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Colab
Colab is the commonly used abbreviation of the New York City artists' group Collaborative Projects, which was formed after a series of open meetings between artists of various disciplines. History Colab members came together as a collective in 1977, first using the name Green Corporation, and initially received a National Endowment for the Arts (NEA) Workshop Grant through Center for New Art Activities, Inc., a small not-for-profit organization formed in 1974. In 1978, Collaborative Projects was incorporated as a not-for-profit of its own. By raising its own sources of funding, Colab was in control of its own exhibitions and cable TV shows. Advocating a form of cultural activism that was purely artist driven, the group created artworks, negotiated venues, curated shows, and engaged in discourse that responded to the political themes and predicaments of their time, among them the recessions of the 1970s, the Reagan era of budget cuts and nuclear armament, the housing crisis and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colab Logo
Colab is the commonly used abbreviation of the New York City artists' group Collaborative Projects, which was formed after a series of open meetings between artists of various disciplines. History Colab members came together as a collective in 1977, first using the name Green Corporation, and initially received a National Endowment for the Arts (NEA) Workshop Grant through Center for New Art Activities, Inc., a small not-for-profit organization formed in 1974. In 1978, Collaborative Projects was incorporated as a not-for-profit of its own. By raising its own sources of funding, Colab was in control of its own exhibitions and cable TV shows. Advocating a form of cultural activism that was purely artist driven, the group created artworks, negotiated venues, curated shows, and engaged in discourse that responded to the political themes and predicaments of their time, among them the recessions of the 1970s, the Reagan era of budget cuts and nuclear armament, the housing crisis and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Times Square Show
''The Times Square Show'' was an influential collaborative, self-curated, and self-generated art exhibition held by New York artists' group Colab (aka Collaborative Projects, Inc) in Times Square in a shuttered massage parlor at 201 W. 41st and 7th Avenue during the entire month of June in 1980. ''The Times Square Show'' was largely inspired by the more radical Colab show ''The Real Estate Show'' (that occurred in January 1980), but unlike it, was open 24 hours a day, 7 days a week, in what was then a Times Square full of porno theaters, peep shows, and red light establishments. In addition to experimental painting and sculpture, the exhibition incorporated music, fashion, and an ambitious program of performance and video. For many artists the exhibition served as a forum for the exchange of ideas, a testing-ground for social-directed figurative work in progress, and a catalyst for exploring new political-artistic directions. Historic significance ''The Times Square Shows historic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Real Estate Show
The Real Estate Show was a squatted exhibition by New York artists' group Colab, on the subject of landlord speculation in real estate held on New Year's Day (January 1, 1980) in a vacant city-owned building at 123 Delancey Street in the Lower East Side of Manhattan, New York City. Exhibition The squatting action followed a year of campaigning to rent the property for an exhibition space from officials of the NYC Department of Housing Preservation and Development (HPD). On New Year's Day, the show was officially opened to the public. It was to be a two-week occupation/exhibit but was quickly closed down by the police. This brief exhibition went on to inspire a much larger and longer lasting Colab exhibition called ''The Times Square Show''. Eviction On the morning of January 2, the Colab artists discovered the storefront padlocked shut and their work locked inside. Phone calls revealed it to be the doing of HPD. ''The Real Estate Show'' had been open exactly one day. On January ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coleen Fitzgibbon
Coleen Fitzgibbon (born 1950) is an American experimental film artist associated with Collaborative Projects, Inc. (a.k.a. Colab). She worked under the pseudonym Colen Fitzgibbon between the years 1973-1980. Fitzgibbon currently resides on Ludlow Street in New York City and in Montana. Career history Fitzgibbon was a student of 1960s Structuralist cinema at the School of the Art Institute of Chicago and the Whitney Independent Study Program where she studied with Owen Land (aka “ George Landow”), Stan Brakhage, Yvonne Rainer, Carolee Schneemann and Vito Acconci. Fitzgibbon worked on film and sound projects for Dennis Oppenheim, Gordon Matta-Clark and Les Levine. Fitzgibbon formed the collaborative ''X&Y'' project with Robin Winters in 1976 and helped form the conceptual art project called ''The Offices of Peter Fend, Fitzgibbon, Jenny Holzer, Peter Nadin, Richard Prince and Robin Winters'' in 1979 (the same year she performed at ''Public Arts International/Free Speech''). She ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ABC No Rio
ABC No Rio is a collectively-run non-profit arts organization on New York City's Lower East Side. It was founded in 1980 in a squat at 156 Rivington Street, following the eviction of the 1979-80 Real Estate Show. The centre featured an art gallery space, a zine library, a darkroom, a silkscreening studio, and public computer lab. In addition, it played host to a number of radical projects including weekly hardcore punk matinees and the city Food Not Bombs collective. In July 2016, ABC No Rio vacated the Rivington Street building in advance of demolition and construction of a new facility on the same site for its programs, projects and operations, including the silkscreen studio, zine library, art exhibitions and music shows. History Founding Beginning in the late 1960s, Manhattan's Lower East Side was facing massive disinvestment by absentee landlords—by the late 1970s up to 80% of the area's housing stock was abandoned and in rem (seized by the city's government for non- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jane Dickson
