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Cnidian Treasury
Cnidus was represented at the Sanctuary of Apollo in Delphi by the Treasury of the Cnidians of the late Archaic period and by a late Classical period building, called "Lesche", a kind of club for social gatherings. Description The remains of the Treasury of the Cnidians are situated just next to the Sacred Way close to the Siphnian Treasury to which they bear resemblance, to the exception of the smaller size. It was a marble building, erected before Cnidus was conquered by the Persians in 544 B.C. Its features remind of the mid-sixth century B.C. The treasury was built in the Ionian order, prostyle, but there is not much information on the exact plan of its elevation and the roof. It is possible that there were ''korae'' ( Caryatids) on the façade instead of plain columns. At the time of the Great Excavation it was thought that the friezes and sculpted decoration of the Siphnian Treasury actually originated from the Treasury of the Cnidians, a misinterpretation which led arch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Excavations At Delphi
Archaeological investigation in Delphi started in the second half of the 19th century, but it was not until 1892 when a systematic excavation began under the direction of Théophile Homolle and the French Archaeological School of Athens. The "Great Excavation" (La Grande Fouille) lasted 10 years and was concluded by the creation of the first museum on-site. In the years to follow, the site never ceased to be excavated and investigated. Several of the monuments were restored and new interpretations continue to see the light in the academic field. The rediscovery of Delphi In the course of the Ottoman period the archaeological site of Delphi was often visited by European travelers, inspired by the Renaissance spirit. The first one was Cyriacus of Ancona in 1436. The backwater village of Kastri in Phocis became renowned through their descriptions, sketches and engravings. Yet, although the site of ancient Delphi had been securely identified, it was very difficult to start a syste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manumission Inscriptions At Delphi
The archaeological site of Delphi is an incredible source of information on Greek epigraphy. The most numerous single category of inscriptions are the manumission inscriptions, which reach roughly a number of 1300. Acts of manumission In antiquity, manumission was the act of freeing slaves by their owners. Slaves belonged to their masters until they served long enough or until they gathered the necessary sum of money for their liberation. When that moment came, the act of manumission had to be guaranteed by a god, most commonly Apollo. The slave was thus fictitiously sold to the deity, so that the sale action could never be violated. The act was recorded on inscriptions with a rather formulaic expression. The majority of the manumission inscriptions of Delphi are gathered in two main spots: on the supporting wall of the parodoi of the theatre and on the polygonal wall, particularly the part which served as back wall to the portico of the Athenians. Most of the inscriptions date be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anta (architecture)
An anta (pl. antæ, antae, or antas; Latin, possibly from ''ante'', "before" or "in front of"), or sometimes parastas (pl. parastades), is an architectural term describing the posts or pillars on either side of a doorway or entrance of a Greek temple – the slightly projecting piers which terminate the walls of the naos. It differs from the pilaster, which is purely decorative, and does not have the structural support function of the anta. Anta In contrast to columns or pillars, antae are directly connected with the walls of a temple. They owe their origin to the vertical posts of timber employed in the early, more primitive palaces or temples of Greece, as at Tiryns and in the Temple of Hera at Olympia. They were used as load-bearing structures to carry the roof timbers, as no reliance could be placed on walls built with unburnt brick or in rubble masonry with clay mortar. Later, they became more decorative as the materials used for wall construction became sufficient to su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pythian Apollo
Apollo, grc, Ἀπόλλωνος, Apóllōnos, label=genitive , ; , grc-dor, Ἀπέλλων, Apéllōn, ; grc, Ἀπείλων, Apeílōn, label=Arcadocypriot Greek, ; grc-aeo, Ἄπλουν, Áploun, la, Apollō, la, Apollinis, label=genitive, , ; , is one of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The national divinity of the Greeks, Apollo has been recognized as a god of archery, music and dance, truth and prophecy, healing and diseases, the Sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. Seen as the most beautiful god and the ideal of the ''kouros'' (ephebe, or a beardless, athletic youth), Apollo is considered to be the most Greek of all the gods. Apollo is known in Greek-influenced Etruscan mythology as ''Apulu''. As the patron deity of Delphi (''Apollo Pythios''), Apollo is an oracula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boustrophedon
Boustrophedon is a style of writing in which alternate lines of writing are reversed, with letters also written in reverse, mirror-style. This is in contrast to modern European languages, where lines always begin on the same side, usually the left. The original term comes from grc, βουστροφηδόν, ', a composite of , ', "ox"; , ', "turn"; and the adverbial suffix -, -', "like, in the manner of" – that is, "like the ox turns hile plowing. It is mostly seen in ancient manuscripts and other inscriptions. It was a common way of writing on stone in ancient Greece, becoming less and less popular throughout the Hellenistic period. Many ancient scripts, such as Etruscan, Safaitic, and Sabaean, were frequently or even typically written boustrophedon. Reverse boustrophedon The wooden boards and other incised artefacts of Rapa Nui also bear a boustrophedonic script called Rongorongo, which remains undeciphered. In Rongorongo, the text in alternate lines was rotated 18 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Architrave
