Cinemathique
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Cinemathique
''Cinemathique'' is the third album by collaborative band Tuatara. The band expanded to eleven members on this album, and it was their first album for Barrett Martin's record label, Fast Horse Recordings. Track listing Musicians *Peter Buck - guitar, bass guitar *Joe Cripps - percussion *Craig Flory - saxophones, flute *Barrett Martin - drum kit, vibraphone, marimba, keyboards, guitar, bass *Scott McCaughey - guitar, keyboards, harmonica *Elizabeth Pupo-Walker - congas, other percussion *Skerik - saxophone *Chris Littlefield - trumpet, flugelhorn *Eric Richards - accordion *Alex Veley - piano, organ *Justin Harwood Justin Harwood is a New Zealand bass guitarist, notable for his work with several indie rock bands of the 1980s and 1990s, The Chills, Luna, and Tuatara. He worked alongside New Zealand's Martin Phillipps (The Chills), Dean Wareham (Galaxie 500 ... - bass, keyboards References 2001 albums Tuatara (band) albums {{world-album-stub ...
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Tuatara (band)
Tuatara is an American, Seattle-based instrumental music group, featuring members of R.E.M., The Minus 5, Critters Buggin, The Chills and the Screaming Trees. History The band was formed in 1996 by R.E.M.'s Peter Buck (guitar), Barrett Martin of the Screaming Trees (drums and percussion), Justin Harwood of Luna and The Chills (bass guitar, double bass), and Skerik of Critters Buggin (saxophones). The band was named, at Harwood's suggestion, after a reptile from his native New Zealand. Originally a project to get musician friends some soundtrack work, the project evolved into an active band, doing occasional live shows, and recording their first album ''Breaking the Ethers'', encompassing a sound influenced by various styles of music, from Lebanese and Asian music to more traditional Western folk music. The band expanded in 1998, adding guitarist Scott McCaughey on guitar, Steve Berlin on saxophone and flute, Craig Flory on clarinets and saxophones, Elizabeth Pupo-Walker on conga ...
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The Loading Program
''The Loading Program'' is the fourth release by collaborative group Tuatara Tuatara (''Sphenodon punctatus'') are reptiles endemic to New Zealand. Despite their close resemblance to lizards, they are part of a distinct lineage, the order Rhynchocephalia. The name ''tuatara'' is derived from the Māori language and m .... The release mainly consists of remixes of songs from their first three albums. Track listing Tuatara (band) albums 2003 remix albums {{World-album-stub ...
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Peter Buck
Peter Lawrence Buck (born December 6, 1956) is an American musician and songwriter. He was a co-founder and the lead guitarist of the alternative rock band R.E.M. He also plays the banjo and mandolin on several R.E.M. songs. Throughout his career with R.E.M. (1980–2011), as well as during his subsequent solo career, Buck has also been at various times an official member of numerous 'side project' groups. These groups included Arthur Buck (with Joseph Arthur), Hindu Love Gods, The Minus 5, Tuatara, The Baseball Project, Robyn Hitchcock and the Venus 3, Tired Pony, The No-Ones and Filthy Friends, each of which have released at least one full-length studio album. Additionally, the experimental combo Slow Music (which also features Fred Chalenor, Hector Zazou, Matt Chamberlain, Robert Fripp, and Bill Rieflin) have released an official live concert CD. Another side project group called Full Time Men released an EP while Buck was a member. As well, ad hoc "supergroups" Bingo Han ...
