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Clarinet Sonata (Saint-Saëns)
The Clarinet Sonata in E major, Op. 167, was written by Camille Saint-Saëns in 1921 as one of his last works. This clarinet sonata is the second of the three sonatas that Saint-Saëns composed for wind instruments, the other two being the Oboe Sonata (Op. 166) and the Bassoon Sonata (Op. 168), written the same year. These works were part of Saint-Saëns's efforts to expand the repertoire for instruments for which hardly any solo parts were written, as he confided to his friend Jean Chantavoine in a letter dated to 15 April 1921: "At the moment I am concentrating my last reserves on giving rarely considered instruments the chance to be heard." Saint-Saëns dedicated the work to , a professor at the Conservatoire de Paris. Structure The work consists of four movements. A performance takes approximately 16 minutes. The theme of the first movement is reprised at the end of the fourth movement. Reception For the musical scholar Jean Gallois, the Clarinet Sonata is the most i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-flat Major
E-flat major (or the key of E-flat) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E minor, (or enharmonically D minor). The E-flat major scale is: : Characteristics The key of E-flat major is often associated with bold, heroic music, in part because of Beethoven's usage. His ''Eroica Symphony'', ''Emperor Concerto'' and ''Grand Sonata'' are all in this key. Beethoven's (hypothetical) 10th Symphony is also in E-flat. But even before Beethoven, Francesco Galeazzi identified E-flat major as "a heroic key, extremely majestic, grave and serious: in all these features it is superior to that of C." Three of Mozart's completed Horn Concertos and Joseph Haydn's Trumpet Concerto are in E-flat major, and so is Anton Bruckner's Fourth Symphony with its prominent horn theme in the first movement. Another notable heroic piece in the key of E-flat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Saint-Saëns
Charles-Camille Saint-Saëns (; 9 October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic music, Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Piano Concerto No. 2 (Saint-Saëns), Second Piano Concerto (1868), the Cello Concerto No. 1 (Saint-Saëns), First Cello Concerto (1872), ''Danse macabre (Saint-Saëns), Danse macabre'' (1874), the opera ''Samson and Delilah (opera), Samson and Delilah'' (1877), the Violin Concerto No. 3 (Saint-Saëns), Third Violin Concerto (1880), the Symphony No. 3 (Saint-Saëns), Third ("Organ") Symphony (1886) and ''The Carnival of the Animals'' (1886). Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, Paris, La Madeleine, the official church of the Second French Empire, Fren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarinet Sonata
A clarinet sonata is piece of music in sonata form for clarinet, often with piano accompaniment. The Clarinet Sonatas by Brahms are of special significance in the development of the clarinet repertoire. Several important transcriptions are also possible, including sonatas by Mozart, Schubert, Reinecke, Copland, and Prokofiev. Clarinet sonatas :''This list is approximately in chronological order.'' * François Devienne: Clarinet sonata no.1 (1798), Clarinet sonata no.2 (1798) * Ferdinand Ries: Clarinet Sonata, Op. 29 (1808) * Carl Maria von Weber: Grand Duo Concertant, Op. 48 (1816) * Felix Mendelssohn: Clarinet Sonata (1824) * Charles Swinnerton Heap: Clarinet Sonata (1879) * Theodore Gouvy: Clarinet Sonata, Op. 76 (1882) * Felix Draeseke: Clarinet Sonata (1887), which also can be played by a violin * Josef Rheinberger: Clarinet Sonata, Op. 105a (1893) * Johannes Brahms: ** Clarinet Sonata No. 1 and Clarinet Sonata No. 2 (both 1894), which can also be played by a viol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wind Instrument
A wind instrument is a musical instrument that contains some type of resonator (usually a tube) in which a column of air is set into vibration by the player blowing into (or over) a mouthpiece set at or near the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of the effective length of the vibrating column of air. In the case of some wind instruments, sound is produced by blowing through a reed; others require buzzing into a metal mouthpiece, while yet others require the player to blow into a hole at an edge, which splits the air column and creates the sound. Methods for obtaining different notes * Using different air columns for different tones, such as in the pan flute. These instruments can play several notes at once. * Changing the length of the vibrating air column by changing the length of the tube through engaging valves ''(see rotary valve, piston valve)'' which route the air through additional tubing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oboe Sonata (Saint-Saëns)
Camille Saint-Saëns's Oboe Sonata in D major, opus number, Op. 166 was composed in 1921, the year of the composer's death. This sonata is the first of the three sonatas that Saint-Saëns composed for wind instruments, the other two being the Clarinet Sonata (Saint-Saëns), Clarinet Sonata (Op. 167) and the Bassoon Sonata (Saint-Saëns), Bassoon Sonata (Op. 168), written the same year. These works were part of Saint-Saëns's efforts to expand the repertoire for instruments for which hardly any solo parts were written, as he confided to his friend Jean Chantavoine in a letter dated to 15 April 1921: "At the moment I am concentrating my last reserves on giving rarely considered instruments the chance to be heard." The piece is dedicated to Louis Bas, first solo oboe with the ''Societé du Conservatoire de l'Opéra''. Structure It is written in three movements: The movements are not ordered according to the traditional fast-slow-fast sonata system. The tempo of the movements inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bassoon Sonata (Saint-Saëns)
