Clémence Isaure
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Clémence Isaure
Clémence Isaure is a quasi-legendary French medieval figure credited with founding or restoring the Acadèmia dels Jòcs Florals or Academy of the Floral Games. She is supposed to have left a legacy to fund awards in the form of gold and silver flowers that the city of Toulouse would award annually to the best poets. As the mythic founder of the games she is celebrated principally in Toulouse, where poems, sculptures, and paintings have been dedicated to her and a variety of places and institutions bear her name. In order to provide her with a realistic outline, she has been identified as a member of the Yzalguier family of Toulouse. In 1806 the rue des Yzalguier there was renamed the ''rue Clémence-Isaure''. A tower at 7 de la rue Cujas was named the ''Tour Clémence Isaure''. (It was demolished in 1817.) For example, Charles Cros wrote in 1888:Charles Cros, ''La Vision du grand canal des deux mers'', 1888 Iconography * Clémence Isaure fountain * ''Clémence Isaure app ...
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Clemence Isaure
Clemence, or Clémence, is a name. It may refer to: * Louise Michel (1830-1905), a French anarchist who used Clémence as a pseudonym Given name * Clémence d'Aquitaine (1060–1142) * Clemence of Austria (1262–1293 or 1295) * Clemence of Hungary, queen of France and Navarre * Clemence B. Horrall (1895–1960), Los Angeles Police Chief * Clémence Beikes, French basketball player * Clémence Calvin, French runner * Clemence Dane, English novelist and playwright * Clémence DesRochers, Canadian performer * Clémence de Grandval (1828–1907), French composer * Clémence Grimal, French snowboarder * Clémence Guetté (born 1991), French politician * Clemence Housman, English women's rights activist * Clémence Isaure, mythic patron of Toulousain poetry * Clémence Matutu, Congolese handball player * Clémence Ollivier, French rugby union player * Clémence Poésy, French actress and model * Clémence Ross-van Dorp, Dutch politician * Clémence Saint-Preux, French singer ...
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Félicie De Fauveau
Félicie de Fauveau (1801, in Livorno – 1886, in Florence) was a nineteenth-century French sculptor who was a precursor of the pre-Raphaelite style. Her multiple sculptural works showcase a variety of techniques and mediums including marble, stone, glass and bronze. Early life Born in Tuscany in 1801, De Fauveau moved to France at the peak of the Restoration, after having spent her childhood in Florence. In Paris, she studied painting and sculpture and cultivated an interest in archeology and ancient symbolism, establishing a studio in Paris from 1826 to 1830, at 18 Rue de la Rochefoucauld, which was frequented by artists such as Paul Delaroche and Ary Scheffer. Artistic debut After her participation at the Paris Salon in 1827, De Fauveau received ample acclaim. Stendhal called her the ‘new Canova’. One of the statues she presented at the event, ''Queen Christine of Sweden Refusing to Spare the Life of Her Equerry Monaldeschi,'' was awarded the gold medal, which th ...
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People From Toulouse
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of ...
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Romantic Nationalism
Romantic nationalism (also national romanticism, organic nationalism, identity nationalism) is the form of nationalism in which the state claims its political legitimacy as an organic consequence of the unity of those it governs. This includes such factors as language, race, ethnicity, culture, religion, and customs of the nation in its primal sense of those who were born within its culture. It can be applied to ethnic nationalism as well as civic nationalism. Romantic nationalism arose in reaction to dynastic or imperial hegemony, which assessed the legitimacy of the state from the top down, emanating from a monarch or other authority, which justified its existence. Such downward-radiating power might ultimately derive from a god or gods (see the divine right of kings and the Mandate of Heaven). Among the key themes of Romanticism, and its most enduring legacy, the cultural assertions of romantic nationalism have also been central in post-Enlightenment art and political phi ...
