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Claude Vivier
Claude Vivier ( ; baptised as Claude Roger; 14 April 19487 March 1983) was a Canadian contemporary composer, pianist, poet and ethnomusicologist of Québécois origin. After studying with Karlheinz Stockhausen in Cologne, Vivier became an innovative member of the "German Feedback" movement, a subset of what is now known as spectral music. He was also among the first composers in either Europe or the Americas to integrate elements of Balinese music and gamelan in his compositions, alongside Lou Harrison, John Cage and fellow Québécois Colin McPhee. Despite working at a slow pace and leaving behind a small ''oeuvre'', Vivier's musical language is vast and diverse. His place in the spectral movement of Europe allowed for manipulations of the harmonic series, and led to music that incorporated microtones to replicate these frequencies; a compositional technique he would later refer to as the ''jeux de couleurs''. He is also known for incorporating elements of serialism ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kopernikus (Vivier)
''Kopernikus'' (sub. ''Rituel de mort''; translated as ''Ritual of Death'') is a 1979 opera in two acts by Canadian composer Claude Vivier, inspired by the astronomer of the same name. It is the only opera of three that Vivier completed prior to his death in 1983. A typical performance lasts around seventy minutes. History The opera was completed on 14 May 1979, and first premiered only in its musical form on 8 May 1980 at the Théâtre du Monument National in Montréal, under the conductor Lorraine Vaillancourt. Vivier dedicated the piece to his "maître and friend" Gilles Tremblay, whom he had studied composition with for four years. Composition Analysis The libretto of ''Kopernikus'', written entirely by Vivier, is composed of sections in German, French, and Vivier's ''langue inventées'' — an example of his preoccupation with linguistics and musical multilingualism. Program notes The notes given by Vivier in the finished manuscript, with English translation below ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zipangu (Vivier)
''Zipangu'' is a 1980 work for string orchestra by Canadian composer Claude Vivier. Inspired by traditional ''kabuki'' theatre, it is considered by many to be the composer's most aggressive and "unforgiving" piece, as it features a plethora of extended techniques for strings (i.e. snap pizzicato and bow overpressure) and denser harmonic content atop a complex melody, similar to the string compositions of Krzysztof Penderecki.Bridle, Marc (2022)"Zipangu and Lonely Child: Two Claude Vivier masterpieces in magnificent performances by the London Sinfonietta"''Opera Today''. Retrieved 6 July 2022. A typical performance lasts around sixteen minutes. History Vivier visitied ''kabuki'' theatres in the Tokyo area during a 1976 voyage to Japan, and was struck by the ritual-like nature of both the music and physical performance. ''Zipangu'' was later written in 1980 as a Japanese-infused work for string orchestra, with elements of South Indian Carnatic music (dronal imitation of the tan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montreal
Montreal ( ; officially Montréal, ) is the second-most populous city in Canada and most populous city in the Canadian province of Quebec. Founded in 1642 as '' Ville-Marie'', or "City of Mary", it is named after Mount Royal, the triple-peaked hill around which the early city of Ville-Marie is built. The city is centred on the Island of Montreal, which obtained its name from the same origin as the city, and a few much smaller peripheral islands, the largest of which is Île Bizard. The city is east of the national capital Ottawa, and southwest of the provincial capital, Quebec City. As of 2021, the city had a population of 1,762,949, and a metropolitan population of 4,291,732, making it the second-largest city, and second-largest metropolitan area in Canada. French is the city's official language. In 2021, it was spoken at home by 59.1% of the population and 69.2% in the Montreal Census Metropolitan Area. Overall, 85.7% of the population of the city of Montreal co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Québécois People
Quebecers or Quebeckers (''Québécois'' in French, and sometimes also in English) are people associated with Quebec. The term is most often used in reference to descendants of the French settlers in Quebec but it can also be used to describe people of any ethnicity who live in the province. Self-identification as Québécois became dominant starting in the 1960s; prior to this, the francophone people of Quebec mostly identified themselves as French Canadians and as ''Canadiens'' before anglophones started identifying as Canadians as well. A majority in the House of Commons of Canada in 2006 approved a motion tabled by Prime Minister Stephen Harper, which stated that the Québécois are a nation within a united Canada.Michael M. Brescia, John C. Super. ''North America: an introduction''. Toronto, Ontario, Canada: University of Toronto Press, 2009. Pp. 72. Harper later elaborated that the motion's definition of Québécois relies on personal decisions to self-identify as Québé ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serialism
In music, serialism is a method of composition using series of pitches, rhythms, dynamics, timbres or other musical elements. Serialism began primarily with Arnold Schoenberg's twelve-tone technique, though some of his contemporaries were also working to establish serialism as a form of post-tonal thinking. Twelve-tone technique orders the twelve notes of the chromatic scale, forming a row or series and providing a unifying basis for a composition's melody, harmony, structural progressions, and variations. Other types of serialism also work with sets, collections of objects, but not necessarily with fixed-order series, and extend the technique to other musical dimensions (often called "parameters"), such as duration, dynamics, and timbre. The idea of serialism is also applied in various ways in the visual arts, design, and architecture, and the musical concept has also been adapted in literature. Integral serialism or total serialism is the use of series for aspects such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frequency
