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Close To You (Fun Factory Song)
"Close to You" is a song by German Eurodance band Fun Factory, released in March 1994 by various labels as the second single from the band's debut-album, '' NonStop'' (1994). The song is written by Bülent Aris, Rainer Kesselbauer and Toni Cottura, while Aris and Cottura produced it. It received positive reviews from music critics, peaking at number-one on the Canadian ''RPM'' Dance/Urban chart and at number 22 on the US ''Billboard'' Hot Dance Club Play chart. Additionally, the single peaked at number 46 on the ''Billboard'' Hot 100 and number 14 on the ''Billboard'' Hot Dance Music/Maxi-Singles Sales chart. In Europe, it reached number 19 in Germany and number 97 in the UK. Its music video was directed by Swedish director Stefan Berg and filmed at a quarry. It was A-listed on Germany's VIVA in June 1994. "Close to You" uses the same melody as the 1993 hit single " Hold On" by German group Loft. Critical reception Larry Flick from ''Billboard'' wrote that "taking a cue from Sna ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fun Factory (band)
Fun Factory is a German eurodance group formed in 1992, originally consisting of founding members Balca Tözün, Rodney Hardison, Toni Cottura and Stephan Browarczyk. They have been nicknamed simply Balja, Rod D., Smooth T. and Steve. The group enjoyed success throughout the '90s. Band history 1992–94: Formation, ''Non Stop-The Album'' and Balca's departure The group was founded in 1992 with Balca Tözün from Turkey, Rodney Hardison from America, and Toni Cottura and Stephan Browarczyk from Germany. They released their first singles "Fun Factory's Theme" and "Groove Me" in 1992 and 1993. Fun Factory released their debut album ''Nonstop! The Album'' in 1994. Before their third single release " Close to You" in late 1993, the group reported that lead singer Balca Tözün had been replaced with Marie-Anett Mey, an entertainer from Paris, France.Larkin, Colin (1998) ''The Virgin Encyclopedia of Dance Music'', Virgin Books, , p. 126 " Close to You" became their first chart succe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Snap!
Snap! is a German Eurodance group formed in 1989 by Record producer, producers Michael Münzing and Luca Anzilotti. The act has been through a number of line-up changes over the years, including American singers, songwriters and rappers Thea Austin, Turbo B, Niki Haris and Penny Ford. Their best known hits are "The Power (Snap! song), The Power" and "Rhythm Is a Dancer", both of which took the No. 1 spot in multiple countries. Musical career Previous projects Luca Anzilotti and Michael Münzing started working together in 1985 in the group Off (Organisation For Fun) with Sven Väth. They recorded two albums, ''Organisation For Fun'' (1988) and ''Ask Yourself'' (1989), and a series of singles, including "Electrica Salsa", until 1990. The two created the side project 16 BIT in 1986 and had a big success with their first single "Where Are You?". In 1987, they released the album ''Inaxycvgtgb'' for Bertelsmann Music Group, BMG. Formation and first album Anzilotti and Münzing for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
European Dance Radio Chart
The European Dance Radio Chart (also known as European Dance Radio Top 25) was a weekly chart compiled by pan-European magazine ''Music & Media''. After dance music had played a more dominant role on the magazine's Eurochart Hot 100 in the beginning of the 1990s, the new chart was launched on 28 September 1991. Based on a weighted-scoring system, it was compiled on the basis of playlists of European stations programming various styles of dance music, including hip hop/rap, R&B and swingbeat, for the 15-30 year-olds, fulltime or during specific dayparts. The first number one single on the EDR Chart was "Gett Off" by Prince. Number one singles on European Dance Radio Top 25 1991 *Prince - "Gett Off" (28 September 1991) *P.M. Dawn - "Set Adrift on Memory Bliss" (19 October 1991) *Simply Red - "Something Got Me Started" (2 November 1991) *Lisa Stansfield - "Change" (23 November 1991) *Michael Jackson - "Black or White" (21 December 1991) 1992 * DNA - " Can You Handle It" (15 Februar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Mirror
''Record Mirror'' was a British weekly music newspaper between 1954 and 1991 for pop fans and record collectors. Launched two years after the ''NME'', it never attained the circulation of its rival. The first UK album chart was published in ''Record Mirror'' in 1956, and during the 1980s it was the only consumer music paper to carry the official UK singles and UK albums charts used by the BBC for Radio 1 and ''Top of the Pops'', as well as the US ''Billboard'' charts. The title ceased to be a stand-alone publication in April 1991 when United Newspapers closed or sold most of their consumer magazines, including ''Record Mirror'' and its sister music magazine ''Sounds'', to concentrate on trade papers like ''Music Week''. In 2010 Giovanni di Stefano bought the name ''Record Mirror'' and relaunched it as an online music gossip website in 2011. The website became inactive in 2013 following di Stefano's jailing for fraud. Early years, 1954–1963 ''Record Mirror'' was founded by for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Hamilton (DJ And Journalist)
