|
Classical Sculpture
Classical sculpture (usually with a lower case "c") refers generally to sculpture from Ancient Greece and Ancient Rome, as well as the Hellenized and Romanized civilizations under their rule or influence, from about 500 BC to around 200 AD. It may also refer more precisely a period within Ancient Greek sculpture from around 500 BC to the onset of the Hellenistic style around 323 BC, in this case usually given a capital "C". The term "classical" is also widely used for a stylistic tendency in later sculpture, not restricted to works in a Neoclassical or classical style. The main subject of Ancient Greek sculpture from its earliest days was the human figure, usually male and nude (or nearly so). Apart from the heads of portrait sculptures, the bodies were highly idealized but achieved an unprecedented degree of naturalism. In addition to free standing statues, the term classical sculpture incorporates relief work (such as the famous Elgin Marbles of the Parthenon) and the fla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Archaeological Museum Of Athens
The National Archaeological Museum ( el, Εθνικό Αρχαιολογικό Μουσείο) in Athens houses some of the most important artifacts from a variety of archaeological locations around Greece from prehistory to late antiquity. It is considered one of the greatest museums in the world and contains the richest collection of Greek Antiquity artifacts worldwide. It is situated in the Exarcheia area in central Athens between Epirus Street, Bouboulinas Street and Tositsas Street while its entrance is on the Patission Street adjacent to the historical building of the Athens Polytechnic university. History The first national archaeological museum in Greece was established by the governor of Greece Ioannis Kapodistrias in Aigina in 1829. Subsequently, the archaeological collection was relocated to a number of exhibition places until 1858, when an international architectural competition was announced for the location and the architectural design of the new museum.The Nation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euphranor
AGMA Apollon Patroos Euphranor. Euphranor of Corinth (middle of the 4th century BC) was a Greek artist who excelled both as a sculptor and as a painter. Pliny the Elder provides a list of his works including a cavalry battle, a Theseus, and the feigned madness of Odysseus among the paintings; and Paris, Leto with her children Apollo and Artemis, and Philip and Alexander in chariots among the statues. No known existing statues have been identified as copies from works of Euphranor (but see a series of attributions by Six in Jahrbuch, 1909, 7 foil.). His work appears to have resembled that of his contemporary Lysippus, notably in the attention he paid to symmetry, in his preference for bodily forms slighter than those usual in earlier art, and in his love of heroic subjects. He wrote a (now lost) treatise on proportions. He was a contemporary of Antorides, and, like him, studied under Ariston.Pliny the Elder Gaius Plinius Secundus (AD 23/2479), called Pliny the Elder (), w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pushkin Museum
The Pushkin State Museum of Fine Arts (russian: Музей изобразительных искусств имени А. С. Пушкина, abbreviated as ) is the largest museum of European art in Moscow, located in Volkhonka street, just opposite the Cathedral of Christ the Saviour (Moscow), Cathedral of Christ the Saviour. The International musical festival ''Sviatoslav Richter's December nights'' has been held in the Pushkin Museum since 1981. Etymology Despite its name, the museum has no direct association with the Russian poet Alexander Pushkin, other than as a posthumous commemoration. The facility was founded by professor Ivan Tsvetaev (father of the poet Marina Tsvetaeva). Tsvetaev persuaded the millionaire and philanthropist Yury Nechaev-Maltsov, Yuriy Nechaev-Maltsov and the architect Roman Klein of the urgent need to give Moscow a fine arts museum. After going through a number of name changes, particularly in the transition to the Soviet era and the return of the Rus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polykleitos
Polykleitos ( grc, Πολύκλειτος) was an ancient Greek sculptor in bronze of the 5th century BCE. Alongside the Athenian sculptors Pheidias, Myron and Praxiteles, he is considered one of the most important sculptors of classical antiquity. The 4th century BCE catalogue attributed to Xenocrates (the "Xenocratic catalogue"), which was Pliny's guide in matters of art, ranked him between Pheidias and Myron. He is particularly known for his lost treatise (a canon of body proportions), the '' Canon of Polykleitos'', setting out his mathematical basis of an idealised male body shape. None of his original sculptures are known to survive, but there are many of what are believed to be later copies in marble, mostly Roman. Name His Greek name was traditionally Latinized ''Polycletus'', but is also transliterated ''Polycleitus'' ( grc, Πολύκλειτος, Classical Greek , "much-renowned") and, due to iotacism in the transition from Ancient to Modern Greek, ''Polyklitos'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parthenon Marbles
The Elgin Marbles (), also known as the Parthenon Marbles ( el, Γλυπτά του Παρθενώνα, lit. "sculptures of the Parthenon"), are a collection of Classical Greek marble sculptures made under the supervision of the architect and sculptor Phidias and his assistants. They are original parts of the Parthenon and other sacred and ceremonial structures built on the Acropolis of Athens in the 5th century BCE. The collection is on display in the British Museum, in the purpose-built Duveen Gallery. The presence of the Elgin Marbles in the British Museum is the subject of international controversy. From 1801 to 1812, agents of Thomas Bruce, 7th Earl of Elgin removed about half of the surviving sculptures of the Parthenon, as well as sculptures from the Propylaea and Erechtheion,''Encyclopædia Britannica'', "Elgin Marbles", 2008, O.Ed. and had them transported by sea to Britain. Elgin argued as his authority for this that he had obtained an official decree (a firman) from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doryphoros