In classical architecture, an architrave (; from it, architrave "chief beam", also called an epistyle; from Greek ἐπίστυλον ''epistylon'' "door frame") is the lintel or beam that rests on the capitals of columns. The term can also apply to all sides, including the vertical members, of a frame with mouldings around a door or window. The word "architrave" has come to be used to refer more generally to a style of mouldings (or other elements) framing a door, window or other rectangular opening, where the horizontal "head" casing extends across the tops of the vertical side casings where the elements join (forming a butt joint, as opposed to a miter joint). Classical architecture In an entablature in classical architecture, it is the lowest part, below the frieze and cornice. The word is derived from the Greek and Latin words ''arche'' and ''trabs'' combined to mean "main beam". The architrave is different in the different Classical orders. In the Tuscan o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pausanias' Description Of Delphi
The tenth book of the work ''Description of Greece'' by the traveler Pausanias (2nd century AD) is dedicated to Phocis; its larger part constitutes a description of the sanctuaries and buildings of Delphi. His work constituted a precious aid to travelers and archaeologists who attempted to identify the monuments revealed by the excavations, although in some cases their identifications were not enough. Pausanias A traveler and geographer of the 2nd century AD, Pausanias was most probably born in Lydia (Asia Minor) and wrote a very important work, the ''Description of Greece''. It is a lengthy and detailed itinerary in ten books, describing the most important sites of the Peloponnese, Attica, Boeotia, and Phocis. According to the famous classicist James Frazer who wrote on Pausanias, "without him the ruins of Greece would be a labyrinth without a clue, a riddle without an answer".Fraser, J.G. (1898), Pausanias' Description of Greece, ed.and tr., London He was mainly interested in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pausanias (geographer)
Pausanias ( /pɔːˈseɪniəs/; grc-gre, Παυσανίας; c. 110 – c. 180) was a Greek traveler and geographer of the second century AD. He is famous for his ''Description of Greece'' (, ), a lengthy work that describes ancient Greece from his firsthand observations. ''Description of Greece'' provides crucial information for making links between classical literature and modern archaeology. Biography Not much is known about Pausanias apart from what historians can piece together from his own writing. However, it is mostly certain that he was born c. 110 AD into a Greek family and was probably a native of Lydia in Asia Minor. From c. 150 until his death in 180, Pausanias travelled through the mainland of Greece, writing about various monuments, sacred spaces, and significant geographical sites along the way. In writing ''Description of Greece'', Pausanias sought to put together a lasting written account of "all things Greek", or ''panta ta hellenika''. Living in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caryatids
A caryatid ( or or ; grc, Καρυᾶτις, pl. ) is a sculpted female figure serving as an architectural support taking the place of a column or a pillar supporting an entablature on her head. The Greek term ''karyatides'' literally means "maidens of Karyai", an ancient town on the Peloponnese. Karyai had a temple dedicated to the goddess Artemis in her aspect of Artemis Karyatis: "As Karyatis she rejoiced in the dances of the nut-tree village of Karyai, those Karyatides, who in their ecstatic round-dance carried on their heads baskets of live reeds, as if they were dancing plants". An atlas or telamon is a male version of a caryatid, i.e. a sculpted male statue serving as an architectural support. Etymology The term is first recorded in the Latin form ''caryatides'' by the Roman architect Vitruvius. He stated in his 1st century BC work ''De architectura'' (I.1.5) that the female figures of the Erechtheion represented the punishment of the women of Caryae, a town near Spart ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cnidus
Knidos or Cnidus (; grc-gre, Κνίδος, , , Knídos) was a Greek city in ancient Caria and part of the Dorian Hexapolis, in south-western Asia Minor, modern-day Turkey. It was situated on the Datça peninsula, which forms the southern side of the Sinus Ceramicus, now known as Gulf of Gökova. By the 4th century BC, Knidos was located at the site of modern Tekir, opposite Triopion Island. But earlier, it was probably at the site of modern Datça (at the half-way point of the peninsula). It was built partly on the mainland and partly on the Island of Triopion or Cape Krio. The debate about it being an island or cape is caused by the fact that in ancient times it was connected to the mainland by a causeway and bridge. Today the connection is formed by a narrow sandy isthmus. By means of the causeway the channel between island and mainland was formed into two harbours, of which the larger, or southern, was further enclosed by two strongly built moles that are still in good part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ionian Order
The Ionic order is one of the three canonic orders of classical architecture, the other two being the Doric and the Corinthian. There are two lesser orders: the Tuscan (a plainer Doric), and the rich variant of Corinthian called the composite order. Of the three classical canonic orders, the Corinthian order has the narrowest columns, followed by the Ionic order, with the Doric order having the widest columns. The Ionic capital is characterized by the use of volutes. The Ionic columns normally stand on a base which separates the shaft of the column from the stylobate or platform while the cap is usually enriched with egg-and-dart. The ancient architect and architectural historian Vitruvius associates the Ionic with feminine proportions (the Doric representing the masculine). Description Capital The major features of the Ionic order are the volutes of its capital, which have been the subject of much theoretical and practical discourse, based on a brief and obscure passage i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