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Skerik
Skerik is an American saxophonist from Seattle, Washington. Performing on the tenor and baritone saxophone, often with electronics and loops, he is a pioneer in a playing style that has been called saxophonics. He is a founding member of Critters Buggin, Garage a Trois, Ponga, Tuatara, and Skerik's Syncopated Taint Septet. He is also an original member of both Les Claypool's Fancy Band and Frog Brigade. Skerik also worked with grunge band Mad Season. History Skerik began playing saxophone in the fifth grade. His father's love of jazz was an early inspiration. He played saxophone, keyboards and percussion in a rock band called Uncle Jam. He has cited The Rolling Stones and Pink Floyd as bands from that time period who brought saxophone into rock music well. In the 1980s he travelled to London, Paris and the South Pacific working day jobs and playing in a variety of bands. His friendship with Leif Totusek introduced him to South African music and Zaire soukous bands in Lon ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Post-Rock
Post-rock is a form of experimental rock characterized by a focus on exploring textures and timbre over traditional rock song structures, chords, or riffs. Post-rock artists are often instrumental, typically combining rock instrumentation with electronics. The genre emerged within the indie and underground music scene of the 1980s and early 1990s. However, due to its abandonment of rock conventions, it often bears little resemblance musically to contemporary indie rock, borrowing instead from diverse sources including ambient, electronica, jazz, krautrock, dub, and minimalist classical. Artists such as Talk Talk and Slint have been credited with producing foundational works in the style in the early 1990s. The term post-rock itself was notably employed by journalist Simon Reynolds in a review of the 1994 Bark Psychosis album '' Hex''. It later solidified into a recognizable trend with the release of Tortoise's 1996 album ''Millions Now Living Will Never Die''. The term has ...
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Jazz-Rock
Jazz fusion (also known as fusion and progressive jazz) is a music genre that developed in the late 1960s when musicians combined jazz harmony and jazz improvisation, improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll. Jazz fusion arrangements vary in complexity. Some employ groove-based vamps fixed to a single key or a single chord with a simple, repeated melody. Others use elaborate chord progressions, unconventional time signatures, or melodies with counter-melodies. These arrangements, whether simple or complex, typically include improvised sections that can vary in length, much like in other forms of jazz. As with jazz, jazz fusion can employ brass and woodwind instruments such as trumpet and saxophone, but other instruments often substitute for these. A jazz fusion band is less likely to ...
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Trading With The Enemy
Trading with the enemy is a legal term of English origin that is used with a number of related meanings. It refers to: #An offence at common law and under statute #A ground for condemnation of ships in prize proceedings #A ground for illegality and nullity in contractMcNair, Sir Arnold Duncan. Legal Effects of War. Second Edition. Cambridge University Press. 1944. Chapter 7. United Kingdom The statutory offence is now created by section 1 of the Trading with the Enemy Act 1939. See also *Trading with the Enemy Act Trading with the Enemy Act is a stock short title used for legislation in the United Kingdom and the United States relating to trading with the enemy. ''Trading with the Enemy Acts'' is also a generic name for a class of legislation generally pas ... References {{law-term-stub Law of war ...
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Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Barrett Martin
Barrett Martin (born April 14, 1967) is an American record producer, percussionist, writer, and ethnomusicologist from Washington. As a producer he has won one Latin Grammy and has been nominated in two other categories. As an ethnomusicologist he has produced two albums for the Shipibo Shamans in the Peruvian Amazon Rainforest, and one album for the Neets'ai Gwich'in in the Alaskan Arctic. He is perhaps best known for his work with the alternative rock bands Screaming Trees and Mad Season. He was also a member of Skin Yard, Tuatara (band), Tuatara, and Walking Papers (band), Walking Papers, and has performed as a session musician for many artists in a wide variety of genres. Biography Martin was born and raised in Olympia, Washington and studied music for two years at Western Washington University before dropping out and moving to Seattle to join that city's late-1980s alternative rock scene. He later earned bachelor's and master's degrees in ethnomusicology from the Universi ...
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Justin Harwood
Justin Harwood is a New Zealand bass guitarist, notable for his work with several indie rock bands of the 1980s and 1990s, The Chills, Luna, and Tuatara. He worked alongside New Zealand's Martin Phillipps (The Chills), Dean Wareham (Galaxie 500, Luna), and Peter Buck (R.E.M., Tuatara). Early life Harwood was born in Taradale, New Zealand. Career Harwood was a member of the Chills from 1986 to 1990, during which time they had their biggest commercial success with the singles I Love My Leather Jacket (a New Zealand top 5 single) and Heavenly Pop Hit, which went to number 17 on the U.S. modern rock chart). During this time, The Chills also performed before their largest audience ever. They drew 60,000 people at the 1987 Glastonbury Festival. After leaving The Chills, Harwood moved to New York City New York, often called New York City or NYC, is the List of United States cities by population, most populous city in the United States. With a 2020 p ...
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