The Bassoon Sonata in G major, Op. 168, was written by Camille Saint-Saëns in 1921 as one of his last works. This bassoon sonata is the last of the three sonatas that Saint-Saëns composed for wind instruments, the other two being the Oboe Sonata (Op. 166) and the Clarinet Sonata (Op. 167), written the same year. These works were part of Saint-Saëns's efforts to expand the repertoire for instruments for which hardly any solo parts were written, as he confided to his friend Jean Chantavoine Jean Chantavoine (17 May 1877 – 16 July 1952) was a French musicologist and biographer and the secretary general for the Conservatoire national supérieur de musique. Chantavoine was born in Paris. He published numerous books and articles ... in a letter dated to 15 April 1921: "At the moment I am concentrating my last reserves on giving rarely considered instruments the chance to be heard." Structure The work consists of three movements. A performance takes approximately 13 minu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Chantavoine
Jean Chantavoine (17 May 1877 – 16 July 1952) was a French musicologist and biographer and the secretary general for the Conservatoire national supérieur de musique. Chantavoine was born in Paris. He published numerous books and articles, including biographies of Beethoven, Liszt, Saint-Saëns and Mozart. In 1933, he revealed the existence of Bizet's Symphony in C, housed in the library of the ''Conservatoire'', in an article in the French periodical ''Le Ménestrel ''Le Ménestrel'' (The Minstrel) was an influential French music journal published weekly from 1833 until 1940. It was founded by Joseph-Hippolyte l'Henry and originally printed by Poussièlgue. In 1840 it was acquired by the music publishers Heu ....'' Chantavoine also was the first to publish many of Beethoven's manuscript sketches and letters, for example in his 1903 ''Correspondance de Beethoven''.Malcolm Turner. "Chantavoine, Jean." In Grove Music Online. Oxford Music Online, http://www.oxfordmusico ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conservatoire De Paris
The Conservatoire de Paris (), also known as the Paris Conservatory, is a college of music and dance founded in 1795. Officially known as the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), it is situated in the avenue Jean Jaurès in the 19th arrondissement of Paris, France. The Conservatoire offers instruction in music and dance, drawing on the traditions of the 'French School'. Formerly the conservatory also included drama, but in 1946 that division was moved into a separate school, the Conservatoire National Supérieur d'Art Dramatique (CNSAD), for acting, theatre and drama. Today the conservatories operate under the auspices of the Ministry of Culture and Communication and are associate members of PSL University. The CNSMDP is also associated with the Conservatoire National Supérieur de Musique et de Danse de Lyon (CNSMDL). History École Royale de Chant On 3 December 1783 Papillon de la Ferté, ''intendant'' of the Menus-Plaisirs du Roi, pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Stoltzman
Richard Leslie Stoltzman (born July 12, 1942) is an American clarinetist. Born in Omaha, Nebraska, he spent his early years in San Francisco, California, and Cincinnati, Ohio, graduating from Woodward High School in 1960. Today, Stoltzman is part of the faculty list at the New England Conservatory and Boston University. Stoltzman is perhaps the best-known clarinetist who primarily plays classical music. He has played with over 100 orchestras, as well as with many chamber groups and in many solo recitals. Stoltzman has received numerous awards and has produced an extensive discography. His virtuosity and musicianship have made him a highly sought-after concert artist. In addition to classical repertoire, Stoltzman also plays jazz. Some of his recordings, such as his album ''New York Counterpoint'', feature both jazz and modern music. In 1983, Stoltzman commissioned composer/arranger Clare Fischer to write a symphonic work using Duke Ellington and Billy Strayhorn themes. The resu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Threnody
A threnody is a wailing ode, song, hymn or poem of mourning composed or performed as a memorial to a dead person. The term originates from the Greek word θρηνῳδία (''threnoidia''), from θρῆνος (''threnos'', "wailing") and ᾠδή (''oide'', "ode"), the latter ultimately from the Proto-Indo-European root *''h₂weyd-'' ("to sing") that is also the precursor of such words as "ode", "tragedy", "comedy", "parody", "melody" and "rhapsody". Similar terms include "dirge", " coronach", "lament" and "elegy". The '' Epitaphios Threnos'' is the lamentation chanted in the Eastern Orthodox Church on Holy Saturday. John Dryden commemorated the death of Charles II of England in the long poem '' Threnodia Augustalis'', and Ralph Waldo Emerson wrote a "Threnody" in memory of his son. Examples In written works: *Countee Cullen's "Threnody for a Brown Girl" * Bruce Dawe's poem "Homecoming" *Ralph Waldo Emerson's "Threnody" * Peter H. Gilmore's "Threnody for Humanity" * A. E. Hou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Music By Camille Saint-Saëns
Chamber or the chamber may refer to: In government and organizations *Chamber of commerce, an organization of business owners to promote commercial interests *Legislative chamber, in politics *Debate chamber, the space or room that houses deliberative assemblies such as legislatures, parliaments, or councils. In media and entertainment *Chamber (comics), a Marvel Comics superhero associated with the X-Men *Chamber music, a form of classical music, written for a small group of instruments which traditionally could be accommodated in a palace chamber * ''The Chamber'' (game show), a short-lived game show on FOX * ''The Chamber'' (novel), a suspense novel by John Grisham ** ''The Chamber'' (1996 film), based on the novel * ''The Chamber'' (2016 film), a survival film directed by Ben Parker * , a musical ensemble from Frankfurt, Germany-based around vocalist/guitarist Marcus Testory Other *Chamber (firearms), the portion of the barrel or firing cylinder in which the cartridge is inse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
