Coat Of Arms Of Naples
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Coat Of Arms Of Naples
The coat of arms of the city of Naples consists of a Samnite shield divided horizontally in half with the upper part in gold and the lower half in red. The shield is stamped with a turreted city crown of the type in use before the Royal decree n. 652 of June 7, 1943. Blazon The coat of arms, approved by decree of January 13, 1941, has the following blazon:The description of the banner is as follows:The banner is decorated with a gold medal for military valor for the sacrifices of the population and for the activities in the partisan struggle during the so-called Four days of Naples uprising. History The origins of the city's coat of arms is the subject of several legends, most of them originating in the 17th century. One legend on the origin of the coat of arms of Naples claims that it alludes to the colors of the sun and moon cult practiced by the city's pre-Christian inhabitants. The most widespread legend, supported by Summonte, explains that the colors in the coat of a ...
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Coat Of Arms
A coat of arms is a heraldry, heraldic communication design, visual design on an escutcheon (heraldry), escutcheon (i.e., shield), surcoat, or tabard (the latter two being outer garments). The coat of arms on an escutcheon forms the central element of the full achievement (heraldry), heraldic achievement, which in its whole consists of a shield, supporters, a crest (heraldry), crest, and a motto. A coat of arms is traditionally unique to an individual person, family, state, organization, school or corporation. The term itself of 'coat of arms' describing in modern times just the heraldic design, originates from the description of the entire medieval chainmail 'surcoat' garment used in combat or preparation for the latter. Roll of arms, Rolls of arms are collections of many coats of arms, and since the early Modern Age centuries, they have been a source of information for public showing and tracing the membership of a nobility, noble family, and therefore its genealogy across tim ...
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Bartolommeo Capasso
Fra Bartolomeo or Bartolommeo (, , ; 28 March 1472 – 31 October 1517), also known as Bartolommeo di Pagholo, Bartolommeo di S. Marco, and his original nickname Baccio della Porta, was an Italian Renaissance painter of religious subjects. He spent all his career in Florence until his mid-forties, when he travelled to work in various cities, as far south as Rome. He trained with Cosimo Rosselli and in the 1490s fell under the influence of Savonarola, which led him to become a Dominican friar in 1500, renouncing painting for several years. Typically his paintings are of static groups of figures in subjects such as the Virgin and Child with Saints. He was instructed to resume painting for the benefit of his order in 1504, and then developed an idealized High Renaissance style, seen in his ''Vision of St Bernard'' of that year, now in poor condition but whose "figures and drapery move with a seraphic grace that must have struck the young Raphael with the force of revelation ...
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Royal House Of France
The House of Capet (french: Maison capétienne) or the Direct Capetians (''Capétiens directs''), also called the House of France (''la maison de France''), or simply the Capets, ruled the Kingdom of France from 987 to 1328. It was the most senior line of the Capetian dynasty – itself a derivative dynasty from the Robertians. Historians in the 19th century came to apply the name "Capetian" to both the ruling house of France and to the wider-spread male-line descendants of Hugh Capet ( 939 – 996). Contemporaries did not use the name "Capetian" (see House of France). The Capets were sometimes called "the third race of kings" (following the Merovingians and the Carolingians). The name "Capet" derives from the nickname (of uncertain meaning) given to Hugh, the first Capetian king. For discussion of the name ''Capet'', see the article on Hugh Capet. The direct line of the House of Capet came to an end in 1328, when the three sons of Philip IV (reigned 1285–1314) all failed ...
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Illuminated Manuscript
An illuminated manuscript is a formally prepared document where the text is often supplemented with flourishes such as borders and miniature illustrations. Often used in the Roman Catholic Church for prayers, liturgical services and psalms, the practice continued into secular texts from the 13th century onward and typically include proclamations, enrolled bills, laws, charters, inventories and deeds. While Islamic manuscripts can also be called illuminated, and use essentially the same techniques, comparable Far Eastern and Mesoamerican works are described as ''painted''. The earliest illuminated manuscripts in existence come from the Kingdom of the Ostrogoths and the Eastern Roman Empire and date from between 400 and 600 CE. Examples include the Codex Argenteus and the Rossano Gospels, both of which are from the 6th century. The majority of extant manuscripts are from the Middle Ages, although many survive from the Renaissance, along with a very limited number from Late Antiqu ...
