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Claude Pascal
Claude Pascal (Paris, February 19, 1921 – Paris, February 28, 2017) was a French composer.Marc Honegger, ''Dictionnaire de la musique: Tome 2, Les Hommes et leurs œuvres. L-Z.'' ed. Bordas 1979, p. 834. () After studying at the Conservatoire de Paris, he obtained the 1945 Premier Prix de Rome for the cantata, ''La farce du contre Bandier''. After a brief period as conductor of the Opéra-Comique, Pascal became professor at the Paris Conservatoire in 1952, a position he held until his retirement in 1987. From 1969 to 1979 he worked as a music critic for ''Le Figaro'', and from 1983 to 1991 he was an expert on copyright issues at the Paris Court of Appeals.Havard de La Montagne, Denis. Claude Pascal. Musica et Memoria (French text), accessed 4 May 2014. Pascal's extensive work as a composer includes practically every musical genre. The discography of his works consists of more than thirty CDs. The musical estate of Claude Pascal is archived at the Bibliothèque Nationale de F ...
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Claude Pascal 2002
Claude may refer to: __NOTOC__ People and fictional characters * Claude (given name), a list of people and fictional characters * Claude (surname), a list of people * Claude Lorrain (c. 1600–1682), French landscape painter, draughtsman and etcher traditionally called just "Claude" in English * Madame Claude, French brothel keeper Fernande Grudet (1923–2015) Places * Claude, Texas, a city * Claude, West Virginia, an unincorporated community Other uses * Allied reporting name of the Mitsubishi A5M Japanese carrier-based fighter aircraft * Claude (alligator), an albino alligator at the California Academy of Sciences See also * Claude's syndrome Claude's syndrome is a form of brainstem stroke syndrome characterized by the presence of an ipsilateral oculomotor nerve palsy, contralateral hemiparesis, contralateral ataxia, and contralateral hemiplegia of the lower face, tongue, and shoulder. ...
, a form of brainstem stroke syndrome {{disambig, geo ...
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French Horn
The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular. A musician who plays a horn is known as a list of horn players, horn player or hornist. Pitch is controlled through the combination of the following factors: speed of air through the instrument (controlled by the player's lungs and thoracic diaphragm); diameter and tension of lip aperture (by the player's lip muscles—the embouchure) in the mouthpiece; plus, in a modern horn, the operation of Brass instrument valve, valves by the left hand, which route the air into extra sections of tubing. Most horns have lever-operated rotary valves, but some, especially older horns, use piston valves (similar to a trumpet's ...
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Wedding March
Music is often played at wedding celebrations, including during the ceremony and at festivities before or after the event. The music can be performed live by instrumentalists or vocalists or may use pre-recorded songs, depending on the format of the event, traditions associated with the prevailing culture and the wishes of the couple being married. Entry and ceremony There are many different styles of music that can be played during the entrance and ceremony. During the service there may be a few hymns, especially in liturgical settings. While some elements of the ceremony may be personalized for a specific couple, the order of service will most of the time follow a similar pattern. A prelude often precedes the wedding. During the prelude, guests arrive to the gathering place while ambiance music is being played. Calm and light music is usually performed at that time, setting the mood for the ceremony while not being too distracting for the guests. Popular prelude music include ...
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Piano Four-hands
Piano four hands (french: À quatre mains, german: Zu vier Händen, Vierhändig, it, a quattro mani) is a type of piano duet involving two players playing the same piano simultaneously. A duet with the players playing separate instruments is generally referred to as a ''piano duet, piano duo''.Bellingham, Jane"piano duet" ''The Oxford Companion to Music'', Ed. Alison Latham, Oxford Music Online, accessed 31 March 2012 Music written for piano four hands is usually printed so that left-hand pages contain only the part for the pianist sitting on the left, while right-hand pages contain only the part for the pianist sitting on the right. The upper part (right) is called ''primo'' while the lower part (left) is called ''secondo''. Repertoire Arrangements By far the greater proportion of music "à quatre mains" consists of arrangements of orchestral and vocal music, vocal compositions and of string quartet, quartets and other groups for stringed instruments. Indeed, scarcely any ...
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Scott Joplin
Scott Joplin ( 1868 – April 1, 1917) was an American composer and pianist. Because of the fame achieved for his ragtime compositions, he was dubbed the "King of Ragtime." During his career, he wrote over 40 original ragtime pieces, one ragtime ballet, and two operas. One of his first and most popular pieces, the '' Maple Leaf Rag'', became the genre's first and most influential hit, later being recognized as the archetypal rag. Joplin considered ragtime to be a form of classical music and largely disdained the practice of ragtime such as that in honky tonk. Joplin grew up in a musical family of railway laborers in Texarkana, Arkansas, developing his own musical knowledge with the help of local teachers. While in Texarkana, he formed a vocal quartet and taught mandolin and guitar. During the late 1880s, he left his job as a railroad laborer and traveled the American South as an itinerant musician. He went to Chicago for the World's Fair of 1893, which played a major part i ...
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Comic Opera
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, ''opera buffa'', emerged as an alternative to '' opera seria''. It quickly made its way to France, where it became ''opéra comique'', and eventually, in the following century, French operetta, with Jacques Offenbach as its most accomplished practitioner. The influence of the Italian and French forms spread to other parts of Europe. Many countries developed their own genres of comic opera, incorporating the Italian and French models along with their own musical traditions. Examples include German ''singspiel'', Viennese operetta, Spanish '' zarzuela'', Russian comic opera, English ballad and Savoy opera, North American operetta and musical comedy. Italian ''opera buffa'' In late 17th-century Italy, light-hearted m ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Marcel Bitsch
Marcel Bitsch (December 29, 1921, Paris – September 21, 2011, Toulouse) was a French composer, teacher and analyst. He studied at the Conservatoire de Paris and also was professor of counterpoint there. Career In 1939, Marcel Bitsch entered the Conservatoire de Paris, where he studied harmony with Jean Gallon, counterpoint with Noël Gallon, musicology with Paul-Marie Masson, and composition with Henri Büsser. After earning his arts degree, Bitsch won the Second Prix de Rome in 1943 and First Grand Prix de Rome in 1945, both times with contemporary Claude Pascal winning the second position. In 1956, Marcel Bitsch started tenure as professor of counterpoint and later fugue at the Conservatoire de Paris. In his later years, he mostly concentrated on teaching and analysing the music of Johann Sebastian Bach, producing analytic scores whose page layout was designed to convey the music's structural features. Among his students are Daniel Roth, Pierre Pincemaille Pierre-Marie ...
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Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ...
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The Art Of Fugue
''The Art of Fugue'', or ''The Art of the Fugue'' (german: Die Kunst der Fuge, links=no), BWV 1080, is an incomplete musical work of unspecified instrumentation by Johann Sebastian Bach. Written in the last decade of his life, ''The Art of Fugue'' is the culmination of Bach's experimentation with monothematic instrumental works. This work consists of fourteen fugues and four canons in D minor, each using some variation of a single principal subject, and generally ordered to increase in complexity. "The governing idea of the work", as put by Bach specialist Christoph Wolff, "was an exploration in depth of the contrapuntal possibilities inherent in a single musical subject." The word "contrapunctus" is often used for each fugue. Sources Mus. ms. autogr. P 200 The earliest extant source of the work is an autograph manuscript possibly written from 1740 to 1746, usually referred by its call number as Mus. ms. autogr. P 200 in the Berlin State Library. Bearing the title ''Die ...
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Saxhorn
The saxhorn is a family of valved brass instruments that have conical bores and deep cup-shaped mouthpieces. The saxhorn family was developed by Adolphe Sax, who is also known for creating the saxophone family. The sound of the saxhorn has a characteristic mellow tone quality and blends well with other brass. The saxhorn family The saxhorns form a family of seven brass instruments (although at one point ten different sizes seem to have existed). Designed for band use, they are pitched alternately in E and B, like the saxophone group. Modern saxhorns still manufactured and in use: *B soprano saxhorn: flugelhorn *E alto/tenor saxhorn: alto/tenor horn *B baritone saxhorn: baritone horn *The B bass, E bass, and B contrabass saxhorns are basically the same as the modern euphonium, E bass tuba, and BB contrabass tuba, respectively. Historically, much confusion exists as to the nomenclature of the various instruments in different languages. The following table lists the membe ...
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Tuba
The tuba (; ) is the lowest-pitched musical instrument in the brass family. As with all brass instruments, the sound is produced by lip vibrationa buzzinto a mouthpiece. It first appeared in the mid-19th century, making it one of the newer instruments in the modern orchestra and concert band. The tuba largely replaced the ophicleide. ''Tuba'' is Latin for "trumpet". A person who plays the tuba is called a tubaist, a tubist, or simply a tuba player. In a British brass band or military band, they are known as bass players. History Prussian Patent No. 19 was granted to Wilhelm Friedrich Wieprecht and Johann Gottfried Moritz (1777–1840) on September 12, 1835 for a "bass tuba" in F1. The original Wieprecht and Moritz instrument used five valves of the Berlinerpumpen type that were the forerunners of the modern piston valve. The first tenor tuba was invented in 1838 by Carl Wilhelm Moritz (1810–1855), son of Johann Gottfried Moritz. The addition of valves made it po ...
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