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Classical Ballet
Classical ballet is any of the traditional, formal styles of ballet that exclusively employ classical ballet technique. It is known for its aesthetics and rigorous technique (such as en pointe, pointe work, turnout (ballet), turnout of the legs, and high extensions), its flowing, precise movements, and its ethereal qualities. There are stylistic variations related to an area or origin, which are denoted by classifications such as Russian ballet, French ballet, British ballet and Italian ballet. For example, Russian ballet features high extensions and dynamic turns, whereas Italian ballet tends to be more grounded, with a focus on fast, intricate footwork. Many of the stylistic variations are associated with specific training methods that have been named after their originators. Despite these variations, the performance and vocabulary of classical ballet are largely consistent throughout the world. History Ballet originated in the Italian Renaissance courts and was brought to ...
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Edgar Degas - The Dance Foyer At The Opera On The Rue Le Peletier
Edgar is a commonly used masculine English given name, from an Anglo-Saxon name ''Edgar'' (composed of ''wikt:en:ead, ead'' "rich, prosperous" and ''Gar (spear), gar'' "spear"). Like most Anglo-Saxon names, it fell out of use by the Late Middle Ages; it was, however, revived in the 18th century, and was popularised by its use for a character in Sir Walter Scott's ''The Bride of Lammermoor'' (1819). The name was more common in the United States than elsewhere in the Anglosphere during the 19th century. It has been a particularly fashionable name in Latin American countries since the 20th century. People with the given name * Edgar the Peaceful (942–975), king of England * Edgar the Ætheling (c. 1051 – c. 1126), last member of the Anglo-Saxon royal house of England * Edgar of Scotland (1074–1107), king of Scotland * Edgar Alaffita (born 1996), Mexican footballer * Edgar Allan (other), multiple people * Edgar Allen (other), multiple people * Edgar Angara ...
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Romantic Ballet
The Romantic ballet is defined primarily by an era in ballet in which the ideas of Romanticism in art and literature influenced the creation of ballets. The era occurred during the early to mid 19th century primarily at the Théâtre de l'Académie Royale de Musique of the Paris Opera Ballet and Her Majesty's Theatre in London. It is typically considered to have begun with the 1827 début in Paris of the ballerina Marie Taglioni in the ballet ''La Sylphide'', and to have reached its zenith with the premiere of the divertissement '' Pas de Quatre'' staged by the Ballet Master Jules Perrot in London in 1845. The Romantic ballet had no immediate end, but rather a slow decline. Arthur Saint-Léon's 1870 ballet ''Coppélia'' is considered to be the last work of the Romantic Ballet. Romantic ballet is believed to have been experienced in three main phases: The zenith phase from 1830 to 1840, the decline phase from 1850 to 1880, and the revival phase in the 1890s prior to Diaghilev. E ...
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Ballon (ballet)
Ballon () is the appearance of being lightweight and light-footed while jumping. It is a desirable aesthetic in ballet and other dance genres, making it seem as though a dancer effortlessly becomes airborne, floats in the air, and lands softly. The name is widely thought to be derived from the French word ''ballon'' (meaning "balloon"), though it has been dubiously claimed that the name was inspired by French ballet danseur Claude Balon, who was known for performing exceptionally light leaps. Physics A dancer will appear to defy the laws of physics when ballon is exhibited effectively. For example, during a grand jeté, the dancer may appear to hover in the air. Physically, the dancer's center of mass follows a ballistic trajectory, as does any projectile A projectile is an object that is propelled by the application of an external force and then moves freely under the influence of gravity and air resistance. Although any objects in motion through space are projectiles, t ...
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Positions Of The Feet In Ballet
The positions of the feet in ballet is a fundamental part of classical ballet ballet technique, technique that defines standard placements of feet on the floor. There are five basic positions in modern-day classical ballet, known as the first through fifth positions. In 1725, dancing master Pierre Rameau credited the codification of these five positions to choreographer Pierre Beauchamp. Two additional positions, known as the sixth and seventh positions, were codified by Serge Lifar in the 1930s while serving as Ballet Master at the Paris Opéra Ballet, though their use is limited to Lifar's choreographies. The sixth and seventh positions were not Lifar's inventions, but revivals of positions that already existed in the eighteenth century, when there were ten positions of the feet in classical ballet. Five basic positions The first basic position requires the feet to be flat on the floor and turnout (ballet), turned out (pointing in opposite directions as a result of rotating t ...
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The Nutcracker
''The Nutcracker'' (, ), Opus number, Op. 71, is an 1892 two-act classical ballet (conceived as a '; ) by Pyotr Ilyich Tchaikovsky, set on Christmas Eve at the foot of a Christmas tree in a child's imagination featuring a Nutcracker doll. The plot is an adaptation of Alexandre Dumas's 1844 short story ''The Nutcracker'', itself a retelling of E. T. A. Hoffmann's 1816 short story ''The Nutcracker and the Mouse King''. The ballet's first choreographer was Marius Petipa, with whom Tchaikovsky had worked three years earlier on ''The Sleeping Beauty'', assisted by Lev Ivanov. Although the complete and staged ''The Nutcracker'' ballet was not initially as successful as the 20-minute ''Nutcracker Suite'' that Tchaikovsky had premiered nine months earlier, it became popular in later years. Since the late 1960s, ''The Nutcracker'' has been danced by many ballet companies, especially in North America. Major American ballet companies generate around 40% of their annual ticket ...