Frequency is the number of occurrences of a repeating event per unit of time. It is also occasionally referred to as ''temporal frequency'' for clarity, and is distinct from '' angular frequency''. Frequency is measured in hertz (Hz) which is equal to one event per second. The period is the interval of time between events, so the period is the reciprocal of the frequency. For example, if a heart beats at a frequency of 120 times a minute (2 hertz), the period, —the interval at which the beats repeat—is half a second (60 seconds divided by 120 beats). Frequency is an important parameter used in science and engineering to specify the rate of oscillatory and vibratory phenomena, such as mechanical vibrations, audio signals ( sound), radio waves, and light. Definitions and units For cyclical phenomena such as oscillations, waves, or for examples of simple harmonic motion, the term ''frequency'' is defined as the number of cycles or vibrations per unit of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Microtones
Microtonal music or microtonality is the use in music of microtones— intervals smaller than a semitone, also called "microintervals". It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave. In other words, a microtone may be thought of as a note that falls between the keys of a piano tuned in equal temperament. In ''Revising the musical equal temperament,'' Haye Hinrichsen defines equal temperament as “the frequency ratios of all intervals are invariant under transposition (translational shifts along the keyboard), i.e., to be constant. The standard twelve-tone ''equal temperament'' (ET), which was originally invented in ancient China and rediscovered in Europe in the 16th century, is determined by two additional conditions. Firstly the octave is divided into twelve semitones. Secondly the octave, the most fundamental of all intervals, is postulated to be pure (beatless), as described by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonic Series (music)
A harmonic series (also overtone series) is the sequence of harmonics, musical tones, or pure tones whose frequency is an integer multiple of a ''fundamental frequency''. Pitched musical instruments are often based on an acoustic resonator such as a string or a column of air, which oscillates at numerous modes simultaneously. At the frequencies of each vibrating mode, waves travel in both directions along the string or air column, reinforcing and canceling each other to form standing waves. Interaction with the surrounding air causes audible sound waves, which travel away from the instrument. Because of the typical spacing of the resonances, these frequencies are mostly limited to integer multiples, or harmonics, of the lowest frequency, and such multiples form the harmonic series. The musical pitch of a note is usually perceived as the lowest partial present (the fundamental frequency), which may be the one created by vibration over the full length of the string or ai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colin McPhee
Colin Carhart McPhee (March 15, 1900 – January 7, 1964) was a Canadian-American composer and ethnomusicologist. He is best known for being the first Western composer to make a musicological study of Bali, and developing American gamelan along with fellow composer Lou Harrison. He wrote original music influenced by that of Bali and Java, decades before such compositions that were based on world music became widespread. Early life and career Childhood McPhee was born on March 15, 1900, in Montréal, Québec, Canada, to a family of mostly Scottish and German ancestry. His father, Alexander McPhee, was an advertising executive for Bell Telephone Company. His mother, Lavinia McPhee (née Carhart) was originally from New Jersey and settled in Montréal after marrying Alexander. First musical education He enrolled in the Peabody Institute in 1918, studying composition with Gustav Strube and piano with Harold Randolph; subsequently he studied with the avant-garde composer Edgard Varà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Cage
John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives. Cage is perhaps best known for his 1952 composition ''4′33″'', which is performed in the absence of deliberate sound; musicians who present the work do nothing aside from being present for the duration specified by the title. The content of the composition is not "four minutes and 33 seconds of silence," as is often assumed, but rather the sounds of the environment heard by the audience during performance. The work's challen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lou Harrison
Lou Silver Harrison (May 14, 1917 – February 2, 2003) was an American composer, music critic, music theorist, painter, and creator of unique musical instruments. Harrison initially wrote in a dissonant, ultramodernist style similar to his former teacher and contemporary, Henry Cowell, but later moved toward incorporating elements of non-Western cultures into his work. Notable examples include a number of pieces written for Javanese style gamelan instruments, inspired after studying with noted gamelan musician Kanjeng Notoprojo in Indonesia. Harrison would create his own musical ensembles and instruments with his partner, William Colvig, who are now both considered founders of the American gamelan movement and world music; along with composers Harry Partch and Claude Vivier, and ethnomusicologist Colin McPhee. The majority of Harrison's works and custom instruments are written for just intonation rather than the more widespread equal temperament, making him one of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan
Gamelan () ( jv, ꦒꦩꦼê¦ê¦¤ê§€, su, ᮌᮙᮨᮜᮔ᮪, ban, ᬕᬫá‚ᬮᬦá„) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones played by mallets and a set of hand-played drums called '' kendhang/Kendang'', which register the beat. The kemanak (a banana-shaped idiophone) and gangsa (another metallophone) are commonly used gamelan instruments in Bali. Other instruments include xylophones, bamboo flutes, a bowed instrument called a ''rebab'', a zither-like instrument '' siter'' (in Javanese ensemble) and vocalists named '' sindhen'' (female) or ''gerong'' (male).Sumarsam (1998)''Introduction to Javanese Gamelan'' Middletown. Although the popularity of gamelan has declined since the introduction of pop music, gamelan is still commonly played in many traditional ceremonies and other modern activities in Indon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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