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Club Bizarre
"Club Bizarre" is a song recorded by German dance act U96, released in February 1995 as the second single from the album of the same name (1995). It was a hit in several countries, although it was not as successful as the act's previous single, "Love Religion", but became a top twenty hit in the Netherlands, Sweden and Austria. On the Eurochart Hot 100, the single peaked at number 28 in April 1995. It features uncredited vocals by Skadi Lange. Critical reception In his review of the ''Club Bizarre'' album, Larry Flick from ''Billboard'' said the song "shows it successfully trying smoother keyboard sounds that complement the simple, but cute hooks anchoring each cut." Pan-European magazine ''Music & Media'' wrote, "So unlike anybody else in Euro, the childlike songstress, the melody and the airy sample from Alannah Myles' A Song Instead Of A Kiss add up to music that's a new nursery rhyme for '90s kids." Head of music Bernd Albrecht by ORB Fritz/ Potsdam (Germany) enthused, "What a ...
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Love Religion
"Love Religion" is a song recorded by German dance music act U96, released in October 1994, as the lead single from their third album, ''Club Bizarre'' (1995). Unlike their previous songs, "Love Religion" is more trance-oriented techno and pop. It takes its main melody from Giorgio Moroder's 1978 instrumental " The Chase". The background vocals are performed by Dutch singer, actress and TV host Daisy Dee. It peaked at number two in Finland and Sweden, and was also a top 10 hit in Austria, Denmark, Germany, the Netherlands and Switzerland. Chart performance "Love Religion" was a major hit in Europe and remains one of U96's most successful songs to date. It peaked within the top 10 in Austria, Denmark, Finland, Germany, the Netherlands, Sweden and Switzerland. In both Finland and Sweden, the song made it to number two. Additionally, it was a top 20 hit in France, as well as on the Eurochart Hot 100, where the single reached number 12 in December 1994. In Belgium, it was a top 30 hi ...
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Ultratop 50
Ultratop is an organization which generates and publishes the official record charts in Belgium. Ultratop is a non-profit organization, created on the initiative of the Belgian Entertainment Association (BEA), the Belgian member organization of the International Federation of the Phonographic Industry. Two parallel sets of charts are concurrently produced and published, one on behalf of Belgium's mainly Dutch-speaking Flanders region, and the other catering to the nation's mainly French-speaking region of Wallonia. Ultratop charts The music charts produced by Ultratop organization are separated along regional-language boundaries, an unusual division that is justified by the cultural differences in Belgium. So it is that the mainly Dutch-speaking Flanders region has one set of charts of record activity there, while the mainly French-speaking Wallonia region has another set to measure popularity in those provinces. The charts are broadcast on several Belgian radio stations, and ...
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Headhunterz
Willem Rebergen (born 12 September 1985), better known by his stage name ''Headhunterz'', is a Dutch DJ and music producer. Rebergen is also a voice actor. He has done dubbing for several movies and TV series. He started his career in 2005 working on Hardstyle music. Headhunterz has performed at Qlimax, Defqon.1, Q-Base, In Qontrol, Decibel, Hard Bass, Electric Daisy Carnival and Tomorrowland. Headhunterz released his work on Scantraxx through his own sub-label, Scantraxx Reloaded, but in 2013 he started his own record label, "HARD with STYLE". He signed with the North American electronic dance record label Ultra Music in 2013 and left his own label in 2015. Since June 2017, he officially returned to the Hardstyle community at the closing ceremony of ''Defqon.1 Weekend Festival 2017''. In 2018, Headhunterz and fellow DJ Wildstylez started a new Hardstyle label called: "Art of Creation". Biography Early life and career Willem Rebergen was born on 12 September 1985 in Veene ...
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Progressive Electronic Dance Music
Progressive music is music that attempts to expand existing stylistic boundaries associated with specific genres of music. The word comes from the basic concept of "progress", which refers to advancements through accumulation, and is often deployed in the context of distinct genres, with progressive rock being the most notable example. Music that is deemed "progressive" usually synthesizes influences from various cultural domains, such as European art music, Celtic folk, West Indian, or African. It is rooted in the idea of a cultural alternative and may also be associated with auteur-stars and concept albums, considered traditional structures of the music industry. As an art theory, the progressive approach falls between formalism and eclecticism. "Formalism" refers to a preoccupation with established external compositional systems, structural unity, and the autonomy of individual art works. Like formalism, "eclecticism" connotes a predilection toward style synthesis or in ...
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Progressive House
Progressive house is a subgenre of house music. The progressive house style emerged in the early 1990s. It initially developed in the United Kingdom as a natural progression of American and European house music of the late 1980s.Gerard, Morgan; Sidnell, Jack. ''Popular Music and Society'' 24.3 (Fall 2000): 21–39. Etymology In the context of popular music the word "progressive" was first used widely in the 1970s to differentiate experimental forms of rock music from mainstream styles. Such music attempted to explore alternate approaches to rock music production. Some acts also attempted to elevate the aesthetic values of rock music by incorporating features associated with classical instrumental music. This led to a style of music called progressive rock, which has been described as "the most self-consciously arty branch of rock." In disco music, and later house music, a similar desire to separate more exploratory styles from standard approaches saw DJs and producers adopting ...
