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Classic 100 Mozart (ABC)
The following is a summary of the ''Classic 100 Mozart'' survey conducted by the ABC Classic FM radio station during 2006. Survey summary See also *Wolfgang Amadeus Mozart *Classic 100 Countdowns Since 2001, ABC Classic FM, ABC Classic has organised a number of Classic 100 Countdown surveys. The results of each survey are decided by votes cast by the listeners of ABC Classic. After the voting, the works are played in reverse order of popul ... References Official ABC Classic FM ''Classic 100 Mozart'' site {{DEFAULTSORT:Classic 100 Mozart (Abc) Classic 100 Countdowns (ABC) 2006 in Australian music ...
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ABC Classic FM
ABC Classic, formerly ABC-FM (also ABC Fine Music), and then ABC Classic FM, is an Australian classical music radio station available in Australia and internationally. Its website features classical music news, features and listening guides. It is operated by the Australian Broadcasting Corporation (ABC). History ABC Classic was established in 1976 as "ABC-FM", and later for a short time was known as "ABC Fine Music" (a play on the letters FM). It became known as ABC Classic FM in 1994, before adopting its current name in January 2019. It was the ABC's first experiment in FM broadcasting – which had become a necessity in Australia as broadcasters ran out of AM frequencies on which to transmit. This was before most commercial stations had started using FM, and the ABC was first to use satellite transmissions. The creation of ABC Classic FM was inspired partly by the example of BBC Radio 3, and its focus was on fine music and the arts. ABC Classic FM's studios were establis ...
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Il Re Pastore
' (''The Shepherd King'') is an opera, K. 208, written by Wolfgang Amadeus Mozart to an Italian libretto by Metastasio, edited by Giambattista Varesco. It is an opera seria. The opera was first performed on 23 April 1775 in Salzburg in the Rittersaal (knight's hall) of the Residenz-Theater in the palace of the Archbishop Count Hieronymus von Colloredo. In 1775 the opera was commissioned for a visit by the Archduke Maximilian Francis of Austria, the youngest son of Empress Maria Theresa, to Salzburg. Mozart spent six weeks working on the opera. It consists of two acts and runs for approximately 107 minutes. Metastasio wrote the libretto in 1751, basing it on a work by Torquato Tasso called ''Aminta''. The libretto was picked up when Mozart (just 19 at the time) and his father saw a performance of it set to music composed by Felice Giardini – Mozart's version, however was two acts rather than Giardini's three, and has a few substantial changes. Each act lasts for around an ...
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Twelve Variations On "Ah Vous Dirai-je, Maman"
Twelve Variations on "Ah vous dirai-je, Maman", K. 265/300e, is a piano composition by Wolfgang Amadeus Mozart, composed when he was around 25 years old (1781 or 1782). This piece consists of twelve variations on the French folk song "Ah! vous dirai-je, maman". The French melody first appeared in 1761, and has been used for many children's songs, such as "Twinkle, Twinkle, Little Star", "Baa, Baa, Black Sheep", and the "Alphabet Song". Music This work was composed for solo piano and consists of the theme (transcribed below) and 12 variations. Only the final two variations have tempo indications, ''Adagio'' and ''Allegro'' respectively. \layout \midi Composition date For a time, it was thought that these variations were composed in 1778, while Mozart stayed in Paris from April to September in that year, the assumption being that the melody of a French song could only have been picked up by Mozart while residing in France. For this presumed composition date, the composi ...
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Idomeneo
' (Italian for ''Idomeneus, King of Crete, or, Ilia and Idamante''; usually referred to simply as ''Idomeneo'', K. 366) is an Italian language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French text by Antoine Danchet, based on a 1705 play by Crébillion père, which had been set to music by André Campra as ''Idoménée'' in 1712. Mozart and Varesco were commissioned in 1780 by Karl Theodor, Elector of Bavaria for a court carnival. He probably chose the subject, though it may have been Mozart. The work premiered on 29 January 1781 at the Cuvilliés Theatre in Munich, Germany. Composition The libretto clearly draws inspiration from Metastasio in its overall layout, the type of character development, and the highly poetic language used in the various numbers and the ''secco'' and ''stromentato'' recitatives. The style of the choruses, marches, and ballets is very French, and the shipwreck scene towards the end of act I is alm ...
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Concerto For Flute, Harp, And Orchestra (Mozart)
The Concerto for Flute, Harp, and Orchestra in C major, K. 299/297c, is a concerto by Wolfgang Amadeus Mozart for flute, harp, and orchestra. It is one of only two true double concertos that he wrote (the other being his Piano Concerto No. 10; though his Sinfonia Concertante for Violin, Viola, and Orchestra could just as well be considered a "double concerto"), as well as the only piece of music by Mozart for the harp.Briscoe, DougProgram notes Boston Classical Orchestra. Archived 2008-10-09 The piece is one of the most popular such concertos in the repertoire, as well as often being found on recordings dedicated to either one of its featured instruments. History Mozart wrote the concerto in April 1778, during his seven-month sojourn in Paris. It was commissioned by Adrien-Louis de Bonnières, duc de Guînes (1735–1806), a flutist, for his use and for that of his eldest daughter, Marie-Louise-Philippine (1759–1796), a harpist, who was taking composition lessons from the ...
