecke led the firm until his death in 1972. In the 1930s, SESAC helped broadcasters satisfy |
American Society Of Composers, Authors And Publishers
The American Society of Composers, Authors, and Publishers (ASCAP) () is an American not-for-profit performance-rights organization (PRO) that collectively licenses the public performance rights of its members' musical works to venues, broadcasters, and digital streaming services (music stores). ASCAP collects licensing fees from users of music created by ASCAP members, then distributes them back to its members as royalties. In effect, the arrangement is the product of a compromise: when a song is played, the user does not have to pay the copyright holder directly, nor does the music creator have to bill a radio station for use of a song. In 2024, ASCAP collected approximately 1.84 billion in revenue, distributed approximately 1.7 billion in royalties to rightsholders, and maintained a registry of approximately 20 million works. The organization had approximately 1 million members as of 2024. ASCAP has drawn negative attention for attempting to enforce licensing fees when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collective Administration Of Copyrights
ollective societies to manage licenses for copyrighted material belonging to more than one copyright owner. These collective societies are responsible for granting permission to use the works they manage and setting out what conditions users of their works must follow. Examples of collective societies in Canada include: Christian Video Licensing International (licensing audiovisual programs to religious institutions) and the Canadian Broadcasters Rights Agency (licensing of programming owned by Canadian television stations and networks.) Reasons justifying the practice of collective administration of copyrights often pertain to debates over the economic efficiency of such policies. Collective administration of copyrights in Canada differs from collective administration policies in other Hkcbn jurisdictions such as the United States and United Kingdom. Consequently, the justifications for Canadian collective administration will not necessarily be identical to that of other systems. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Access Copyright
The Canadian Copyright Licensing Agency (formerly Cancopy), operating as Access Copyright is a Canadian not-for-profit copyright collective. It collects revenues from licensed Canadian businesses, government, schools, libraries, and other copyright users for the photocopying of print works and distributes those monies to the rightsholders, such as publishers and authors from Canada and around the world. Access Copyright covers works published in Australia, Argentina, Canada, Denmark, France, Germany, Greece, Hong Kong, Iceland, Ireland, Italy, Liechtenstein, Malta, Netherlands, New Zealand, Norway, South Africa, Singapore, Spain, Switzerland, United Kingdom, and the United States. University model licence When universities sign on to a licence with Access Copyright (negotiated by the Association of Universities and Colleges of Canada (AUCC) or the Association of Canadian Community Colleges), their professors and students are given permission to do certain copying of copyrighted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Public Domain
The public domain (PD) consists of all the creative work to which no Exclusive exclusive intellectual property rights apply. Those rights may have expired, been forfeited, expressly Waiver, waived, or may be inapplicable. Because no one holds the exclusive rights, anyone can legally use or reference those works without permission. As examples, the works of William Shakespeare, Ludwig van Beethoven, Miguel de Cervantes, Zoroaster, Lao Zi, Confucius, Aristotle, L. Frank Baum, Leonardo da Vinci and Georges Méliès are in the public domain either by virtue of their having been created before copyright existed, or by their copyright term having expired. Some works are not covered by a country's copyright laws, and are therefore in the public domain; for example, in the United States, items excluded from copyright include the formulae of Classical mechanics, Newtonian physics and cooking recipes. Other works are actively dedicated by their authors to the public domain (see waiver) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Performance Rights Organisation
A performance rights organisation (PRO), also known as a performing rights society, provides intermediary functions, particularly collection of royalties, between copyright holders and parties who wish to use copyrighted works ''publicly'' in locations such as shopping and dining venues. Legal consumer purchase of works, such as buying CDs from a music store, confer ''private'' performance rights. PROs usually only collect royalties when use of a work is incidental to an organisation's purpose. Royalties for works essential to an organisation's purpose, such as theaters and radio, are usually negotiated directly with the rights holder. The interest of the organisations varies: many have the sole focus of musical works, while others may also encompass works and authors for audiovisual, drama, literature, or the visual arts. In some countries PROs are called copyright collectives or copyright collecting agencies. A copyright collective is more general than a PRO as it is not limit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
PRS For Music
PRS for Music Limited (formerly The MCPS-PRS Alliance Limited) is a British music copyright collective, made up of two collection societies: the Mechanical-Copyright Protection Society (MCPS) and the Performing Right Society (PRS). It undertakes collective rights management for musical works on behalf of its 175,000 members. PRS for Music was formed in 1997 following the MCPS-PRS Alliance. In 2009, PRS and MCPS-PRS Alliance realigned their brands and became PRS for Music. PRS represents their songwriter, composer and music publisher members’ performing rights, and collects royalties on their behalf whenever their music is played or performed publicly. MCPS also represents songwriters, composers and music publishers – representing their mechanical rights, and collects royalties whenever their music is reproduced as a physical product – this includes CDs, DVDs, digital downloads and broadcast or online. PRS (Performing Right Society) and MCPS (Mechanical Copyright Prote ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Copyright Licensing Agency
The Copyright Licensing Agency (CLA) is a UK non-profit organisation established in 1983 to perform collective licensing on behalf of its members the Authors' Licensing and Collecting Society (ALCS), Publishers' Licensing Services(PLS), the Design and Artists Collecting Society (DACS) and PICSEL. The Copyright Licensing Agency is based in 6 Hay's Lane, London, SE1 2HB. Aim The Copyright Licensing Agency (CLA) irecognised by the UK governmentas the collective rights licensing body for text and images from book, journal and magazine content. CLA exists to simplify copyright for content users and copyright owners. Its aim is to help its customers legally access, copy or share the published content that they want, while making sure copyright owners are paid for the use of their work. As an aggregator of publisher, author and visual artist rights from 35 countries, CLA is a leading provider of licences and products to the education, corporate and public sectors. CLA is a n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Writers Association
The Screenwriters Association (formerly Film Writer's Association) is a labour union based in Mumbai, India. Members are authors, novelists, playwrights, and journalists who work in films, TV, and digital media. Members of SWA can register their scripts, screenplays and lyrics with the organisation, and seek recourse in case of a dispute. SWA has a legal officer on board and the dispute settlement committee handles cases pertaining to writers' rights regarding credit and payments. The Screenwriters Association is an autonomous body, for writers and run by writers of India. On 27 September 2020 the Screenwriters Association held its first ever award ceremony. References External linksOfficial Website 1954 establishments in Bombay S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Companies Act 2013
The Companies Act 2013 (No. 18 of 2013) is an Act of Parliament, Act of the Parliament of India which forms the primary source of Indian company law. It received presidential assent on 29 August 2013, and largely superseded the Companies Act 1956. The Act was brought into force in stages. Section 1 of this act came into force on 30 August 2013. 98 different sections came into force on 12 September 2013 with a few changes. A total of another 183 sections came into force from 1 April 2014. The Ministry of Corporate Affairs thereafter published a notification exempting private companies from the ambit of various sections under the act. The Act increased the responsibilities of corporate executives in the information technology sector, increasing India's safeguards against organised cybercrime by allowing CEOs and CTOs to be prosecuted in cases of IT failure. The Act established the National Company Law Tribunal (NCLT), which was constituted on 1 June 2016, based on the recommend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