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Brooklyn Bounce
Brooklyn Bounce is one of several pseudonyms used by German producers Matthias Menck (Double M) and Dennis Bohn (Bonebreaker). They have also produced music under the names Mental Madness Productions and Beatbox feat. Rael. Menck and Bohn have created remixes of a wide array of artists, including Scooter and Kool & the Gang. Career Menck and Bohn, both natives to Hamburg, met in 1995. The pair had their first chart hit starring as Boyz R Us with the single "Singin' in My Mind". In 1996 the duo debuted as Brooklyn Bounce and released "The Theme (of Progressive Attack)" which scaled the German dance charts as a club favourite before becoming a crossover hit for the group as well. This success set up the band's debut album, ''The Beginning''. Menck and Bohn work solely in the studio and are not part of the Brooklyn Bounce live act. Instead, the group was fronted by several different vocalists and dancers, who have collaborated with the two German producers throughout the years. The ...
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Single Top 100
The Dutch Single Top 100 or Single Top 100 is a Dutch chart, based on official physical single sales, legal downloads and since July 2013 streaming and composed by Dutch Charts. It is one of the three official charts, the other two being the Dutch Top 40 and the Mega Top 30. The difference is that these charts also include airplay data. The list is especially intended for the music industry and those who take an interest in charts. In Dutch TV programmes the ''Single Top 100'' is often cited, although it has not been broadcast since December 2006. History The predecessor of the Single Top 100 started on 23 May 1969 as the ''Hilversum 3 Top 30''. Originally it was broadcast by the VPRO and ever since December 1970 by the NOS. It was presented by Willem van Kooten. In 1971 Felix Meurders hosted the radio show. He renamed it the ''Daverende Dertig''. In June 1974 the ''Nationale Hitparade'' became the official chart of Hilversum 3. It was a top 30 until the number of entries was ...
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UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ...
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Schweizer Hitparade
The Swiss Hitparade (german: link=no, Schweizer Hitparade) is Switzerland's main music sales charts. The charts are a record of the highest-selling singles and albums in various genres in Switzerland. The Swiss charts include: * Singles Top 75 (released since 1968) * Albums Top 100 (released since late 1983) * Compilations Top 25 * Airplay Top 30 Since 2010, Hitparade's compiler Media Control has also set up ''Les charts'', a record chart of the highest-selling singles and albums in Romandie, the Francophone region of Switzerland: * Romandie Singles Top 20 (Discontinued,Last Issue is 15 November 2020) * Romandie Albums Top 50 The charts are updated weekly on Sundays, and are posted publicly on the preceding Wednesday mornings. See also *List of number-one singles in Switzerland This is a list of number-one hits in Switzerland by year from the Swiss Music Charts compiled every week. 1960s 1970s 1980s 1990s 2000s 2010s 2020s 2020 2021 2022 File:2022 collage V ...
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Sverigetopplistan
Sverigetopplistan (, lit. "the Sweden top list") is the Swedish national record chart, formerly known as Topplistan (1975–1997) and Hitlistan (1998–2007) and known by its current name since October 2007, based on sales data from the Swedish Recording Industry Association (in Swedish Grammofonleverantörernas förening). Before Topplistan, music sales in Sweden were recorded by Kvällstoppen, whose weekly chart was a combined albums and singles list. History For the period of 1976 to 2006, the official Swedish music charts were published by Sveriges Radio P3, a station owned by Sveriges Radio. At the end of 2006, it stopped publishing the general charts, which were entrusted to Swedish Recording Industry Association in the beginning of 2007. However, Sveriges Radio P3 continued to publish the most downloaded music charts, according to the statistics compiled by Nielsen SoundScan. The new strictly-download chart was called DigiListan. Since late 2006, the chart has included ...
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Dutch Top 40
The Dutch Top 40 ( nl, Nederlandse Top 40) is a weekly music chart compiled by ''Stichting Nederlandse Top 40''. It started as a radio program titled "Veronica Top 40", on the offshore station Radio Veronica in 1965. It remained "The Veronica Top 40" until 1974, when the station was forced to stop broadcasting. Joost den Draaijer initiated the Top 40 in the Netherlands. The show currently airs on Fridays from 2 to 6 PM on Qmusic. History On January 2, 1965, the first Top 40 was compiled, with its first #1 hit "''I Feel Fine''" by The Beatles. In September 1974, the Stichting Nederlandse Top 40 bought the Top 40 and named it ''De Nederlandse Top 40''. The Dutch Top 40 is one of the four official charts in the Netherlands, the other three being the B2B Single Top 100, which is based entirely on pure sales and streaming, the Mega Top 30 from (NPO 3FM) which, like the Dutch Top 40 also includes airplay data and the 538 Top 50. From October 4th. 1974 until May 20th. 1976, the ...
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Israel Broadcasting Authority
The Israel Broadcasting Authority (IBA; ) was Israel's public broadcaster from 1948 to 2017. History The Israel Broadcasting Authority was an outgrowth of the radio station ''Kol Yisrael'', which made its first broadcast as an independent station on 14 March 1948. The name of the organization operating ''Kol Yisrael'' was changed to ''Israel Broadcasting Service'' in 1951. The law creating the ''Israel Broadcasting Authority'' was passed by the Knesset on 6 June 1965. Television broadcasts commenced on 2 May 1968, with color television following on 23 February 1983, although occasional color transmissions, of such events as the Eurovision Song Contest 1979 and the visit of the Egyptian President Anwar Sadat in 1977, had been made earlier. IBA operated two television channels and eight radio stations. In 1990, the Israeli parliament passed a law that resulted in the creation of the Second Israeli Broadcasting Authority, whose function was to enable and regulate commercial tel ...
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