James Hamilton (25 December 1942 – 17 June 1996) was a British DJ and dance music columnist for ''Record Mirror'', and later for ''Music Week'', where he worked until his death in 1996. He is recognised as a pioneering advocate of disco mixing in the UK and the addition of beats per minute (bpm) calculations to record reviews. Hamilton started as a DJ in his early 20s, playing rhythm & blues in a nightclubs in London. He then headed to New York to work for Seltaeb, the US company who’d acquired the merchandising rights for The Beatles, becoming a talent scout for their newly formed music division. After returning to the UK, he adopted the DJ name Doctor Soul, and also compiled an album with this title for Sue Records. He set up as one of the first mobile DJs, and began writing US reviews for ''Record Mirror'' in 1964. In 1975, he began the magazine's weekly ‘Disco’ column, named ''James Hamilton's Disco Page''. He pioneered several features that was copied by other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie-Anett Mey
Marie Anett (born June 3, 1971, as Marie-Anett Mey) is a French model, entertainer, singer and musician born in Paris, France. She gained popularity success throughout the 1990s as the lead vocal performer of the German eurodance music group Fun Factory. Life and career 1971–92: Early life Mey is born on June 3, 1971, as Marie-Anett Mey in Paris, in France. She moved to Hamburg in Germany where she met her future fellow Fun Factory band member Toni Cottura. 1993–94: Joining Fun Factory and ''Nonstop'' Before Fun Factory's third single release "Close to You" in 1993, Mey replaced lead singer Balca Tözün, who left the band and joined surviving founding members Rodney Hardison, Toni Cottura and Stephan Browarczyk. With the second line-up, the band gained massive success, though it has been later revealed, that Tözün kept providing vocals in the background for all their later releases until their disbandment in 1997, with Mey just lip-syncing and performing with the group ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hooks (music)
A hook is a musical idea, often a short riff, passage, or phrase, that is used in popular music to make a song appealing and to "catch the ear of the listener". The term generally applies to popular music, especially rock, R&B, hip hop, dance, and pop. In these genres, the hook is often found in, or consists of, the chorus. A hook can be either melodic or rhythmic, and often incorporates the main motif for a piece of music.Davidson, Miriam; Heartwood, Kiya (1996). ''Songwriting for Beginners'', p.7. Alfred Music Publishing. . Definitions One definition of a hook is "a musical or lyrical phrase that stands out and is easily remembered." Definitions typically include some of the following: that a hook is repetitive, attention-grabbing, memorable, easy to dance to, and has commercial potential and lyrics. A hook has been defined as a "part of a song, sometimes the title or key lyric line, that keeps recurring." Alternatively, the term has been defined as and can be something as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular. Much of the instrumentation in techno emphasizes the role of rhythm over other musical parameters. Techno tracks mainly progress over manipulation of timbral characteristics of synthesizer presets and, unlike forms of EDM that tend to be produced with synthesizer keyboards, techno does not always strictly adhere to the harmonic practice of Western music and such structures are often ignored in favor of timbr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorus Effect
Chorus (or chorusing, choruser or chorused effect) is an audio effect that occurs when individual sounds with approximately the same time, and very similar pitches, converge. While similar sounds coming from multiple sources can occur naturally, as in the case of a choir or string orchestra, it can also be simulated using an electronic effects unit or signal processing device. When the effect is produced successfully, none of the constituent sounds are perceived as being out of tune. It is characteristic of sounds with a rich, shimmering quality that would be absent if the sound came from a single source. The shimmer occurs because of beating. The effect is more apparent when listening to sounds that sustain for longer periods of time. The chorus effect is especially easy to hear when listening to a choir or string ensemble. A choir has multiple people singing each part ( alto, tenor, etc.). A string ensemble has multiple violinists and possibly multiples of other stringed instr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance-pop
Dance-pop is a popular music subgenre that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-discoSmay, David & Cooper, Kim (2001). ''Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'': "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. . and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions. Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