The ''Doryphoros'' (Greek Δορυφόρος Classical Greek , "Spear-Bearer"; Latinised as ''Doryphorus'') of Polykleitos is one of the best known Greek sculptures of Classical antiquity, depicting a solidly built, muscular, standing warrior, originally bearing a spear balanced on his left shoulder. Rendered somewhat above life-size, the lost bronze original of the work would have been cast ''circa'' 440 BC, but it is today known only from later (mainly Roman period) marble copies. The work nonetheless forms an important early example of both Classical Greek ''contrapposto'' and classical realism; as such, the iconic ''Doryphoros'' proved highly influential elsewhere in ancient art. Conception The renowned Greek sculptor Polykleitos designed a sculptural work as a demonstration of his written treatise, entitled the (or 'Canon'), translated as "measure" or "rule"), exemplifying what he considered to be the perfectly harmonious and balanced proportions of the human body in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contrapposto
''Contrapposto'' () is an Italian term that means "counterpoise". It is used in the visual arts to describe a human figure standing with most of its weight on one foot, so that its shoulders and arms twist off-axis from the hips and legs in the axial plane. First appearing in Ancient Greece in the early 5th century BCE, contrapposto is considered a crucial development in the history of Ancient Greek art (and, by extension, Western art), as it marks the first time in Western art that the human body is used to express a psychological disposition. The style was further developed and popularized by sculptors in the Hellenistic and Imperial Roman periods, fell out of use in the Middle Ages, and was later revived during the Renaissance. Michelangelo's statue of ''David'', one of the most iconic sculptures in the world, is a famous example of contrapposto. Definition Contrapposto was historically an important sculptural development, for its appearance marks the first time in Western art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hipparchus (son Of Peisistratos)
Hipparchus ( grc-gre, Ἵππαρχος ; died 514 BC) was a member of the ruling class of Athens and one of the sons of Pisistratus. He was a tyrant of the city of Athens from 528/7 BC until his assassination by the tyrannicides Harmodius and Aristogeiton in 514 BC. Life Hipparchus was said by some Greek authors to have been the tyrant of Athens, along with his brother Hippias, after the death of their father Peisistratos in about 528/7 BC. The word ''tyrant'' literally means "one who takes power by force", as opposed to a ruler who inherited a monarchy or was chosen in some way. It carried no pejorative connotation during the Archaic and early Classical periods. However, according to Thucydides, Hippias was the only 'tyrant'. Both Hipparchus and his father Pisistratus enjoyed the popular support of the people. Hipparchus was a patron of the arts; it was he who invited Simonides of Ceos to Athens.Aristotle, '' The Athenian Constitution'', Part 18 In 514 BC, Hipparchus wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peisistratos
Pisistratus or Peisistratus ( grc-gre, Πεισίστρατος ; 600 – 527 BC) was a politician in ancient Athens, ruling as tyrant in the late 560s, the early 550s and from 546 BC until his death. His unification of Attica, the triangular peninsula of Greece containing Athens, along with economic and cultural improvements laid the groundwork for the later preeminence of Athens in ancient Greece. His legacy lies primarily in his institution of the Panathenaic Games, historically assigned the date of 566 BC, and the consequent first attempt at producing a definitive version of the Homeric epics. Peisistratos' championing of the lower class of Athens is an early example of populism. While in power, he did not hesitate to confront the aristocracy and greatly reduce their privileges, confiscating their lands and giving them to the poor. Peisistratos funded many religious and artistic programs, in order to improve the economy and spread the wealth more equally among the Athenian p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charioteer Of Delphi
The ''Charioteer of Delphi'', also known as ''Heniokhos'' ( el, Ἡνίοχος, the rein-holder), is a statue surviving from Ancient Greece, and an example of ancient bronze sculpture. The life-size (1.8m) Janson, H.W. (1995) ''History of Art''. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 142. statue of a chariot driver was found in 1896 at the Sanctuary of Apollo in Delphi. It is now in the Delphi Archaeological Museum. Background The statue was set up at Delphi, Greece Honour, H. and J. Fleming, (2009) ''A World History of Art''. 7th edn. London: Laurence King Publishing, pp. 132-135. ; Dafas, K. A., 2019. ''Greek Large-Scale Bronze Statuary: The Late Archaic and Classical Periods'', Institute of Classical Studies, School of Advanced Study, University of London, Bulletin of the Institute of Classical Studies, Monograph, BICS Supplement 138 (London), pp. 24-35, pls 16-30. to commemorate one of two victories of the tyrant Polyzalus of Ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kerameikos Archaeological Museum
The Kerameikos Archaeological Museum is located in Kerameikos, Athens, Greece and was built in 1937. It houses many important early Geometric art pieces that date as far back as 860 BC. It was expanded in the 1960s by the Boehringer brothers of Boehringer Ingelheim fame. Its official address is Ermou, Athens 125, Greece. History In 1863, archaeologists first started housing pottery and other artifacts found in the dig site in a small, makeshift outpost. It was an exhibit for the larger German Archaeological Institute until the official Museum was built in 1937, by H. Johannes. It was funded by Gustav Oberlander, a Prussian entrepreneur. The museum is housed directly in the area of Kerameikos among the famous archaeological site. The Boehringer brothers funded the expansion of the museum. It is a small, open-air museum with only four rooms on a single floor, but it houses many important funerary works as well as larger sculptures. Inside of the museum there is a garden area ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Classical Sculpture")
_Attica.svg "Click for more on -> Peisistratos")