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Rondo For Piano And Orchestra In D Major (Mozart)
The Rondo for Piano and Orchestra in D major, K. 382 is a set of variations by Wolfgang Amadeus Mozart intended as a substitute finale for his ''Piano Concerto No. 5 in D major''.Philips Digital Classics 'Complete Mozart Edition- Piano Concertos'; Label Number 464 800-2 Background The piece was composed in early 1782 by Mozart as an alternative final movement to his ''Piano Concerto No. 5'', a piece he composed in December 1773 when he was 17.[ He composed the Rondo for a number of reasons. He considered the use of a Sonata-form movement too complex for the movement's context, and thus he wrote this alternative ending in a variation form. Mozart had also just moved from his hometown Salzburg to Vienna in 1781, where he needed to gain a reputation and a subsequent secure income. He did this through composition, teaching and piano performances in concerts. As he did not have too many original piano concertos to his name this was an area where Mozart could draw work from. His 5th pi ...
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Sinfonia Concertante For Violin, Viola And Orchestra (Mozart)
The Sinfonia Concertante for Violin, Viola and Orchestra in E major, K. 364 (320d), was written by Wolfgang Amadeus Mozart. At the time of its composition in 1779, Mozart was on a tour of Europe that included Mannheim and Paris. He had been experimenting with the sinfonia concertante genre and this work can be considered his most successful realization in this cross-over genre between symphony and concerto. Instrumentation The piece is scored in three movements for solo violin, solo viola, two oboes, two horns, and strings, the last including a divided viola section, which accounts for the work's rich harmony. The solo viola part is written in D major instead of E major, and the instrument tuned a semitone sharper (scordatura technique), to give a more brilliant tone. This technique is uncommon when performed on the modern viola and is used mostly in performance on original instruments. Movements Recordings Richard Wigmore in '' Gramophone'' (October 2015) writes that ...
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Coronation Mass (Mozart)
The ''Krönungsmesse'' (German for Coronation Mass) (Mass No. 15 in C major, K. 317; sometimes Mass No. 16), composed in 1779, is one of the most popular of Wolfgang Amadeus Mozart's 17 extant settings of the Ordinary of the Mass. It can be classified as either a '' Missa brevis'' (short Mass) or a '' Missa solemnis'' (fuller Mass) because although it includes all the sections of the Ordinary, it is relatively short. History The mass in C major was completed on March 23, 1779 in Salzburg. Mozart had just returned to the city after 18 months of fruitless job hunting in Paris and Mannheim, and his father Leopold promptly got him a job as court organist and composer at Salzburg Cathedral. The mass was almost certainly premiered there on Easter Sunday, 4 April 1779. The first documented performance was at the coronation of Francis II as Holy Roman Emperor in 1792. In the early twentieth century, Johann Evangelist Engl, the archivist of the Salzburg Mozarteum, expressed the ...
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Dies Bildnis Ist Bezaubernd Schön
"" ("This image is enchantingly lovely") is an aria from Wolfgang Amadeus Mozart's 1791 opera ''The Magic Flute''. The aria takes place in act 1, scene 1, of the opera. Prince Tamino has just been presented by the Three Ladies with an image of the princess Pamina, and falls instantly in love with her. Libretto The words of "Dies Bildnis" were written by Emanuel Schikaneder, a leading man of the theater in Vienna in Mozart's time, who wrote the libretto of the opera as well as running the troupe that premiered it and playing the role of Papageno. There are fourteen lines of poetry, which Peter Branscombe described as "a very tolerable sonnet." Dies Bildnis ist bezaubernd schön, wie noch kein Auge je gesehn! Ich fühl' es, wie dies Götterbild, mein Herz mit neuer Regung füllt. Dies Etwas kann ich zwar nicht nennen, doch fühl' ich's hier wie Feuer brennen, soll die Empfindung Liebe sein? Ja, ja, die Liebe ist's allein. O wenn ich sie nur finden könnte, O wenn sie doch schon vor ...
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Sonata For Two Pianos In D Major (Mozart)
The Sonata for Two Pianos in D major, K. 448, is a work composed by Wolfgang Amadeus Mozart in 1781, when he was 25. It is written in sonata-allegro form, with three movements. The sonata was composed for a performance he would give with fellow pianist Josepha Auernhammer. Mozart composed this in the '' galant style'', with interlocking melodies and simultaneous cadences. This is one of his few compositions written for two pianos. Description The sonata is written in three movements: ;Allegro con spirito :The first movement sets the tonal center with a strong introduction. The two pianos divide the main melody for the exposition, and when the theme is presented, both play it simultaneously. Little time is spent in the development section; a new theme is introduced (unlike most sonata forms) before the recapitulation, repeating the first theme. ;Andante :The second movement is written in ABA form. ;Molto allegro :The third movement begins with a galloping theme. The cadences ...
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