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Circe (The Sorceress)
''The Sorceress'' is a painting by John William Waterhouse completed between 1911 and 1915.Hobson, Anthony. 1989. ''J. W. Waterhouse''. Oxford: Phaidon Christie's. pages 77, 89, 101-105. It is his third depiction, after ''Circe Offering the Cup to Ulysses'' (1891) and ''Circe Invidiosa'' (1892), of the Greek mythological character, Circe, and her name is on the back of the canvas. The inclusion of leopards and the loom offer further evidence that the painting is of Circe. An oil study for ''The Sorceress'' (c. 1911, 61×51 cm, in a private collection) shows a model with dark brown hair. For the final scene, Circe is depicted as a redhead. See also *Circe in the arts Circe (; grc, , ) is an enchantress and a minor goddess in ancient Greek mythology and religion. She is either a daughter of the Titan Helios and the Oceanid nymph Perse or the goddess Hecate and Aeëtes. Circe was renowned for her vast ... References External links''Study'' for ''The Sorceress ...
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John William Waterhouse
John William Waterhouse (6 April 184910 February 1917) was an English painter known for working first in the Academic style and for then embracing the Pre-Raphaelite Brotherhood's style and subject matter. His artworks were known for their depictions of women from both ancient Greek mythology and Arthurian legend. Born in Rome to English parents who were both painters, Waterhouse later moved to London, where he enrolled in the Royal Academy of Art. He soon began exhibiting at their annual summer exhibitions, focusing on the creation of large canvas works depicting scenes from the daily life and mythology of ancient Greece. Many of his paintings are based on authors such as Homer, Ovid, Shakespeare, Tennyson, or Keats. Waterhouse's work is displayed in many major art museums and galleries, and the Royal Academy of Art organised a major retrospective of his work in 2009. Biography Early life Waterhouse was born in the city of Rome to English painters William and Isabella Water ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ...
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Circe Offering The Cup To Ulysses
''Circe Offering the Cup to Ulysses'' is an oil painting in the Pre-Raphaelite style by John William Waterhouse that was created in 1891. The painting depicts a scene from the ''Odyssey''. Circe, a sorceress, offers a cup to Odysseus (commonly Ulysses in English). In the cup is a potion. Circe seeks to bring Ulysses under her spell, as she has done with his crew. Two of Ulysses' crewmen have been transformed into pigs, one can be seen beside Circe's feet on the right, while the other is peering out from behind her throne on the left. Ulysses' reflection can be seen in the mirror which is behind Circe's throne. It reflects the columns of Circe's palace, and Ulysses' ship. Odysseus, intrepid and worried about his sailors, tries to save them and on the way Hermes (the messenger of the immortals) intercepts him and tells him of Circe's intentions, advising him to find a special plant that keeps him away from the effects of Circe's drink. After Odysseus had the plant he was able to r ...
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Circe Invidiosa
''Circe Invidiosa'' is a painting by John William Waterhouse completed in 1892. It is his second depiction, after ''Circe Offering the Cup to Ulysses'' (1891), of the classical mythological character Circe. This particular mythological portrayal is based on Ovid's tale in ''Metamorphoses'', wherein Circe turns Scylla into a sea monster, solely because Glaucus scorned the enchantress' romantic advances in hopes of attaining Scylla's love instead. Waterhouse later returned to the subject of Circe a third time with '' The Sorceress'' (1911). ''Circe Invidiosa'' is part of the collection of the Art Gallery of South Australia, which also owns Waterhouse's 1883 ''The Favourites of the Emperor Honorius''. Description The myth of Circe, Glaucus, and Scylla originates in Book XIV of ''Metamorphoses''. The specific scene that Waterhouse bases this painting on occurs in lines 52–65 of the epic poem: There was a cove, a little inlet shaped like a bent bow, a quiet place where Scyll ...
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Circe
Circe (; grc, , ) is an Magician (paranormal), enchantress and a minor goddess in ancient Greek mythology and Ancient Greek religion, religion. She is either a daughter of the Titans, Titan Helios and the Oceanid nymph Perse (mythology), Perse or the goddess Hecate and Aeëtes. Circe was renowned for her vast knowledge of potions and herbs. Through the use of these and a magic wand or staff, she would Shapeshifting, transform her enemies, or those who offended her, into animals. The best known of her legends is told in Homer's ''Odyssey'' when Odysseus visits her island of Aeaea on the way back from the Trojan War and she changes most of his crew into swine. He manages to persuade her to return them to human shape, lives with her for a year and has sons by her, including Latinus and Telegonus (son of Odysseus), Telegonus. Her ability to change others into animals is further highlighted by the story of Picus, an Italian king whom she turns into a woodpecker for resisting her adv ...
