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Cleofide
''Cleofide'' (''Cleophis'') is an opera seria in three acts by Johann Adolf Hasse. The Italian libretto was adapted from Metastasio's ''Alessandro nell'Indie'' by Michelangelo Boccardi. Boccardi's adaptation of the libretto shifted the focus of the story to Cleofide, as the name suggests, instead of Alessandro as in Metastasio's original libretto. Performance history ''Cleofide'' was first performed on 13 September 1731 at the Grosses Königliches Opernhaus am Zwingerhof in Dresden. Hasse returned to the same subject for a new production at the Teatro San Giovanni Gristostomo in Venice on 4 November 1736, however the music was almost completely different. On that occasion, the original title of Metastasio's libretto was used: ''Alessandro nell'Indie''. Although successful after its premiere, the opera has faded into relative obscurity, though a revival was staged at the Semperoper Dresden in March 2005. An audio recording of the opera was produced in 1986. A critical edition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Nell'Indie (Metastasio)
''Alessandro nell'Indie'' () is a libretto in three acts by Pietro Metastasio. It was set to music around ninety times firstly by Leonardo Vinci, whose version premiered in Rome on 2 January 1730. The libretto was the fourth of five that Metastasio wrote for the Teatro delle Dame in Rome between 1727 and 1730. The work was dedicated to the Stuart pretender to the British throne, James Francis Edward Stuart, then resident in Rome. ''Alessandro nell'Indie'' became Metastasio's second most popular work, after ''Artaserse''. Both were written for the Rome carnival season Synopsis The libretto tells the story of the Indian campaign of Alexander the Great and his defeat of king Porus in 326 BCE at the Battle of the Hydaspes. After the battle the two kings were reconciled and Alexander left Porus as ruler of his kingdom. The action takes place on the banks of the Hydaspes, where Alexander's camp stands on one side of the river and the residence of Cleofide on the other. Roles * '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Adolph Hasse
Johann Adolph Hasse (baptised 25 March 1699 – 16 December 1783) was an 18th-century German composer, singer and teacher of music. Immensely popular in his time, Hasse was best known for his prolific operatic output, though he also composed a considerable quantity of sacred music. Married to soprano Faustina Bordoni and a friend of librettist Pietro Metastasio, whose libretti he frequently set, Hasse was a pivotal figure in the development of '' opera seria'' and 18th-century music. Early career Hasse was baptised in Bergedorf near Hamburg where his family had been church organists for three generations. His career began in singing when he joined the Hamburg Oper am Gänsemarkt in 1718 as a tenor. In 1719 he obtained a singing post at the court of Brunswick, where in 1721 his first opera, ''Antioco'', was performed; Hasse himself sang in the production. He is thought to have left Germany during 1722. During the 1720s he lived mostly in Naples, dwelling there for six or seven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dominique Visse
Dominique Visse (born 30 August 1955) is a French countertenor and founder of the Ensemble Clément Janequin. Life and career Dominique Visse was a chorister at the Notre-Dame de Paris and studied organ and flute at the Versailles Conservatory. As a musician, he developed an interest in Medieval and Renaissance repertories. After studying with Alfred Deller and René Jacobs from 1976 to 1978, he made his opera debut at Tourcoing in Monteverdi's ''L'incoronazione di Poppea'' in 1982. Visse devotes himself to performing of secular and religious music of the Renaissance. He is also known for his interpretations of the Parisian chansons. Visse is married to soprano Agnès Mellon. Selected discography Opera * Purcell: ''Dido and Aeneas'' * Monteverdi: ''Il ritorno d'Ulisse in patria'' * Handel: ''Giulio Cesare'' * Handel: ''Ottone'' * Handel: ''Rinaldo'' *Charpentier Actéon H.481 * Charpentier: ''David et Jonathas'' H.490 * Charpentier: ''Le Malade imaginaire'' H.495 * * Hasse: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faustina Bordoni
Faustina Bordoni (30 March 1697 – 4 November 1781) was an Italian mezzo-soprano. In Hamburg, Germany, the Johann Adolph Hasse Museum is dedicated to her husband and partly to Bordoni. Early career She was born in Venice and brought up under the protection of the aristocratic brother composers Alessandro and Benedetto Marcello. Her singing teacher was another composer, Michelangelo Gasparini. For many years in the service of the Elector Palatine, she made her operatic debut at Venice in 1716 in Carlo Francesco Pollarolo's ''Ariodante'', singing in her home city until 1725 in operas by Albinoni, the Gasparini brothers, Giacomelli, Leonardo Leo, Giuseppe Maria Orlandini, the Pollarolos, father and son, and Leonardo Vinci, amongst others. In 1718 and 1719 in Venice she sang alongside Francesca Cuzzoni, later to become her great rival. During this period she also performed several times at Reggio nell'Emilia, Naples and Parma, and at least once in Milan, Modena and Florence. Af ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Annibali
