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Coco Records
Harvey Averne (born 1936, Brooklyn, New York) has been described as "one of several prominent Jewish Americans in New York's bustling Latin music scene." Introduction Harvey Averne is an American record producer, and the founder of CoCo Records, as well as its many subsidiaries. Established in 1972, CoCo was a label specializing in Afro-Cuban and Latin American Popular music, with special emphasis on the "New York Sound", commonly referred to as "Salsa". Averne's gift for identifying and bringing together new and established musical talent, along with the careful management of his artists' public image, initially made CoCo Records a major label nationally, and subsequently an international success. Over the next decade, he signed internationally known artists and was instrumental in bringing Latin American music into the American cultural mainstream. In 1972 Averne signed the iconic artist Eddie Palmieri to his label, producing and mixing two of Palmieri's groundbreaking al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harvey Averne
Harvey Averne (born 1936, Brooklyn, New York) has been described as "one of several prominent Jewish Americans in New York's bustling Latin music scene." Introduction Harvey Averne is an American record producer, and the founder of CoCo Records, as well as its many subsidiaries. Established in 1972, CoCo was a label specializing in Afro-Cuban and Latin American Popular music, with special emphasis on the "New York Sound", commonly referred to as "Salsa". Averne's gift for identifying and bringing together new and established musical talent, along with the careful management of his artists' public image, initially made CoCo Records a major label nationally, and subsequently an international success. Over the next decade, he signed internationally known artists and was instrumental in bringing Latin American music into the American cultural mainstream. In 1972 Averne signed the iconic artist Eddie Palmieri to his label, producing and mixing two of Palmieri's groundbreaking albu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mario Bauzá
Prudencio Mario Bauzá Cárdenas (April 28, 1911 – July 11, 1993) was an Afro-Cuban jazz, Latin, and jazz musician. He was among the first to introduce Cuban music to the United States by bringing Cuban musical styles to the New York City jazz scene. While Cuban bands had had popular jazz tunes in their repertoire for years,Acosta, Leonardo 2003. ''Cubano be, cubano bop: one hundred years of jazz in Cuba''. Smithsonian, Washington, D.C.. Bauzá's composition "Tangá" was the first piece to blend jazz harmony and arranging technique, with jazz soloists and Afro-Cuban rhythms. It is considered the first true Afro-Cuban jazz or Latin jazz tune. Biography As a child he studied clarinet becoming recognized as a child prodigy on the instrument and was featured with the Havana Symphony at the age of 11. Bauzá then performed on clarinet and bass clarinet with pianist Antonio María Romeu's charanga (flute and violins) orchestra. This proved a fateful event as the orchestra visited Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Copacabana (nightclub)
The Copacabana is a New York City nightclub that has existed in several locations. In earlier locations, many entertainers, such as Danny Thomas, Pat Cooper and the comedy team of Martin and Lewis, made their New York debuts at the Copacabana. The Barry Manilow song " Copacabana" (1978) is named after, and set in, the club. The nightclub was used as a setting in the films ''Goodfellas'', ''Raging Bull'', ''Tootsie'', ''The Purple Rose of Cairo'', ''Carlito's Way'', '' The French Connection'', ''Martin and Lewis'', '' Green Book'', '' Beyond the Sea'', ''The Irishman'', and ''One Night in Miami''. It was also used in several plays, including Barry Manilow's '' Copacabana''. Also, the musical film '' Copacabana'' (1947), starring Groucho Marx and Carmen Miranda, takes place in the Copacabana, as does the made-for-television film based on the Manilow hit song, in which Manilow himself starred. History The 1940s to the 1960s The Copacabana opened on November 10, 1940, at 10 East 6 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Village Gate
