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Ciné-Kodak Eight
The Ciné-Kodak was the first movie camera for 16 mm film, 16 mm, manufactured by the Eastman Kodak Company and introduced in 1923. It was intended for home movie making. Kodak released additional models, including magazine-loading cameras as the Magazine Ciné-Kodak line and a line of 8 mm film, 8 mm cameras under the Ciné-Kodak Eight sub-brand. The final 16 mm camera was the Kodak Reflex Special, released in 1961, dropping the Ciné-Kodak brand altogether; Kodak ceased production of 16 mm cameras in 1968, but continued to produce 8 mm and Super 8 film cameras under the Ektasound and Instamatic brands. History and models Kodak introduced 16 mm film in June 1923 alongside the first Ciné-Kodak, a movie camera that was both more portable and affordable than those using 135 film, 35 mm film; the new camera and film type were more suited for amateur use and generally are credited as the enabling technology for the creation of the first home movies. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C Mount
A C mount is a type of lens mount commonly found on 16 mm movie cameras, closed-circuit television cameras, machine vision cameras and microscope phototubes. C-mount lenses provide a male thread, which mates with a female thread on the camera. The thread is nominally in diameter, with 32 threads per inch (0.794 mm pitch), designated as "1-32 UN 2A" in the ANSI B1.1 standard for unified screw threads. The flange focal distance is for a C mount. Merely to say that a lens is "C-mount" says very little about the lens's intended use. C-mount lenses have been made for many different formats. C-mount lenses are built for the 8 mm and 16 mm film formats and the 1/3", 1/2", 2/3", 1", and 4/3" video formats, which corresponds to a range of image circles approximately from 5 to 22 mm in diameter. Depending on the format, the design of the lens and its performance will differ considerably. For example, for the 4/3 format, a 12 mm lens is a wide-angle lens and will have ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of The Camera
The history of the camera began even before the introduction of photography. Cameras evolved from the ''camera obscura'' through many generations of photographic technologydaguerreotypes, calotypes, dry plates, photographic film, filmto the modern day with digital cameras and camera phones. ''Camera obscura'' (pre-17th century) The ''camera obscura'' (from the Latin for 'dark room') is a natural optical phenomenon and precursor of the photographic camera. It projects an inverted image (flipped left to right and upside down) of a scene from the other side of a screen or wall through a small aperture onto a surface opposite the opening. The earliest documented explanation of this principle comes from Chinese philosopher Mozi (), who correctly argued that the inversion of the camera obscura image is a result of light traveling in straight lines from its source. From around 1550, lenses were used in the openings of walls or closed window shutters in dark rooms to project images, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Photography
The history of photography began with the discovery of two critical principles: The first is camera obscura image projection; the second is the discovery that some substances are visibly altered by exposure to light. There are no artifacts or descriptions that indicate any attempt to capture images with light sensitive materials prior to the 18th century. Around 1717, Johann Heinrich Schulze used a light-sensitive slurry to capture images of cut-out letters on a bottle. However, he did not pursue making these results permanent. Around 1800, Thomas Wedgwood made the first reliably documented, although unsuccessful attempt at capturing camera images in permanent form. His experiments did produce detailed photograms, but Wedgwood and his associate Humphry Davy found no way to fix these images. In 1826, Nicéphore Niépce first managed to fix an image that was captured with a camera, but at least eight hours or even several days of exposure in the camera were required and the earl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D Mount
A D-mount is a type of lens mount commonly found on 8mm movie cameras. Throat or thread diameter 15.88 mm (0.625 inch) Mount thread pitch 32 TPI Flange focal distance 12.29 mm D-Mount lenses have found new uses in the Nikon 1 series, Fujifilm X series, Pentax Q series and other modern mirrorless cameras via adapters. See also * T-mount * Lens mount * Pentax K mount * C-mount A C mount is a type of lens mount commonly found on 16 mm movie cameras, closed-circuit television cameras, machine vision cameras and microscope phototubes. C-mount lenses provide a male thread, which mates with a female thread on the camera. ... * PL-mount Lens mounts Film and video technology {{film-tech-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kodak Brownie
The Brownie was a series of camera models made by Eastman Kodak and first released in 1900. It introduced the snapshot to the masses by addressing the cost factor which had meant that amateur photography remained beyond the means of many people; the Pocket Kodak, for example, would cost most families in Britain nearly a whole month's wages. The Brownie was a basic cardboard box camera with a simple convex-concave lens that took -inch square pictures on No. 117 roll film. It was conceived and marketed for sales of Kodak roll films. Because of its simple controls and initial price of US$1 (equivalent to $ in ) along with the low price of Kodak roll film and processing, the Brownie camera surpassed its marketing goal. Invention and etymology The Brownie was invented by Frank A. Brownell for the Eastman Kodak Company. Named after the Brownie characters popularised by the Canadian writer Palmer Cox, the camera was initially aimed at children. More than 150,000 Brownie cameras we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kodak Cine Eight
The Eastman Kodak Company, referred to simply as Kodak (), is an American public company that produces various products related to its historic basis in film photography. The company is headquartered in Rochester, New York, and is incorporated in New Jersey. It is best known for photographic film products, which it brought to a mass market for the first time. Kodak began as a partnership between George Eastman and Henry A. Strong to develop a film roll camera. After the release of the Kodak camera, Eastman Kodak was incorporated on May 23, 1892. Under Eastman's direction, the company became one of the world's largest film and camera manufacturers, and also developed a model of welfare capitalism and a close relationship with the city of Rochester. During most of the 20th century, Kodak held a dominant position in photographic film, and produced a number of technological innovations through heavy investment in research and development at Kodak Research Laboratories. Kodak produce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kodak S-mount
The S-mount ciné lens mount was originally developed by Kodak and introduced in 1933 for the Ciné-Kodak line of movie cameras. The only camera body sold by Kodak with a native S-mount was the Ciné-Kodak Special II. Characteristics and applications According to historian Doug Kerr, the S-mount was developed and released in 1933 to simplify the profusion of lens mounts for the line of Ciné-Kodak The Ciné-Kodak was the first movie camera for 16 mm film, 16 mm, manufactured by the Eastman Kodak Company and introduced in 1923. It was intended for home movie making. Kodak released additional models, including magazine-loading cameras as ... 16 and 8 mm movie cameras; at the time, many of the lens mounts were unique to the particular camera model, and the line of Kodak ciné lenses for 16 mm cameras spanned a range of focal lengths from 15 to 152 mm. It was not efficient to maintain an adequate stock of optically identical lenses with multiple mounts. The S-mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ciné-Kodak Special
The Ciné-Kodak Special (CKS) family of precision, versatile, spring-wound 16 mm film, 16 mm silent movie cameras were produced by Eastman Kodak from the 1930s to the 1960s; while the regular Ciné-Kodak 16 mm movie cameras were marketed to amateurs, the Ciné-Kodak Specials were intended for advanced consumers and industry professionals. Overview Earlier Kodak 16 mm movie cameras, including the Ciné-Kodak Models B, F and K, shared a common design, being rectangular boxes with a top-mounted handle and a lens extending from the smallest side, similar in shape to a briefcase but smaller. The standard CKS camera had the same boxy rectangular design, but for the Special, this was formed from two joined modules: a spring motor unit and a film magazine. The spring motor half contains the film transport mechanisms and the user controls, including winding cranks, and gear work to the shutter. Two film magazine halves were available, holding either of film; either can be d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
