Clube Da Esquina
Clube da Esquina (, , in English "Corner Club") was a Brazilian music artists collective, originating in the Brazilian state of Minas Gerais. It is also the name of a double album from 1972. Clube da Esquina mixes rock and roll, progressive rock, bossa nova and jazz styles, with Brazilian folk music and classical music influences. The Beatles and the Platters were also an important influence on Clube da Esquina. Together with Tropicália, Clube da Esquina is usually regarded as the Brazilian musical movement that achieved the greatest international resonance in the post-bossa nova period (beginning in the late 1960s and early 1970s). History of Clube da Esquina In 1963 Milton Nascimento moved from Três Pontas, in the midlands of the state of Minas Gerais, to the capital Belo Horizonte, looking for work. He settled at the Levy building, where the Borges Family, including Márcio Borges, already lived. Milton and Márcio started composing (Milton had already played in some bar ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Brazilian Music
The music of Brazil encompasses various regional musical styles influenced by European, American, African and Amerindian forms. Brazilian music developed some unique and original styles such as forró, repente, coco de roda, axé, sertanejo, samba, bossa nova, MPB, música nativista, pagode, tropicália, choro, maracatu, embolada (coco de repente), frevo, brega, modinha and Brazilian versions of foreign musical styles, such as rock, pop music, soul, hip-hop, disco music, country music, ambient, industrial and psychedelic music, rap, classical music, fado, and gospel. Samba has become the most known form of Brazilian music worldwide, especially because of the country's carnival, although bossa nova, which had Antônio Carlos Jobim as one of its most acclaimed composers and performers, have received much attention abroad since the 1950s, when the song " Desafinado", interpreted by João Gilberto, was first released. The first four winners of the Shell Brazilian Music pri ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Belo Horizonte
Belo Horizonte (, ; ) is the sixth-largest city in Brazil, with a population around 2.7 million and with a metropolitan area of 6 million people. It is the 13th-largest city in South America and the 18th-largest in the Americas. The metropolis is anchor to the Belo Horizonte metropolitan area, ranked as the third-most populous metropolitan area in Brazil and the 17th-most populous in the Americas. Belo Horizonte is the capital of the state of Minas Gerais, Brazil's second-most populous state. It is the first planned modern city in Brazil. The region was first settled in the early 18th century, but the city as it is known today was planned and constructed in the 1890s, to replace Ouro Preto as the capital of Minas Gerais. The city features a mixture of contemporary and classical buildings, and is home to several modern Brazilian architectural icons, most notably the Pampulha Complex. In planning the city, Aarão Reis and Francisco Bicalho sought inspiration in the urban p ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Brazilian Rock Music
Brazilian rock refers to rock music produced in Brazil and usually sung in Portuguese. In the 1960s it was known as , from the Portuguese transcription of the line "Yeah, yeah, yeah" from the Beatles song "She Loves You". Overview Rock entered the Brazilian music scene in 1956, with the screening of the film ''The Blackboard Jungle'', featuring Bill Haley's "Rock Around the Clock", which would later be covered in Portuguese by Nora Ney. The electric guitar was already used in Brazil in 1948, in Salvador carnival bloc of Dodô e Osmar. They invented the famous ( en, "electric stick"), the first electric guitar without microphonic feedback, with its typical acute color characteristic and sustained sound, no more similar to the previous jazzistic electric guitar models (then they developed another with two arms) and in 1949 they played carnival songs with this guitar at the first time in an open car named then "Trio Elétrico" on the Salvador streets (today in the big trucks with ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Brazilian Musical Groups