Jane Dickson (born May 18, 1952) is an American painter. She lives and works in New York City. (New York). Biography Dickson received her B.A. at Harvard University (1976) and a Studio Diploma from the School of the Museum of Fine Arts, Boston (1976). Artwork Dickson is known for her dark iconic images that examine "the constructed world, and its psychological freight, the social structuring of desire and its disruption by the uncanny". Deploying unusual materials such as AstroTurf, vinyl, sandpaper, felt and carpet, which resonate with their particular subject, Dickson's paintings express her "fascination with the power of artificial light, as well as...surreal and sexually transgressive environment . Often depicting the spectacle in her work, her subjects include Times Square (where she lived and/or worked from 1978 to 2008, participating in the Colab organized ''The Times Square Show''), demolition derbies, carnivals, suburban homes, and highways, among others. In ad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Robinson (art Critic And Artist)
Walter Robinson (aka Mike Robinson, born 1950, Wilmington, Delaware) is a New York City-based painter, publisher, art curator and art writer. He has been called a Neo-pop painter, as well as a member of the 1980s The Pictures Generation. Life and education Robinson was born in Wilmington, Delaware, and raised in Tulsa. He moved to New York City to attend Columbia University in 1968. Subsequently, he graduated from the Whitney Independent Study Program in 1973. He lived in SoHo in the 1970s and on Ludlow Street on the Lower East Side in the 1980s and '90s, and currently lives uptown with a studio in Long Island City in Queens. Painting career Robinson is a postmodern painter whose work features painterly images taken from covers of romance novel paperbacks as well as still lifes of cheeseburgers, French fries and beer, and pharmaceutical products like aspirin and nasal spray. He also made and exhibited large-scale spin paintings in the mid-1980s, in advance of his colleague Dami ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Just Another Asshole
Just Another Asshole was a no wave mixed media publication project launched from the Lower East Side of Manhattan from 1978 to 1987. Barbara Ess organized and edited seven issues of Just Another Asshole, which formed thanks to an open, collaborative submission process. Issues 3 and 4 were co-edited by Jane M. Sherry and issues 5 through 7 were co-edited by Glenn Branca. Issue formats include: zine, LP record, large format tabloid, magazine, exhibition catalog, and paperback book. Just Another Asshole #1 and #2: The Zines Barbara Ess edited the first two installments of Just Another Asshole alone; these photocopied zines utilized intermingling high contrast compositions of apocalyptic warnings, celebrity close-ups, helicopters, and tabloids. The title for these works came from the first zine, which contains an alarming juxtaposition of the image of a deaf boy killed by an attack that he could not hear alongside the handwritten words ''just another asshole'', a coupling which drops bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lower East Side
The Lower East Side, sometimes abbreviated as LES, is a historic neighborhood in the southeastern part of Manhattan in New York City. It is located roughly between the Bowery and the East River from Canal to Houston streets. Traditionally an immigrant, working-class neighborhood, it began rapid gentrification in the mid-2000s, prompting the National Trust for Historic Preservation to place the neighborhood on their list of America's Most Endangered Places in 2008. The Lower East Side is part of Manhattan Community District 3, and its primary ZIP Code is 10002. It is patrolled by the 7th Precinct of the New York City Police Department. Boundaries The Lower East Side is roughly bounded by East 14th Street on the north, by the East River to the east, by Fulton and Franklin Streets to the south, and by Pearl Street and Broadway to the west. This more extensive definition of the neighborhood includes Chinatown, the East Village, and Little Italy. A less extensive definit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fashion Moda
Fashion 时髦 Moda МОДА, whose name comes from “fashion” in English, Chinese, Spanish and Russian, colloquially referred to as Fashion Moda, started as a cultural concept guided by the idea that art can be made by anyone, anywhere. Fashion Moda was an art space located in the South Bronx, New York founded by Stefan Eins in 1978. As a museum of science, art, invention, technology, and fantasy, it was an alternative art space that combined aspects of a community arts center and a worldwide progressive arts organization until its closing in 1993. History Fashion Moda was an art space founded by Stephen Eins in 1978 after closing his previous project, the 3 Mercer Store. Eins was soon joined by artist, poet and musician, Joe Lewis and William Scott, a nineteen year-old from the neighborhood as co-directors. The gallery was located in the South Bronx, outside the traditional art gallery district which was emerging in Soho at the time. Despite this, Fashion Moda quickly became ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tellus Audio Cassette Magazine
Launched from the Lower East Side, Manhattan in 1983 as a subscription only bimonthly publication, the ''Tellus Audio Cassette Magazine'' utilized the audio cassette medium to distribute no wave downtown music and audio art and was in activity for the ten years of 1983–1993. The Tellus Project Tellus publishers and executive editors – visual artist and noise music composer Joseph Nechvatal; former curator-director of the Institute of Contemporary Art, Philadelphia and current curator-director of The Jewish Museum, Claudia Gould; and new music composer and director of Harvestworks, Carol Parkinson – conceived of the compact cassette medium as a no wave Fluxus-inspired media art form in itself. Nechvatal and Parkinson had met in the mid-1970s and performed in a performance art / minimal art dance trio with Cid Collins influenced by the post-Merce Cunningham postmodern dance/choreography of Deborah Hay (with whom they studied in 1977) and Carolee Schneemann (with whom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo McCormick
Carlo McCormick is an American culture critic and curator living in New York City. He is the author of numerous books, monographs and catalogues on contemporary art and artists. Pedagogic and art writing activities McCormick was Senior Editor of ''Paper''. He lectures and teaches extensively at universities and colleges around the United States on popular culture and art. His writing has appeared in '' Effects : Magazine for New Art Theory,'' ''Aperture,'' '' Art in America,'' ''Art News,'' ''Artforum,'' ''Camera Austria,'' ''High Times,'' '' Spin,'' '' Tokion,'' ''Vice'' and other magazines. He appears in an on-camera interview in the 2017 documentary film '' Boom for Real: The Late Teenage Years of Jean-Michel Basquiat'' by Sara Driver that contains extensive coverage of Colab, ''The Real Estate Show'', '' The Times Square Show'' and ABC No Rio. ''The Downtown Show: the New York Art Scene from 1974 to 1984'' McCormick was guest curator of the exhibition ''The Downtown ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