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Robert Of Anjou
Robert of Anjou ( it, Roberto d'Angiò), known as Robert the Wise ( it, Roberto il Saggio; 1276 – 20 January 1343), was King of Naples, titular King of Jerusalem and Count of Provence and Forcalquier from 1309 to 1343, the central figure of Italian politics of his time. He was the third son of King Charles II of Naples and Mary of Hungary, and during his father's lifetime he was styled Duke of Calabria (1296–1309). Biography Robert was born around 1276, the third son of the future Charles II of Naples (then heir apparent) and his wife Mary of Hungary. His father was the son of the incumbent King of Naples, Charles of Anjou, who had established an Italian realm a decade earlier in 1266. During the Sicilian Vespers directed against his grandfather Charles, Robert was the hostage of Peter III of Aragon, his grandfather's enemy. In 1285, Robert’s grandfather died at Foggia in Italy, leading to his father (then a hostage) becoming King of Naples as Charles II, with Robert's elder ...
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Angevin Empire
The Angevin Empire (; french: Empire Plantagenêt) describes the possessions of the House of Plantagenet during the 12th and 13th centuries, when they ruled over an area covering roughly half of France, all of England, and parts of Ireland and Wales, and had further influence over much of the remaining British Isles. It may be described as an early example of a composite monarchy. The empire was established by Henry II of England, who succeeded his father Geoffrey Plantagenet as Duke of Normandy and Count of Anjou (from which the Angevins derive their name). Henry married Eleanor of Aquitaine in 1152, becoming her royal consort, and inherited his mother Empress Matilda's claim to the English throne, succeeding his rival Stephen, in 1154. Although their title of highest rank came from the Kingdom of England, the Plantagenets held court primarily on the continent at Angers in Anjou, and at Chinon in Touraine. The influence and power of the House of Anjou brought them into con ...
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Alfonso V Of Aragon
Alfonso the Magnanimous (139627 June 1458) was King of Aragon and King of Sicily (as Alfonso V) and the ruler of the Crown of Aragon from 1416 and King of Naples (as Alfonso I) from 1442 until his death. He was involved with struggles to the throne of the Kingdom of Naples with Louis III of Anjou, Joanna II of Naples and their supporters, but ultimately failed and lost Naples in 1424. He recaptured it in 1442 and was crowned king of Naples. He had good relations with his vassal, Stjepan Kosača, and his ally, Skanderbeg, providing assistance in their struggles in the Balkans. He led diplomatic contacts with the Ethiopian Empire and was a prominent political figure of the early Renaissance, being a supporter of literature as well as commissioning several constructions for the Castel Nuovo. Early life Born at Medina del Campo, he was the son of Ferdinand of Trastámara and Eleanor of Alburquerque. Ferdinand was the brother of King Henry III of Castile, and Alfonso was betrot ...
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Kingdom Of Naples
The Kingdom of Naples ( la, Regnum Neapolitanum; it, Regno di Napoli; nap, Regno 'e Napule), also known as the Kingdom of Sicily, was a state that ruled the part of the Italian Peninsula south of the Papal States between 1282 and 1816. It was established by the War of the Sicilian Vespers (1282–1302), when the island of Sicily revolted and was conquered by the Crown of Aragon, becoming a separate kingdom also called the Kingdom of Sicily. In 1816, it reunified with the island of Sicily to form the Kingdom of the Two Sicilies. The territory of the Kingdom of Naples corresponded to the current Italian regions of Campania, Calabria, Apulia, Basilicata, Abruzzo, Molise and also included some areas of today's southern and eastern Lazio. Nomenclature The term "Kingdom of Naples" is in near-universal use among historians, but it was not used officially by the government. Since the Angevins remained in power on the Italian peninsula, they kept the original name of the Kingdom ...
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Bars Of Aragon
The Senyera (; meaning "pennon", "standard", "banner", "ensign", or, more generically, "flag" in Catalan) is a vexillological symbol based on the coat of arms of the Crown of Aragon, which consists of four red stripes on a yellow field. This coat of arms, often called ''bars of Aragon'', or simply ''"the four bars"'', historically represented the King of the Crown of Aragon. The senyera pattern is currently in the flag of four Spanish autonomous communities (Aragon, Catalonia, the Balearic Islands and the Valencian Community), and is the flag of the historically Catalan-speaking city of Alghero (Catalan: ''L'Alguer'') in Sardinia. It is also used on the coat of arms of Spain, the coat of arms of Pyrénées-Orientales and of Provence-Alpes-Côte d'Azur, the flag of Roussillon, Capcir, Vallespir and Provence in France, one quarter of the coat of arms of Andorra, and on the local flags of many municipalities belonging to these territories. The Senyera (sometimes together with the f ...
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