Brazilian commonly refers to: * Something of, from or relating to Brazil * Brazilian Portuguese, the dialect of the Portuguese language used mostly in Brazil * Brazilians, the people (citizens) of Brazil, or of Brazilian descent Brazilian may also refer to: Sports * Brazilian football, see football in Brazil * Brazilian jiu-jitsu, a martial art and combat sport system *''The Brazilians'', a nickname for South African football association club Mamelodi Sundowns F.C. due to their soccer kits which resembles that of the Brazilian national team Other uses * Brazilian waxing, a style of Bikini waxing * Brazilian culture, describing the Culture of Brazil * "The Brazilian", a 1986 instrumental by Genesis * Brazilian barbecue, known as churrasco * Brazilian cuisine See also * ''Brasileiro ''Brasileiro'' is a 1992 album by Sérgio Mendes and other artists including Carlinhos Brown which won the 1993 Grammy Award for Best World Music Album. Track listing # "Fanfarra" (Carlinhos Brown) ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Brazilian Styles Of Music
Brazilian commonly refers to: * Something of, from or relating to Brazil * Brazilian Portuguese, the dialect of the Portuguese language used mostly in Brazil * Brazilians, the people (citizens) of Brazil, or of Brazilian descent Brazilian may also refer to: Sports * Brazilian football, see football in Brazil * Brazilian jiu-jitsu, a martial art and combat sport system *''The Brazilians'', a nickname for South African football association club Mamelodi Sundowns F.C. due to their soccer kits which resembles that of the Brazilian national team Other uses * Brazilian waxing, a style of Bikini waxing * Brazilian culture, describing the Culture of Brazil * "The Brazilian "The Brazilian" is an instrumental piece by the English band Genesis that concludes their 1986 album '' Invisible Touch''. The song features experimental sounds and effects. The band wrote two instrumental pieces for the album, this and "Do the N ...", a 1986 instrumental by Genesis * Brazilian barbecue, known ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Wagner Tiso
Wagner Tiso Veiga (born 12 December 1945) is a musician, arranger, conductor, pianist and composer from Brazil. Born in Três Pontas, Tiso learned music theory with Paulo Moura and specialised in keyboards. In 1970, he joined Som Imaginário, working with Milton Nascimento. Tiso and Nascimento were then together in Clube da Esquina, who toured internationally. The group also included Beto Guedes, Toninho Horta Antônio Maurício Horta de Melo (born December 2, 1948) is a Brazilian jazz guitarist and vocalist. In addition to composing and performing his own work, Horta has worked for many years as arranger or sideman for Brazilian artists such as El ... and Flávio Venturini. He has also worked on several soundtracks. References External links Official site 1945 births Living people People from Minas Gerais Brazilian composers Brazilian pianists Musicians from Minas Gerais 21st-century pianists {{Brazil-composer-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Beto Guedes
Alberto de Castro Guedes (born August 13, 1951) is a Brazilian singer, songwriter, and guitarist. Biography Beto Guedes has been playing in bands since he was a teenager. When he was 18 years old he took part in the V Singers International Festival, with the song "Feira Moderna" composed jointly with Fernando Brant. He formed the musical group Clube da Esquina with Milton Nascimento, Lô Borges, and Fernando Brant. The Minas Gerais folk music tradition was the group's main influence, along with 1960s rock and choro. His next band was 14 Bis. In 1977 he recorded his first album, ''A Página do Relâmpago Elétrico'', which was an unexpected success. In 1978 he issued the LP ''Amor de Índio'', whose title song was Guedes's biggest career success. Discography * ''Beto Guedes, Danilo Caymmi, Novelli, Toninho Horta'' (Odeon, 1973) * ''A Página do Relâmpago Elétrico'' (EMI, 1977) * ''Amor de Índio'' (EMI, 1978) * ''Sol de Primavera'' (EMI, 1979) * ''Contos da Lua Vaga'' (EMI, 19 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lô Borges
Lô Borges (Born Salomão Borges Filho on January 10, 1952) is a Brazilian songwriter, singer, and guitarist. He was one of the founders of Clube da Esquina, a group of musicians that originated in the Brazilian state of Minas Gerais. He co-authored with Milton Nascimento the album ''Clube da Esquina'' in 1972, which was a milestone in Brazilian popular music. Among his most famous compositions are "''Paisagem da Janela''", "''Para Lennon e McCartney''", "''Clube da Esquina No. 2''", "''Trem de Doido''", and "''O Trem Azul''". His second album, the self-titled ''Lô Borges'', is featured in the book ''1001 Albums You Must Hear Before You Die''. Discography *1972: ''Clube da Esquina (with Milton Nascimento Milton Nascimento (; born October 26, 1942), also known as Bituca, is a Brazilian singer-songwriter and multi-instrumentalist. He has toured across the world. Nascimento has won five Grammy Awards, including Best World Music Album for his alb ...) *1972: '' Lô Borges'' * ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Toninho Horta
