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Cleofonte Campanini
Cleofonte Campanini (1 September 1860 – 19 December 1919) was an Italian conductor. His brother was the tenor Italo Campanini. Biography Born in Parma, Italy on 1 September 1860, Campanini studied music at that city's conservatory, making his debut with a performance of ''Carmen'', also in Parma, in 1883. That year he was invited to New York City during the inaugural season of the Metropolitan Opera, and was offered a position as assistant conductor with the company. Five years later he returned to the United States to lead the American premiere of Giuseppe Verdi's ''Otello'' at the Academy of Music. Desdemona was sung by Eva Tetrazzini, who Campanini had married in 1887. He conducted at the Teatro Nacional de São Carlos, Lisbon, between 1888 and 1903 where he conducted, among others, the premieres of Augusto Machado's '' Mario Wetter'' (1898) and Alfredo Keil's '' Serrana'' (1899) (considered the best Portuguese opera) with Eva Tetrazzini in the leading roles. Campanin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parma
Parma (; egl, Pärma, ) is a city in the northern Italian region of Emilia-Romagna known for its architecture, Giuseppe Verdi, music, art, prosciutto (ham), Parmigiano-Reggiano, cheese and surrounding countryside. With a population of 198,292 inhabitants, Parma is the second most populous city in Emilia-Romagna after Bologna, the region's capital. The city is home to the University of Parma, one of the oldest universities in the world. Parma is divided into two parts by the Parma (river), stream of the same name. The district on the far side of the river is ''Oltretorrente''. Parma's Etruscan name was adapted by Romans to describe the round shield called ''Parma (shield), Parma''. The Italian literature, Italian poet Attilio Bertolucci (born in a hamlet in the countryside) wrote: "As a capital city it had to have a river. As a little capital it received a stream, which is often dry", with reference to the time when the city was capital of the independent Duchy of Parma. Histor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serrana (opera)
__NOTOC__ Serrana may refer to: Places * Serrana, São Paulo, a city in Brazil * Serrana (Santa Catarina), a mesoregion in Brazil * Serrana Bank, an atoll off the coast of Colombia Organisms * '' Clystea serrana'', a moth of family Erebidae * '' Cochylis serrana'', a moth of family Tortricidae * '' Cupanoscelis serrana'', a beetle of family Cerambycidae * '' Geocerthia serrana'', a bird of family Furnariidae * ''Justicia serrana'', a plant of family Acanthaceae * '' Neocompsa serrana'', a beetle of family Cerambycidae * '' Potiatuca serrana'', a beetle of family Cerambycidae * '' Vriesea serrana'', a plant of family Bromeliaceae People * Serrana Fernández Serrana Andrea Fernández la Banca (born November 13, 1973) is an Olympic backstroke swimmer from Uruguay. She competed at the Uruguay at the 2000 Summer Olympics, 2000 and Uruguay at the 2004 Summer Olympics, 2004 Olympics, where she was flagb ... (born 1973), Uruguayan swimmer * Elisa Serrana (1930–2012), Chilean writ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Gioielli Della Madonna
''I gioielli della Madonna'' (English: ''The Jewels of the Madonna'') is an opera in three acts by Ermanno Wolf-Ferrari to an Italian libretto by and Enrico Golisciani, based on news accounts of a real event. It was first performed at the on 23 December 1911 under the title ''Der Schmuck der Madonna''. That performance was in German, but now it is usually given in Italian. (Wolf-Ferrari stated that his operas were often first given in German simply because he had a German publisher.) The opera was given in Budapest in 1913, conducted by Fritz Reiner, who also conducted the first Dresden performance the following year.Philip Hart, Fritz Reiner, Evanston Illinois, 1994, pages 7 & 9 Its controversial themes include love between a brother and his adopted sister, implied criticism of the Catholic Church, and an on-stage orgy. There is an extant recording of the opera, made in 1967, featuring Pauline Tinsley, André Turp and Peter Glossop, conducted by Alberto Erede. It was issued o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hérodiade
''Hérodiade'' is an opera in four acts by Jules Massenet to a French libretto by Paul Milliet and Henri Grémont, based on the novella ''Hérodias'' (1877) by Gustave Flaubert. It was first performed at the Théâtre de la Monnaie in Brussels on 19 December 1881. The libretto is a retelling of the story of John the Baptist, Salome, Herod Antipas and Herodias, but is strikingly less psychological and bloody than Richard Strauss's '' Salome'', which is based on a text by Oscar Wilde. The opera premiered in Brussels because Auguste Vaucorbeil, Manager of the Paris Opera house refused to stage the work; "I do like your music," he had said to Massenet, "but as for the libretto, you badly need an author who knows how to build the skeleton of a play." Performance history The opera reached Paris at the Théâtre des Nations on 1 February 1884, and the final performance of the run on 13 March featured the three De Reszkes; Jean (Jean), Édouard (Phanuel), and Josephine (Salomé). It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Opera
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater focus on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicago Opera Association
The Civic Opera Company (1922–1931) was a Chicago company that produced seven seasons of grand opera in the Auditorium Theatre from 1922 to 1928, and three seasons at its own Civic Opera House from 1929 to 1931 before falling victim to financial difficulties brought on in part by the Great Depression. The company consisted largely of the remnants of the Chicago Opera Association, a company that produced seven seasons of grand opera in the Auditorium Theatre from 1915 until its bankruptcy in 1921. Chicago Opera Association The Chicago Opera Association produced seven seasons of grand opera in Chicago's Auditorium Theatre from 1915 to 1921. The founding artistic director and principal conductor was Cleofonte Campanini, while the general manager and chief underwriter was Harold F. McCormick. When Campanini died in December 1919 he was replaced by the composer Gino Marinuzzi, who staged his own ''Jacquerie'' as the opening production of the 1920–21 season. In January 1921, o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phi Mu Alpha Sinfonia