The Village Gate was a nightclub at the corner of Thompson and Bleecker Streets in Greenwich Village, New York. Art D'Lugoff opened the club in 1958, on the ground floor and basement of 160 Bleecker Street. The large 1896 Chicago school (architecture), Chicago School structure by architect Ernest Flagg was known at the time as Mills House (New York, New York), Mills House No. 1 and served as a flophouse for Transient laborer, transient men. In its heyday, the Village Gate also included an upper-story performance space, known as the Top of the Gate. Throughout its 38 years, the Village Gate featured such musicians as John Coltrane, Coleman Hawkins, Duke Ellington, Jimi Hendrix, Dizzy Gillespie, Bill Evans, Dave Brubeck, Charles Mingus, Sonny Rollins, Dexter Gordon, Art Blakey, Woody Shaw, Miles Davis, Stan Getz, Vasant Rai, Nina Simone, Herbie Mann, Woody Allen, Patti Smith, Velvet Underground, Edgard Varèse, and Aretha Franklin, who made her first New York appearance there. The s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lincoln Center For The Performing Arts
Lincoln Center for the Performing Arts (also simply known as Lincoln Center) is a complex of buildings in the Lincoln Square neighborhood on the Upper West Side of Manhattan. It has thirty indoor and outdoor facilities and is host to 5 million visitors annually. It houses internationally renowned performing arts organizations including the New York Philharmonic, the Metropolitan Opera, the New York City Ballet, and the Juilliard School. History Planning A consortium of civic leaders and others, led by and under the initiative of philanthropist John D. Rockefeller III, built Lincoln Center as part of the "Lincoln Square Renewal Project" during Robert Moses's program of New York's urban renewal in the 1950s and 1960s."Rockefeller Philanthropy: Lincoln Center" ( |
Palladium Ballroom
The Palladium Ballroom was a New York City night club. The US mambo craze that started in 1948 began at the Palladium Ballroom. On March 15, 1946, it opened at the northeast corner of Broadway and 53rd Street.''New York Post'', March 14, 1946; p. 35 Big Three In 1948, the Palladium Ballroom gained in stature because of the Big Three acts: Tito Puente, Tito Rodríguez, and Machito. The careers of the Big Three expanded on the strength of their bookings there. These bands recorded many mambo hits such as "Asia Minor" and "Babarabatiri", "Picadillo", "Ran Kan Kan", and "Mambo Mona". Dámaso Pérez Prado's "Mambo No. 5" (1952) was a cross-over hit. Dancers and dances The Palladium was known for its dancers as well as its music, fueled by weekly dance competitions and pie contests along with a Female Best Leg Contest. Ability to dance, not class or color, was the social currency. The Palladium's top dancers, Augie and Margo Rodríguez were the mambo dancing champions. Carlos Arroyo, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orquesta Broadway
Orquesta Broadway was an American mid-1960s/late 1980s New York-based salsa band. They issued almost 20 albums between 1964 and 1987. Orquesta Broadway and Típica 73 were two popular New York salsa bands that played in the ''charanga'' format.Cesar Miguel Rondón, ''The Book of Salsa: A Chronicle of Urban Music from the Caribbean'', 2008, p. 186 : "The actual protagonist of this new spin-off was none other than the Orquesta Broadway, rightfully considered the dean of the ... Orquesta Broadway was formed by the three Zervigón brothers and was the only charanga ensemble able to ..." Some of the famous musicians initially involved were Monguito "El Único", a Cuban nasal-voiced singer (he patterned his vocal style on the Cuban sonero Miguelito Cuní), joined in 1962, when he moved to New York from Mexico, Ronnie Baro, 1992, co-founder of Africando and Roger Dawson, conga drummer (bongos are not typically used in charanga bands). Their song "El Barrio del Pilar" is considered a ty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Palmieri
Carlos Manuel "Charlie" Palmieri (November 21, 1927 – September 12, 1988) was an American bandleader and musical director of salsa music. He was known as the "Giant of the Keyboards". Early years Palmieri's parents migrated to New York from Ponce, Puerto Rico in 1926, and settled down in the South Bronx where Palmieri was born. As a child, Palmieri taught himself to play the piano by ear. He attended the public school system. At age seven, his father enrolled him at The Juilliard School, where he took piano lessons. By the time Palmieri was 14 years old, he and his five-year-old brother, Eddie, participated in many talent contests, often winning prizes. It was at this time that his godfather introduced him to the music of the Latin bands - an experience which inspired him to become a musician. In 1943, when still only 16 years old and still in high school, he made his professional debut as a piano player for the Osario Selasie Band. He graduated from high school in 1946, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Fajardo (musician)
