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Civilisation (TV Series)
''Civilisation''—in full, ''Civilisation: A Personal View by Kenneth Clark''—is a 1969 British television documentary series written and presented by the art historian Kenneth Clark. The thirteen programmes in the series outline the history of Western art, architecture and philosophy since the Dark Ages. The series was produced by the BBC and aired from February to May 1969 on BBC2. Then, and in later transmissions in Britain, the US and other countries it reached an unprecedented number of viewers for an art series. Clark's book of the same title, based on the series, was published in 1969. Its production standards were generally praised and set the pattern for subsequent television documentary series. The '' New Yorker'' magazine described it as revelatory for the general viewer. The BBC's DVD issue in 2005 has remained in the catalogues, and Clark's accompanying 1969 book has never been out of print. Background Clark had pioneered British television series about ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Title Card
In films, an intertitle, also known as a title card, is a piece of filmed, printed text edited into the midst of (i.e., ''inter-'') the photographed action at various points. Intertitles used to convey character dialogue are referred to as "dialogue intertitles", and those used to provide related descriptive/narrative material are referred to as "expository intertitles". In modern usage, the terms refer to similar text and logo material inserted at or near the start or end of films and television shows. Silent film era In this era intertitles were mostly called "subtitles" and often had Art Deco motifs. They were a mainstay of silent films once the films became of sufficient length and detail to necessitate dialogue or narration to make sense of the enacted or documented events. ''The British Film Catalogue'' credits the 1898 film ''Our New General Servant'' by Robert W. Paul as the first British film to use intertitles. Film scholar Kamilla Elliott identifies another early use of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruegel The Elder
Pieter Bruegel (also Brueghel or Breughel) the Elder (, ; ; – 9 September 1569) was the most significant artist of Dutch and Flemish Renaissance painting, a painter and printmaking, printmaker, known for his landscape art, landscapes and peasant scenes (so-called Genre art, genre painting); he was a pioneer in making both types of subject the focus in large paintings. He was a formative influence on Dutch Golden Age painting and later painting in general in his innovative choices of subject matter, as one of the first generation of artists to grow up when religious subjects had ceased to be the natural subject matter of painting. He also painted no portraits, the other mainstay of Netherlandish art. After his training and travels to Italy, he returned in 1555 to settle in Antwerp, where he worked mainly as a prolific designer of old master print, prints for the leading publisher of the day. Only towards the end of the decade did he switch to make painting his main medium, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