Phi Mu Alpha Sinfonia Fraternity of America (colloquially known as Phi Mu Alpha Sinfonia, Phi Mu Alpha, or simply Sinfonia) () is an American collegiate social fraternity for men with a special interest in music. The fraternity is open to men "who, through a love for music, can assist in the fulfillment of tsObject and ideals either by adopting music as a profession, or by working to advance the cause of music in America."''National Constitution & Bylaws'' Bylaws, Article I, Section Two. Phi Mu Alpha has initiated more than 260,000 members,"About Us." sinfonia.org. Retrieved on May 3, 2009. known as ''Sinfonians'', and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amelita Galli-Curci
Amelita Galli-Curci (18 November 1882 – 26 November 1963) was an Italian coloratura soprano. She was one of the most popular operatic singers of the 20th century, with her recordings selling in large numbers. Early life She was born as Amelita Galli into an upper-middle-class Italian family of Spanish heritage in Milan, where she studied piano at the Milan Conservatory, winning a gold medal for piano performance, and at the age of 16 was offered a professorship. She was inspired to sing by her grandmother. Operatic composer Pietro Mascagni also encouraged Galli-Curci's singing ambitions. By her own choice, Galli-Curci's voice was largely self-trained at the beginning of her career. She honed her technique by listening to other sopranos, reading old singing-method books, and doing piano exercises with her voice instead of using a keyboard. She later studied regularly with Estelle Liebling for more than a decade in New York City in the 1920s and 1930s. Career Galli-Curci mad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auditorium Theatre
The Auditorium Theatre is a music and performance venue located inside the Auditorium Building at 50 Ida B. Wells Drive in Chicago, Illinois. Inspired by the Richardsonian Romanesque Style of architect Henry Hobson Richardson, the building was designed by Dankmar Adler and Louis Sullivan and completed in 1889. The Chicago Symphony Orchestra performed in the theatre until 1904 as well as the Chicago Grand Opera Company and its successors the Chicago Opera Association and Chicago Civic Opera until its relocation to the Civic Opera House in 1929. The theatre currently hosts performances by the Joffrey Ballet, in addition to a variety of concerts, musicals, performances, and events. Since the 1940s, it has been owned by Roosevelt University and since the 1960s it has been refurbished and managed by an independent non-profit arts organization. History Opening and early years In 1885, Chicago-based businessman and philanthropist Ferdinand Wythe Peck began ambitious plans for th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicago Grand Opera Company
Two grand opera companies in Chicago, Illinois, have gone by the name Chicago Grand Opera Company during the first half of the 20th century. Like many opera ventures in Chicago, both succumbed to financial difficulties within a few years, and it wasn't until 1954 that a lasting company was formed in the city. First company, 1910–14 The first Chicago Grand Opera Company produced four seasons of opera in Chicago's Auditorium Theater from the fall of 1910 through January 1914. It was the first resident Chicago opera company, and was formed mostly from an arrangement by the directors of the New York Metropolitan Opera Company (at "the Old Met" on 39th Street) to acquire the assets of Oscar Hammerstein's dissolved Manhattan Opera Company. Background Hammerstein had been producing opera in competition with the Met for a number of years. His opposition, and difficulties arising from its own management disagreements cost the Metropolitan a deficit of close to $300,000 for the 190 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Hammerstein I
Oscar Hammerstein I (8 May 18461 August 1919) was a German-born businessman, theater impresario, and composer in New York City. His passion for opera led him to open several opera houses, and he rekindled opera's popularity in America. He was the grandfather of American playwright/lyricist Oscar Hammerstein II and the father of theater manager William Hammerstein and American producer Arthur Hammerstein. Early life Oscar Hammerstein I was born in Stettin (capital of the province of Pomerania), Kingdom of Prussia (now Szczecin, Poland), to German Jewish parents Abraham and Berthe Hammerstein. He took up the flute, piano, and violin at an early age. His mother died when he was fifteen years old. During his youth, Hammerstein's father wanted him to continue with his education and to specialize in subjects such as algebra, but Hammerstein wanted to pursue music. After Oscar went skating in a park one day, his father found out and whipped him as punishment, goading Hammerstein to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manhattan Opera Company
The Manhattan Opera Company was an opera company based in New York City. Active from 1906 until 1910, it was founded by Oscar Hammerstein I. History The company began operations in 1906 at the Manhattan Opera House on 34th Street in New York City. Hammerstein built the house with the initial intent of making it a home for performances solely of opera in English; before construction was completed, however, he chose to shift the company's focus, deciding instead to present great operas in their original languages. The casts were to be drawn from the ranks of the greatest singers of the era. William Guard was hired to be the company's press representative, remaining in that capacity until the organization folded. The Manhattan Opera Company opened its first season on December 3, 1906, with a performance of Vincenzo Bellini's ''Norma''; Cleofonte Campanini served as the artistic director. Many of the greatest opera stars of the era appeared with the company during its four-year h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