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Lev Ivanov
Lev Ivanovich Ivanov (; 2 March 1834, Moscow – 24 December 1901, Saint Petersburg) was a Russian ballet dancer and choreographer and later, Second Balletmaster of the Mariinsky Ballet, Imperial Ballet. As a performer with the Mariinsky Ballet, Imperial Ballet, he achieved prominence after performing as an understudy in a benefit performance of ''La Fille Mal Gardée''. He is most famous as the choreographer of Acts II and IV of ''Swan Lake'', which include the ''Danse des petits cygnes, Dance of the Little Swans'', Act II of ''Cinderella (Fitinhof-Schell), Cinderella'', and ''The Nutcracker'', which he choreographed alongside Marius Petipa. Biography Ivanov entered the Moscow School of Dance, but in 1844 moved to Saint Petersburg where he studied at the Mariinsky Ballet, Imperial Ballet, becoming an official member of the Corps de ballet in 1852. Among his teachers during this time were Jean-Antoine Petipa, Alexandr Pimenov, Pierre Frédéric Malavergne and Emile Gredlu (). ...
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Swan Lake
''Swan Lake'' ( rus, Лебеди́ное о́зеро, r=Lebedínoje ózero, p=lʲɪbʲɪˈdʲinəjə ˈozʲɪrə, links=no ), Op. 20, is a ballet composed by Russian composer Pyotr Ilyich Tchaikovsky in 1875–76. Despite its initial failure, it is now one of the most popular ballets of all time. The scenario, initially in two acts, was fashioned from Russian and German folk tales and tells the story of Odette, a princess turned into a swan by an evil sorcerer's curse. The choreographer of the original production was Julius Reisinger (Václav Reisinger). The ballet was premiered by the Bolshoi Ballet on at the Bolshoi Theatre in Moscow. Although it is presented in many different versions, most ballet companies base their stagings both choreographically and musically on the 1895 revival of Marius Petipa and Lev Ivanov, first staged for the Imperial Ballet on 15 January 1895, at the Mariinsky Theatre in St. Petersburg. For this revival, Tchaikovsky's score was revise ...
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Don Quixote (ballet)
''Don Quixote'' is a ballet in three acts, based on episodes taken from the famous novel ''Don Quixote, Don Quixote de la Mancha'' by Miguel de Cervantes. It was originally choreographed by Marius Petipa to the music of Ludwig Minkus and first presented by Moscow's Bolshoi Ballet on . Petipa and Minkus revised the ballet into a more elaborate and expansive version in five acts and eleven scenes for the Mariinsky Ballet, first presented on at the Imperial Bolshoi Kamenny Theatre of St. Petersburg. All modern productions of the Petipa/Minkus ballet are derived from the version staged by Alexander Alexeyevich Gorsky, Alexander Gorsky for the Bolshoi Theatre of Moscow in 1900, a production the ballet master staged for the Imperial Ballet of St. Petersburg in 1902. History Earlier versions The two chapters of the novel that the ballet is mostly based on, were first adapted for the ballet in 1740 by Franz Hilverding in Vienna, Austria. In 1768, Jean Georges Noverre mounted a new ...
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Swanlake015
Swanlake is an unincorporated community in Bannock County, Idaho, United States. Swanlake is southeast of Downey. Swanlake has a post office with ZIP code 83281. Demographics 2010 census As of the census of 2010, there were 93 people, 36 households, and 29 families residing in the city. The racial makeup of the city was 100% White. Hispanic The term Hispanic () are people, Spanish culture, cultures, or countries related to Spain, the Spanish language, or broadly. In some contexts, Hispanic and Latino Americans, especially within the United States, "Hispanic" is used as an Ethnici ... or Latino of any race were 2.2% of the population. The median age in the city was 44.3 years. 31.2% of residents were under the age of 19; 0.0% were between the ages of 20 and 24; 20.5% were from 25 to 44; 28% were from 45 to 64; and 20.4% were 65 years of age or older. The gender makeup of the city was 51.6% male and 48.4% female. References External links Swan Lake Idaho Centennia ...
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Corps De Ballet
In ballet, the ''corps de ballet'' (; French language, French for "body of the little dance") is the group of ballet dancer, dancers who are not principal dancers or Soloist (ballet), soloists. They are a permanent part of the ballet company and often work as a Theatrical scenery, backdrop for the principal dancers. A ''corps de ballet'' works as one, with synchronized movements and corresponding positioning on the stage. Well-known uses of the ''corps de ballet'' include the titular swans of ''Swan Lake'' and ''The Nutcrackers snow scene and the Waltz of the Flowers sequence. Function The ''corps de ballet'' sets the mood, scene, and nuance of the ballet, builds connection and camaraderie among the members of a ballet company, and creates large stage pictures through ensemble movement an choreography. Beyond the physical world-building provided by the ''corps de ballet'', it also serves as a vital stepping stone for younger, incoming dancers, where they learn about company ...
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Grand Pas De Deux
In ballet, a ( French, literally "step of two") is a dance duet in which two dancers, typically a male and a female, perform ballet steps together. The ''pas de deux'' is characteristic of classical ballet and can be found in many well-known ballets, including ''Sleeping Beauty'', ''Swan Lake'', and '' Giselle''. It is most often performed by a male and a female (a ''danseur'' and a ''ballerina'') though there are exceptions, such as in the film '' White Nights'', in which a ''pas de deux'' is performed by Mikhail Baryshnikov and Gregory Hines. ''Grand pas de deux'' A ''grand pas de deux'' is a structured ''pas de deux'' that typically has five parts, consisting of an ''entrée'' (introduction), an ''adagio'', two variations (a solo for each dancer), and a ''coda'' (conclusion). It is effectively a suite of dances that share a common theme, often symbolic of a love story or the partnership inherent in love, with the dancers portraying expressions of affectionate feelings and ...
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