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Colard Mansion
Colard Mansion (or Colart, before 1440 – after May 1484) was a 15th-century Flemish scribe and printer who worked together with William Caxton. He is known as the first printer of a book with copper engravings, and as the printer of the first books in English and French. Biography Colard Mansion was a central figure in the early printing industry in Bruges. He was active as early as 1454 as a bookseller, and was also active as a scribe, translator and contractor for manuscripts, which meant entering into contracts with the clients, and organizing and sub-contracting the elements such as scribing, decorating and binding. From 1474 until 1476 he worked together with the early English printer William Caxton, and he continued the company on his own afterwards. Caxton probably learned the art of printing from Mansion, and it was from Mansion's press that the first books printed in English (''Recuyell of the Historyes of Troye'') and French came. He moved to the Burg, the commerci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ovide Introduction
Ovide may refer to: * Ovide, a brand name for the insecticide malathion * Ovide, a character in the animated television show ''Ovide and the Gang'' People * Ovide Alakannuark, Canadian politician * Ovide Le Blanc, Canadian politician * Ovide Lamontagne, American lawyer and politician * Ovide Mercredi, Canadian politician * Ovide de Montigny, French-Canadian fur trapper * Joseph-Ovide Turgeon, Canadian politician See also * Ovid {{disambig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodcut
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. The block is cut along the wood grain (unlike wood engraving, where the block is cut in the end-grain). The surface is covered with ink by rolling over the surface with an ink-covered roller (brayer), leaving ink upon the flat surface but not in the non-printing areas. Multiple colors can be printed by keying the paper to a frame around the woodblocks (using a different block for each color). The art of carving the woodcut can be called "xylography", but this is rarely used in English for images alone, although that and "xylographic" are used in connection with block books, which are small books containing text and images in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacobus De Cessolis
Jacobus de Cessolis ( it, Jacopo da Cessole; c. 1250 – c. 1322) was an Italian author of the most famous morality book on chess in the Middle Ages. In the second half of the 13th century, Jacobus de Cessolis, a Dominican friar in Cessole (Asti district, Piemonte, Northern Italy) used chess as the basis for a series of sermons on morality. They later became ''Liber de moribus hominum et officiis nobilium super ludo scacchorum'' ('Book of the customs of men and the duties of nobles or the Book of Chess'). The popular work was translated into many other languages and was first printed in Utrecht in 1473. Chess historian Harold Murray asserts that the popularity of the work rivaled "that of the Bible itself." The work was the basis for William Caxton's '' The Game and Playe of the Chesse'' (1474), one of the first books printed in English.Jacobus, d. Cessolis., Axon, W. E. A. (William Edward Armytage)., Caxton, W. (1883)Caxton's Game and playe of the chesse, 1474 London: E. Stoc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Veldener
Johann Veldener (born in Würzburg, died in Leuven between 1486 and 1496), also known as Jan Veldener or Johan Veldenaer; was an early printer in Flanders. He worked as a punchcutter and printer in Cologne, together with William Caxton, who may have financed his first books. They both left for Flanders in 1472. Evidence indicates that Veldener assisted Caxton in setting up his printing office in Bruges and helped printing his first work there, the 1472-1473 ''Recuyell of the Historyes of Troye'' by Raoul Lefèvre. Afterwards, Veldener went to Leuven and set up his printing company there, becoming the second printer in Leuven after John of Westphalia, and the third or fourth in the Netherlands. He entered the Leuven University on 30 July 1473 in the faculty of Medicine. He left Leuven in 1477, after the death of Charles the Bold caused unrest in the city, and went to Utrecht. When that city also became troubled, he left for Culemborg, and finally returned to Leuven in 1484. Velden ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lewis De Bruges
Louis de Bruges, Lord of Gruuthuse, Prince of Steenhuijs, Earl of Winchester (Dutch: Lodewijk van Brugge; c. 1427 – 24 November 1492), was a Flemish courtier, bibliophile, soldier and nobleman. He was awarded the title of Earl of Winchester by King Edward IV of England in 1472, and was Stadtholder of Holland and Zeeland 1462–77. Early life Born in (or about) 1422 as the legitimate son of Lord Jean IV of Bruges of the Gruuthuse family, and Margriet of Steenhuyse, Lady of Avelghem, young Loys (Louis or Ludovicus) was trained in the arts of war and the court in the wealth and luxury of Flanders' Golden Age. In the Tournament of the White Bear, held in Bruges every year, Loys took part in 1443, 1444, 1447, 1448 and 1450. He often won one of the prizes. This caught the eye of the Duke of Burgundy and Count of Flanders, Philip the Good (1396–1467), who made Loys his squire and official wine server, an honorary title bestowed on only a few selected men. As a courtier Loy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Testament Of Adam
The Testament of Adam is a Christian work of Old Testament pseudepigrapha that dates from the 2nd to 5th centuries AD in origin, perhaps composed within the Christian communities of Syria. It purports to relate the final words of Adam to his son Seth; Seth records the Testament and then buries the account in the legendary Cave of Treasures. Adam speaks of prayer and which parts of Creation praise God each hour of the day; he then prophesies both the coming of the Messiah and the Great Flood; and finally, a description of the celestial hierarchy of angels is given. The work was likely originally written in Syriac. Manuscripts are extant in Syriac, Arabic, Karshuni, Ethiopic, Armenian, Georgian, and Greek. The earliest surviving manuscript is dated to the 9th century, and there appear to be three major recensions of the text. Authorship and date The author of the work is unknown. The date of composition was likely somewhere between the 2nd century to the 5th century; S. E. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip The Good