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Leopards
The leopard (''Panthera pardus'') is one of the five extant species in the genus '' Panthera'', a member of the cat family, Felidae. It occurs in a wide range in sub-Saharan Africa, in some parts of Western and Central Asia, Southern Russia, and on the Indian subcontinent to Southeast and East Asia. It is listed as Vulnerable on the IUCN Red List because leopard populations are threatened by habitat loss and fragmentation, and are declining in large parts of the global range. The leopard is considered locally extinct in Hong Kong, Singapore, South Korea, Jordan, Morocco, Togo, the United Arab Emirates, Uzbekistan, Lebanon, Mauritania, Kuwait, Syria, Libya, Tunisia and most likely in North Korea, Gambia, Laos, Lesotho, Tajikistan, Vietnam and Israel. Contemporary records suggest that the leopard occurs in only 25% of its historical global range. Compared to other wild cats, the leopard has relatively short legs and a long body with a large skull. Its fur is marked with ...
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Loom
A loom is a device used to weave cloth and tapestry. The basic purpose of any loom is to hold the warp threads under tension to facilitate the interweaving of the weft threads. The precise shape of the loom and its mechanics may vary, but the basic function is the same. Etymology and usage The word "loom" derives from the Old English ''geloma'', formed from ''ge-'' (perfective prefix) and ''loma'', a root of unknown origin; the whole word ''geloma'' meant a utensil, tool, or machine of any kind. In 1404 "lome" was used to mean a machine to enable weaving thread into cloth. By 1838 "loom" had gained the additional meaning of a machine for interlacing thread. Weaving Weaving is done by intersecting the longitudinal threads, the warp, i.e. "that which is thrown across", with the transverse threads, the weft, i.e. "that which is woven". The major components of the loom are the warp beam, heddles, harnesses or shafts (as few as two, four is common, sixteen not unheard of), s ...
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Circe In The Arts
Circe (; grc, , ) is an enchantress and a minor goddess in ancient Greek mythology and religion. She is either a daughter of the Titan Helios and the Oceanid nymph Perse or the goddess Hecate and Aeëtes. Circe was renowned for her vast knowledge of potions and herbs. Through the use of these and a magic wand or staff, she would transform her enemies, or those who offended her, into animals. The best known of her legends is told in Homer's ''Odyssey'' when Odysseus visits her island of Aeaea on the way back from the Trojan War and she changes most of his crew into swine. He manages to persuade her to return them to human shape, lives with her for a year and has sons by her, including Latinus and Telegonus. Her ability to change others into animals is further highlighted by the story of Picus, an Italian king whom she turns into a woodpecker for resisting her advances. Another story tells of her falling in love with the sea-god Glaucus, who prefers the nymph Scylla to her. In ...
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Paintings By John William Waterhouse
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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Paintings Of Greek Goddesses
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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1910s Paintings
Year 191 ( CXCI) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Apronianus and Bradua (or, less frequently, year 944 ''Ab urbe condita''). The denomination 191 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Parthia * King Vologases IV of Parthia dies after a 44-year reign, and is succeeded by his son Vologases V. China * A coalition of Chinese warlords from the east of Hangu Pass launches a punitive campaign against the warlord Dong Zhuo, who seized control of the central government in 189, and held the figurehead Emperor Xian hostage. After suffering some defeats against the coalition forces, Dong Zhuo forcefully relocates the imperial capital from Luoyang to Chang'an. Before leaving, Dong Zhuo orders his troops to loot the tombs of the Han ...
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Witches In Art
Witchcraft traditionally means the use of magic or supernatural powers to harm others. A practitioner is a witch. In medieval and early modern Europe, where the term originated, accused witches were usually women who were believed to have used malevolent magic against their own community, and often to have communed with evil beings. It was thought witchcraft could be thwarted by protective magic or counter-magic, which could be provided by cunning folk or folk healers. Suspected witches were also intimidated, banished, attacked or killed. Often they would be formally prosecuted and punished, if found guilty or simply believed to be guilty. European witch-hunts and witch trials in the early modern period led to tens of thousands of executions. In some regions, many of those accused of witchcraft were folk healers or midwives. European belief in witchcraft gradually dwindled during and after the Age of Enlightenment. Contemporary cultures that believe in magic and the supernat ...
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