José Antonio Fajardo (October 18, 1919 – December 11, 2001) was a Cuban charanga bandleader and flautist, who played the traditional five-keyed wooden flute. Born in Pinar del Río, Cuba, Fajardo after performing with the band of Antonio María Romeu Antonio María Romeu Marrero (11 September 1876 – 18 January 1955) was a Cuban pianist, composer and bandleader. His orchestra was Cuba's leading Charanga (Cuba), charanga for over thirty years, specializing in the danzón. Throughout his ca ..., formed his own charanga band in 1949. Fajardo died in December 2001, at the age of 82. References 1919 births 2001 deaths Cuban bandleaders Cuban flautists Cuban composers Male composers Mambo musicians Cha-cha-cha musicians Danzón musicians People from Pinar del Río Cuban charanga musicians Cuban male musicians 20th-century flautists {{Cuba-musician-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ismael Rivera
Ismael Rivera a.k.a. "Maelo" (October 5, 1931 – May 13, 1987), was a Puerto Rican composer and salsa singer. Early life Rivera was born in Santurce, Puerto Rico, a sector of San Juan, Puerto Rico. He was the first of five children born to Luis and Margarita Rivera. His father, Luis, was a carpenter and his mother a housewife. As a child, Rivera was always singing and banging on cans with sticks. He received his primary education at the Pedro G. Goyco Elementary School and then went on to learn carpentry at a vocational school. He also shined shoes to help his family financially and, when he was 16 years old, he worked as a carpenter. During his free time he would hang around the corner with his best friend Rafael Cortijo and sing songs. In 1948, Rivera and Cortijo joined El Conjunto Monterrey, where Rivera played the conga and Cortijo the bongos. Rivera was unable to work full-time as a musician because of his work as a carpenter. Musical career In 1952, Rivera joined the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rafael Cortijo
Rafael Antonio Cortijo (December 11, 1928 – October 3, 1982) was a Puerto Rican musician, orchestra leader, composer and percussion instrument craftsman. Early Career As a child, Cortijo became interested in Caribbean music and enjoyed the works of some of the era's most successful Bomba y Plena music musicians. Throughout his life, he had a chance to meet and work with some of them, and learned how to make his own congas and pleneras, the handheld drums used in bomba y plena music. Salsa composer and singer Ismael Rivera met Cortijo when both were youngsters, as they both grew up in the Villa Palmeras neighborhood of Santurce; they became lifelong friends. Rivera was impressed with Cortijo's conga-playing skills and was asked to join his orchestra, which played at Fiestas patronales all over Puerto Rico. Later Career “Cortijo himself was discovered, or given his earliest encouragement by “Mr. Babalú,” the celebrated Cuban singer Miguelito Valdés. Getting his f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trini Lopez
Trinidad López III (May 15, 1937 – August 11, 2020) was an American singer, guitarist, and actor. His first album included a cover version of Pete Seeger's "If I Had a Hammer", which earned a Golden Disc for him. His other hits included "Lemon Tree (Will Holt song), Lemon Tree", "I'm Comin' Home, Cindy" and "Sally Was a Good Old Girl". He designed two guitars for the Gibson (guitar company), Gibson Guitar Corporation, which are now collectors’ items. A documentary on his life and career, "My Name is Lopez" was released in April 2022. Early life Lopez was born in Dallas, Texas, on May 15, 1937. His father, Trinidad Lopez II, worked as a singer, dancer, actor, and musician in Mexico; his mother was Petra Gonzalez. They married in their hometown of Moroleón, Guanajuato, prior to moving to Dallas. Lopez had four sisters (two are deceased) and a brother, Jesse, who is also a singer. He grew up on Ashland Street in the Little Mexico neighborhood of Dallas and attended gram ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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