Philip III (french: Philippe le Bon; nl, Filips de Goede; 31 July 1396 – 15 June 1467) was Duke of Burgundy from 1419 until his death. He was a member of a cadet line of the Valois dynasty, to which all 15th-century kings of France belonged. During his reign, the Burgundian State reached the apex of its prosperity and prestige, and became a leading centre of the arts. Philip is known historically for his administrative reforms, his patronage of Flemish artists such as van Eyck and Franco-Flemish composers such as Gilles Binchois, and perhaps most significantly the seizure of Joan of Arc, whom Philip ransomed to the English after his soldiers captured her, resulting in her trial and eventual execution. In political affairs, he alternated between alliances with the English and the French in an attempt to improve his dynasty's powerbase. Additionally, as ruler of Flanders, Brabant, Limburg, Artois, Hainaut, Holland, Luxembourg, Zeeland, Friesland and Namur, he played an i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Miélot
Jean Miélot, also Jehan, (born Gueschard, Picardy, died 1472) was an author, translator, manuscript illuminator, scribe and priest, who served as secretary to Philip the Good, Duke of Burgundy from 1449 to Philip's death in 1467, and then to his son Charles the Bold. He also served as chaplain to Louis of Luxembourg, Count of St. Pol from 1468, after Philip's death. He was mainly employed in the production of ''de luxe'' illuminated manuscripts for Philip's library. He translated many works, both religious and secular, from Latin or Italian into French, as well as writing or compiling books himself, and composing verse. Between his own writings and his translations he produced some twenty-two works whilst working for Philip, which were widely disseminated, many being given printed editions in the years after his death, and influenced the development of French prose style. Career Little is known of his early career. He was born at Gueschard, between Abbeville and Hesdin, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benvenuto Rambaldi Da Imola
Benvenuto Rambaldi da Imola, or simply and perhaps more accurately Benvenuto da Imola ( la, Benevenutus Imolensis; 1330 – 1388), was an Italian scholar and historian, a lecturer at Bologna. He is now best known for his commentary on Dante's ''Divine Comedy.'' Life He was born in Imola, into a family of legal officers. In 1361–2 he was working for Gómez Albornoz, governor of Bologna and nephew of Cardinal Egidio Albornoz.Deborah Parker, ''Commentary and Ideology: Dante in the Renaissance'' (1993), p. 184Google Books In 1365 he went on a diplomatic mission on behalf of the city, to Avignon and Pope Urban V.Christopher Kleinhenz, ''Medieval Italy: an encyclopedia, Volume 1'' (2004), p. 107Google Books At the time members of the Alidosi family dominated Imola, and other citizens looked to the papacy for a change. The petition brought by Benvenuto and others failed; the local political situation at home caused him to move on without returning, going to Bologna, where he made a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ovide Moralisé
{{disambig ...
Ovide may refer to: * Ovide, a brand name for the insecticide malathion * Ovide, a character in the animated television show ''Ovide and the Gang'' People * Ovide Alakannuark, Canadian politician * Ovide Le Blanc, Canadian politician * Ovide Lamontagne, American lawyer and politician * Ovide Mercredi, Canadian politician * Ovide de Montigny, French-Canadian fur trapper * Joseph-Ovide Turgeon, Canadian politician See also * Ovid Pūblius Ovidius Nāsō (; 20 March 43 BC – 17/18 AD), known in English as Ovid ( ), was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is often ranked as one of the th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerard Leeu
Gerard or Gheraert Leeu, ''Leew, Lyon'', or ''Leonis'', (between 1445 and 1450, Gouda - 1492, Antwerp) was a Dutch printer of incunabula. Leeu printed his first (liturgical) book in May 1477 in his shop in Gouda, where between 1477 and 1484 he produced a total of about 69 books. In 1484 he moved to Antwerp, where he died in 1492 from a stab wound during a quarrel with one of his typesetters. Besides printing works in Latin and Dutch, he reprinted some of William Caxton's editions for the English market. These were ''The History of Jason'', ''The History of Paris and Vienne'' and ''The Chronicles of England''. He published the Dialogus creaturarum in a number of editions, the first being in 1480. He also printed a Latin version of the Solomon and Marcolf legend, entitled ''Collationes quod dicuntur fecisse mutuo rex Solomon ... et Marcolphus'' in 1488, which he followed in 1492 with an English translation, ''This is the dyalogus or communyng betw t the wyse King Solomon and Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intaglio (sculpture)
An engraved gem, frequently referred to as an intaglio, is a small and usually semi-precious gemstone that has been carved, in the Western tradition normally with images or inscriptions only on one face. The engraving of gemstones was a major luxury art form in the Ancient world, and an important one in some later periods. Strictly speaking, ''engraving'' means carving ''in intaglio'' (with the design cut ''into'' the flat background of the stone), but relief carvings (with the design projecting ''out of'' the background as in nearly all cameos) are also covered by the term. This article uses ''cameo'' in its strict sense, to denote a carving exploiting layers of differently coloured stone. The activity is also called ''gem carving'' and the artists ''gem-cutters''. References to antique gems and intaglios in a jewellery context will almost always mean carved gems; when referring to monumental sculpture, counter-relief, meaning the same as ''intaglio'', is more likely to be used. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