Domenico Annibali (c. 1705 – 1779) was an Italian castrato who had an active international career from 1725–1764. He began his career in his native country and was then committed to the Grosses Königliches Opernhaus in Dresden from 1729 until his retirement from the stage 35 years later. In Dresden he excelled in the operas of Johann Adolf Hasse, notably creating roles in the premieres of two of his operas. He was also admired there in works by Nicola Porpora. Annibali also appeared as a guest artist with theatres in Italy and in Vienna and London. He is best remembered today for originating roles in three operas by George Frideric Handel at Covent Garden in 1737. Musicologist Charles Burney wrote that "his abilities during his stay in England seem to have made no deep impression". However, Mary Delany wrote that he had "the best part of Senesino's voice and Caristini's, with a prodigious fine taste and good action." Other accounts of his time in England praised his c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Adolf Hasse
Johann Adolph Hasse (baptised 25 March 1699 – 16 December 1783) was an 18th-century German composer, singer and teacher of music. Immensely popular in his time, Hasse was best known for his prolific operatic output, though he also composed a considerable quantity of sacred music. Married to soprano Faustina Bordoni and a friend of librettist Pietro Metastasio, whose libretti he frequently set, Hasse was a pivotal figure in the development of ''opera seria'' and 18th-century music. Early career Hasse was baptised in Bergedorf near Hamburg where his family had been church organists for three generations. His career began in singing when he joined the Hamburg Oper am Gänsemarkt in 1718 as a tenor. In 1719 he obtained a singing post at the court of Brunswick, where in 1721 his first opera, ''Antioco'', was performed; Hasse himself sang in the production. He is thought to have left Germany during 1722. During the 1720s he lived mostly in Naples, dwelling there for six or seven y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Language
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy) – Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version Itali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Seria
''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770. The term itself was rarely used at the time and only attained common usage once ''opera seria'' was becoming unfashionable and beginning to be viewed as something of a historical genre. The popular rival to ''opera seria'' was ''opera buffa,'' the 'comic' opera that took its cue from the improvisatory commedia dell'arte. Italian ''opera seria'' (invariably to Italian libretti) was produced not only in Italy but almost throughout Europe, and beyond (see Opera in Latin America, Opera in Cuba e. g.). Among the main centres in Europe were the court operas based in Warsaw (since 1628), Munich (founded in 1653), London (established in 1662), Vienna (firmly established 1709; first operatic representation: ''Il pomo d'oro'', 1668), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Johann Adolf Hasse
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1731 Operas
Events January–March * January 8 – An avalanche from the Skafjell mountain causes a massive wave in the Storfjorden fjord in Norway that sinks all boats that happen to be in the water at the time and kills people on both shores. * January 25 – A fire in Brussels at the Coudenberg Palace, at this time the home of the ruling Austrian Duchess of Brabant, destroys the building, including the state records stored therein."Fires, Great", in ''The Insurance Cyclopeadia: Being an Historical Treasury of Events and Circumstances Connected with the Origin and Progress of Insurance'', Cornelius Walford, ed. (C. and E. Layton, 1876) p49 * February 16 – In China, the Emperor Yongzheng orders grain to be shipped from Hubei and Guangdong to the famine-stricken Shangzhou region of Shaanxi province. * February 20 – Louise Hippolyte becomes only the second woman to serve as Princess of Monaco, the reigning monarch of the tiny European principality, as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sven Hansell
Sven Hostrup Hansell (23 October 1934 – 6 March 2014) was an American musicologist and Professor Emeritus of Musicology at the University of Iowa. He was a specialist in the music and performance practices of the 17th and 18th centuries, as well as a harpsichordist and composer.University of Illinois Musicology DivisionPhDs Completed in Musicology/ref> Life and career Hansell was born in New York City and grew up in Philadelphia. He received his bachelor's degree from the University of Pennsylvania in 1956 and a Master's Degree from Harvard University in 1958. He then studied composition with Nadia Boulanger in France as well as undertaking further studies at the University of Copenhagen, the Musikhochschule in Berlin, and Indiana University. He received his PhD from the University of Illinois in 1966 with a dissertation on the cantatas, motets, and antiphons of Johann Adolf Hasse. Hansell taught music history and harpsichord at University of California, Davis before joining t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Cordier
David Cordier (born 1 May 1959) is an English countertenor. He made an international career based in Germany, and appeared both in concert and opera. While focused on roles by Handel such as Radamisto, he has also performed in contemporary opera, including works by Aribert Reimann and Péter Eötvös. Life Born in Rochester, Kent, Cordier was initially a boy soprano in the Cathedral Choir of his home town and a member of King's College Choir in Cambridge. After studying mathematics at the University of Cambridge, completed with a master's degree, he studied voice at the Royal College of Music in London. He moved to Berlin in the 1980s where he regularly performed with Gustav Leonhardt and Musica Antiqua Köln. He later took residence in Cologne. Cordier's repertoire includes music of the 16th and 17th centuries, and contemporary music. He is known for his interpretations of roles in operas by Georg Friedrich Handel, including the title roles of ''Giulio Cesare'', '' Ezio' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