Antônio Maurício Horta de Melo (born December 2, 1948) is a Brazilian jazz guitarist and vocalist. In addition to composing and performing his own work, Horta has worked for many years as arranger or sideman for Brazilian artists such as Elis Regina, Milton Nascimento, Maria Bethânia, João Bosco, Airto Moreira, Edu Lobo, Nana Caymmi, Flora Purim, Gal Costa, Sérgio Mendes, Chico Buarque, Flávio Venturini, Joyce, Johnny Alf, Wagner Tiso, Francis Hime, and Beto Guedes. Music career Horta grew up in Belo Horizonte, Brazil. When he was fourteen, he met Milton Nascimento, who became a lifelong friend and occasional collaborator. His work on ''Clube da Esquina'' (1972) by Nascimento led to opportunities with Antonio Carlos Jobim, João Bosco, Nana Caymmi, Gal Costa, and Elis Regina. His debut solo album was ''Terras Dos Passaros'' in 1980, released in the U.S. through Capitol Records in 1990. He moved to the U.S, and in time worked with Pat Metheny, Wayne Shorter, Sergio Mendes ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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14 Bis (Band)
14 Bis is a Brazilian pop-rock band. The band took its name from Santos-Dumont's 14 Bis airplane. The band was formed in 1979 in the state of Minas Gerais, when the members of two bands, O Terço and "Bendegó" decided to merge. Flávio Venturini and Vermelho, two founding members of 14 Bis, were also members of the Clube da Esquina band. Música popular brasileira is a strong element in many of 14 Bis compositions. The influence of progressive rock and caipira A Caipira () is an ethnic group native to Paulistânia, cultural area in Brazil, the term "''caipira''", of origin in the Paulista General language, probably influenced by the terms "''kai'pira''", "''ka'apir''", "''ka'a pora''" or "''kopira'' ... (hillbilly) is evident in many of its compositions, such as in their use of analog keyboards and complex vocal arrangements. The group reached the peak of their success during the 1980s with notable compositions and performance of popular Brazilian songs. Due to the mil ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chico Buarque
Francisco Buarque de Hollanda (born 19 June 1944), popularly known simply as Chico Buarque, is a Brazilian singer-songwriter, guitarist, composer, playwright, writer, and poet. He is best known for his music, which often includes social, economic, and cultural reflections on Brazil. The firstborn son of Sérgio Buarque de Hollanda, Buarque lived at several locations throughout his childhood, though mostly in Rio de Janeiro, São Paulo, and Rome. He wrote and studied literature as a child and found music through the bossa nova compositions of Tom Jobim and João Gilberto. He performed as a singer and guitarist in the 1960s as well as writing a play that was deemed dangerous by the Brazilian military dictatorship of the time. Buarque, along with several Tropicalist and MPB musicians, was threatened by the Brazilian military government and eventually left Brazil for Italy in 1969. However, he came back to Brazil in 1970, and continued to record, perform, and write, though much of hi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Fernando Brant
Fernando Rocha Brant (October 9, 1946 – June 12, 2015) was a Brazilian poet, lyricist and journalist, born in Caldas, Minas Gerais, Caldas, Minas Gerais. Brant's interest in music and literature began to increase while he studied law at Universidade Federal de Minas Gerais. At the beginning of the 1960s, Brant made friends with Milton Nascimento who soon became his creative partner and encouraged him to write his first lyrics, "Travessia". The song won the second place in the II Festival International da Canção (International Song Festival) in Rio de Janeiro in 1967. In the same year, "Travessia" was included in Nascimento's first album and became one of the better known songs in his repertoire. In 1969 Brant got a job as a journalist in O Cruzeiro magazine affiliate in Belo Horizonte. That same year, in Belo Horizonte, Brant and friends began articulating a project that would become Clube da Esquina, an influential Brazilian music artists collective. His partnership with Mil ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |