Claude Of Lorraine (1612–1648)
Claude of Lorraine may refer to: * Claude, Duke of Guise (1496–1550), called "Claude of Lorraine" prior to his creation as Duke of Guise in 1528 * Claude Lorrain: French artist (1600–1682) * Claude Françoise de Lorraine Claude may refer to: __NOTOC__ People and fictional characters * Claude (given name), a list of people and fictional characters * Claude (surname), a list of people * Claude Lorrain (c. 1600–1682), French landscape painter, draughtsman and etcher ...

Claude, Duke Of Guise
Claude de Lorraine, Duke of Guise (20 October 1496 – 12 April 1550) was a French aristocrat and general. He became the first Duke of Guise in 1528. He was a highly effective general for the French crown. His children and grandchildren were to lead the Catholic party in the French Wars of Religion. Biography Claude was born at the Château de Condé-sur-Moselle, the second son of René II, Duke of Lorraine, and Philippa of Guelders. He was educated at the French court of Francis I. On 9 June 1513, at the age of sixteen, Claude married Antoinette de Bourbon (1493–1583), daughter of François, Count of Vendôme. Military service Claude distinguished himself at the Battle of Marignano (1515), and was long in recovering from the twenty-two wounds he received in the battle. In 1521, he fought at Fuenterrabia, and Louise of Savoy ascribed the capture of the place to his efforts. In 1522 he forced the English to raise the siege of Hesdin. In 1523, he became governor of Champagne ...
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Claude Lorrain
Claude Lorrain (; born Claude Gellée , called ''le Lorrain'' in French; traditionally just Claude in English; c. 1600 – 23 November 1682) was a French painter, draughtsman and etcher of the Baroque era. He spent most of his life in Italy, and is one of the earliest important artists, apart from his contemporaries in Dutch Golden Age painting, to concentrate on landscape painting. His landscapes are usually turned into the more prestigious genre of history paintings by the addition of a few small figures, typically representing a scene from the Bible or classical mythology. By the end of the 1630s he was established as the leading landscapist in Italy, and enjoyed large fees for his work. His landscapes gradually became larger, but with fewer figures, more carefully painted, and produced at a lower rate.Kitson, 6 He was not generally an innovator in landscape painting, except in introducing the sun and streaming sunlight into many paintings, which had been rare befor ...
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