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French Culture
The culture of France has been shaped by geography, by historical events, and by foreign and internal forces and groups. France, and in particular Paris, has played an important role as a center of high culture since the 17th century and from the 19th century on, worldwide. From the late 19th century, France has also played an important role in cinema, fashion, cuisine, literature, technology, the social sciences, and mathematics. The importance of French culture has waxed and waned over the centuries, depending on its economic, political and military importance. French culture today is marked both by great regional and socioeconomic differences and strong unifying tendencies. A global opinion poll for the BBC saw France ranked as the country with the fourth most positive influence in the world (behind Germany, Canada and the UK) in 2014. French culture The Académie Française sets an official standard of linguistic purism; however, this standard, which is not mandatory, ...
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Henri Martin (painter)
Henri-Jean Guillaume "Henri" Martin (; 5 August 1860 – 12 November 1943) was a French painter. Elected to the Académie des Beaux-Arts in 1917, he is known for his early 1920s work on the walls of the Salle de l'Assemblée générale, where the members of the Conseil d'État meet in the Palais-Royal in Paris. Other notable institutions that have featured his Post-Impressionist paintings in their halls through public procurement include the Élysée Palace, Sorbonne, Hôtel de Ville de Paris, Palais de Justice de Paris, as well as Capitole de Toulouse, although the Musée des Beaux-Arts de Bordeaux and Musée des Augustins also have sizeable public collections. Life and career Early years Born at 127 Grande-Rue Saint-Michel in Toulouse to a French cabinet maker and a mother of Italian descent, Martin successfully persuaded his father to permit him to become an artist. He began his career in 1877 at the Toulouse School of the Fine Arts, where he was under the tutelage of Jules ...
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Alexandre Falguière
Jean Alexandre Joseph Falguière (also given as Jean-Joseph-Alexandre Falguière, or in short Alexandre Falguière) (7 September 183120 April 1900) was a French sculptor and painter. Biography Falguière was born in Toulouse. A pupil of the École des Beaux-Arts, he won the Prix de Rome in 1859; he was awarded the medal of honor at the Paris Salon in 1868 and was appointed Officer of the Legion of Honor in 1878. Falguière's first bronze statue of importance was ''Le Vainqueur au Combat de Coqs (Victor of the Cockfight)'' (1864), and ''Tarcisius the Christian Boy-Martyr'' followed in 1867; both were exhibited in the Luxembourg Museum and are now in the Musée d'Orsay. His more important monuments are those to Admiral Courbet (1890) at Abbeville and the famous Joan of Arc. Other works include ''Eve'' (1880), ''Diana'' (1882 and 1891), ''Woman and Peacock'' (a. k. a. ''Juno and The Peacock''), and ''The Poet'', astride his Pegasus spreading wings for flight. He sculpted ''The D ...
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Jean-Pierre Rivalz
Jean-Pierre Rivalz (c. 1625 – 17 May 1706) was a French painter. Rivalz was born at Labastide-d'Anjou, in the diocese of Saint-Papoul. A pupil of Ambroise Frédeau, in 1667 he was made an architect to the city of Toulouse. In 1666 he married Perette de Caillavel, by whom he had ten children, including the painter Antoine Rivalz. His pupil was the painter Raymond Lafage, who later taught his son Antoine. Rivalz died in Toulouse. Works * Carmelite chapel in Toulouse : wall and ceiling painting * ''Foundation of Ankara by the Tectosages'' – a mural ruined by humidity and saltpetre, his son Antoine was commissioned to repaint it in 1723 * ''Communion of the Virgin'' – painted for the church of the city's Carthusian monastery and now in the église Saint-Sernin de Toulouse. Allegorical portrait Montpellier, musée Atger. * Profiles, Paris, musée du Louvre. Architecture * ''Ancien couvent des religieux de Saint-Antoine-du-Salin'' 18,20 ''rue Pharaon'' in Toulouse ...
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Léo Laporte-Blairsy
Léo Laporte-Blairsy (1865-1923) was a French sculptor. L'épave (Le Voyage à Nantes) (15044567422).jpg, ''L'Épave'' (1907), musée des beaux-arts de Nantes. Léo Laporte-Blairsy - Le Réveil de Morphée - Musée des Augustins - RA 970.jpg, ''Le Réveil de Morphée'' (1894), Toulouse, musée des Augustins. Laporte-Blairsy-Matabiau 06.JPG, ''Le Faubourg Matabiau'' (1900), Toulouse, parc Michelet. École supérieure des beaux-arts de Toulouse - Façade - allégorie de la sculpture par Leo Laporte-Blairsy.jpg, ''Allégorie de la sculpture'' 1896Toulouse School of Fine Arts Clemence-Isaure Laporte-Blairsy Toulouse.jpg, ''Aux jeux floraux'' ou ''La Poésie romane'' (1910), Toulouse Toulouse ( , ; oc, Tolosa ) is the prefecture of the French department of Haute-Garonne and of the larger region of Occitania. The city is on the banks of the River Garonne, from the Mediterranean Sea, from the Atlantic Ocean and from Par ... References 1865 births 1923 deaths Scul ...
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Julie Charpentier
Julie Charpentier (1770–1843) was a French sculptor. Charpentier was born in Paris, the daughter of François-Philippe Charpentier, ''mécanicien du roi'', and grew up in the Louvre in government-owned lodgings. From her father she learned drawing, also taking lessons from Augustin Pajou. She began exhibiting her work in 1787 and first showed at the Louvre Salon in 1793; she continued to send works to the Salon every year from 1798 until 1824, working in terra cotta, stone, and plaster. Many of her sculptures were produced to government commissions, including four of the 425 bas-reliefs on the column of the place Vendôme. In 1801 Charpentier offered her services as a taxidermy, taxidermist to the National Museum of Natural History (France), National Museum of Natural History, and for twenty-five years thereafter mounted a range of animals for the institution. In 1826 she was granted a salaried post, but this was not enough to keep her from penury, and she died in poverty in ...
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Bernard Griffoul-Dorval
Bernard (''Bernhard'') is a French and West Germanic masculine given name. It is also a surname. The name is attested from at least the 9th century. West Germanic ''Bernhard'' is composed from the two elements ''bern'' "bear" and ''hard'' "brave, hardy". Its native Old English reflex was ''Beornheard'', which was replaced by the French form ''Bernard'' that was brought to England after the Norman Conquest. The name ''Bernhard'' was notably popular among Old Frisian speakers. Its wider use was popularized due to Saint Bernhard of Clairvaux (canonized in 1174). Bernard is the second most common surname in France. Geographical distribution As of 2014, 42.2% of all known bearers of the surname ''Bernard'' were residents of France (frequency 1:392), 12.5% of the United States (1:7,203), 7.0% of Haiti (1:382), 6.6% of Tanzania (1:1,961), 4.8% of Canada (1:1,896), 3.6% of Nigeria (1:12,221), 2.7% of Burundi (1:894), 1.9% of Belgium (1:1,500), 1.6% of Rwanda (1:1,745), 1.2% of Germany (1 ...
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Musée Des Augustins
The Musée des Augustins de Toulouse is a fine arts museum in Toulouse, France which conserves a collection of sculpture and paintings from the Middle Ages to the early 20th century. The paintings are from throughout France, the sculptures representing Occitan culture of the region with a particularly rich assemblage of Romanesque sculpture. History The building in which the museum is sited was built in 1309 in the Gothic style and prior to the French Revolution housed Toulouse's Augustinian convent. The convent was secularized in 1793 and first opened to the public as a museum on 27 August 1795 by decree of the French Convention, very shortly after the opening of the Louvre, making it one of the oldest museums in France after the Louvre and the Musée des Beaux Arts in Besançon. It at first housed the Muséum Provisoire du Midi de la République and the école des Beaux-Arts. The Musée des Augustins de Toulouse was one of fifteen museums founded in provincial centres, by a ...
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