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Cinemascope
CinemaScope is an anamorphic format, anamorphic lens series used, from 1953 to 1967, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter. Its creation in 1953 by Spyros Skouras, Spyros P. Skouras, the president of 20th Century Fox, marked the beginning of the modern anamorphic format in both principal Aspect ratio (image), 2.55:1, almost twice as wide as the previously common Academy format's 1.37:1 ratio. Although the technology behind the CinemaScope lens system was made obsolete by later developments, primarily advanced by Panavision, CinemaScope's anamorphic format has continued to this day. In film-industry jargon, the shortened form, 'Scope, is still widely used by both filmmakers and projectionists, although today it generally refers to any Anamorphic format, 2.35:1, 2.39:1, 2.40:1, or 2.55:1 presentation or, sometimes, the use of anamorphic lensing or projection in general. ...
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20th Century Studios
20th Century Studios, Inc., formerly 20th Century Fox, is an American film studio, film production and Film distributor, distribution company owned by the Walt Disney Studios (division), Walt Disney Studios, the film studios division of the Disney Entertainment business segment of the Walt Disney Company. It is headquartered at the Fox Studio Lot in the Century City area of Los Angeles, which is leased from Fox Corporation. Walt Disney Studios Motion Pictures distributes and markets the films produced by this studio in theatrical markets. For over 80 years, 20th Century has been one of the major film studios, major American film studios. It was formed in 1935 as Twentieth Century-Fox Film Corporation by the merger of Fox Film Corporation and Twentieth Century Pictures, and one of the original "studio system, Big Five" among eight majors of Hollywood's Cinema of the United States#Classical Hollywood cinema and the Golden Age of Hollywood, Golden Age. In 1985, the studio remov ...
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Panavision
Panavision Inc. is an American motion picture equipment company (law), company founded in 1954 specializing in cameras and photographic lens, lenses, based in Woodland Hills, Los Angeles, Woodland Hills, California. Formed by Robert Gottschalk as a small partnership to create anamorphic format, anamorphic projection lenses during the widescreen boom in the 1950s, Panavision expanded its product lines to meet the demands of modern filmmakers. The company introduced its first products in 1954. Originally a provider of CinemaScope accessories, the company's line of anamorphic widescreen lenses soon became the industry leader. In 1972, Panavision helped revolutionize filmmaking with the lightweight Panaflex 35 mm movie film, 35 mm movie camera. The company has introduced other cameras such as the Millennium XL (1999) and the digital video Genesis (camera), Genesis (2004). Panavision operates exclusively as a rental facility—the company owns its entire inventory, unlike most of ...
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The Robe (film)
''The Robe'' is a 1953 American fictional Bible, Biblical epic film that tells the story of a Roman Empire, Roman military tribune who commands the unit that is responsible for the crucifixion of Jesus. The film was released by 20th Century Fox and was the first film released in the widescreen process CinemaScope. Like other early CinemaScope films, ''The Robe'' was shot with Henri Chrétien's original Hypergonar anamorphic lenses. The film was directed by Henry Koster and produced by Frank Ross (producer), Frank Ross. The screenplay was adapted from Lloyd C. Douglas's The Robe, 1942 novel by Gina Kaus, Albert Maltz, and Philip Dunne (writer), Philip Dunne—although Maltz's place among the blacklisted Hollywood 10 led to his being denied his writing credit for many years. The score was composed by Alfred Newman (composer), Alfred Newman, and the cinematography was by Leon Shamroy. The film stars Richard Burton, Jean Simmons, Victor Mature and Michael Rennie, and co-stars Jay Rob ...
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Anamorphic Format
Anamorphic format is a cinematography technique that captures widescreen images using recording media with narrower native Aspect ratio (image), aspect ratios. Originally developed for 35 mm movie film, 35 mm film to create widescreen presentations without sacrificing image area, the technique has since been adapted to various film gauges, digital cinematography, digital sensors, and video formats. Rather than cropping or Matte (filmmaking)#Mattes and widescreen filming, matting the image and discarding visual information, anamorphic capture employs cylindrical lenses to horizontally compress or "squeeze" the image during recording. A complementary lens is then used during projection to expand the image back to its intended widescreen proportions. By utilizing the full height of the film frame or sensor, this method retains more image resolution than cropped non-anamorphic widescreen formats. Anamorphic lenses have more complex optics than standard spherical lenses, which ...
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Spyros Skouras
Spyros Panagiotis Skouras (; ; March 28, 1893 – August 16, 1971) was a Greek-American motion picture pioneer and film executive who was the president of 20th Century-Fox from 1942 to 1962. He resigned June 27, 1962, but was chairman of the company for several more years. He also had numerous ships, owning Prudential Steamship Corporation, Prudential Lines. Skouras and two brothers came to the United States as immigrants in 1910; Spyros kept such a pronounced Greek accent in English that comedian Bob Hope would joke "Spyros has been here twenty years but he still sounds as if he's coming next week." Skouras oversaw the production of such epics as ''Cleopatra (1963 film), Cleopatra'' (1963) with Elizabeth Taylor, as well as the development of Century City, Los Angeles, California, Century City. The early years Spyros Panagiotis Skouras was born in 1893 in Skourochori, Greece to a family whose father was a sheep herder. Together with his brothers Charles Skouras, Charles and Georg ...
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Beneath The 12-Mile Reef
''Beneath the 12-Mile Reef'' is a 1953 American Technicolor adventure film directed by Robert D. Webb and starring Robert Wagner, Terry Moore and Gilbert Roland. The screenplay was by A.I. Bezzerides. The film was the third motion picture made in CinemaScope, coming after '' The Robe'' and '' How to Marry a Millionaire''. The supporting cast features J. Carrol Naish, Richard Boone, Peter Graves, Jay Novello, Harry Carey Jr. and Jacques Aubuchon. Plot Mike (Gilbert Roland) and Tony Petrakis ( Robert Wagner) are Greek American father and son sponge-diving entrepreneurs who find themselves in competition with the Rhys family, Conch fishermen who are prepared to resort to violence and murder to maintain their established fishing grounds off the Gulf Coast of Florida. Run-ins between the two clans lead to an exchange of threats and all-out brawls. Further complications ensue when Tony Petrakis meets Gwyneth Rhys ( Terry Moore), and the two fall in love. Cast * Robert ...
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How To Marry A Millionaire
''How to Marry a Millionaire'' is a 1953 American romantic comedy film directed by Jean Negulesco and written and produced by Nunnally Johnson. The screenplay was based on the plays ''The Greeks Had a Word for It'' (1930) by Zoe Akins and ''Loco'' (1946) by Dale Eunson and Katherine Albert. It stars Betty Grable, Marilyn Monroe, and Lauren Bacall as three fashionable Manhattan models, along with William Powell, David Wayne, Rory Calhoun, and Cameron Mitchell as their wealthy marks. Produced and distributed by 20th Century-Fox, ''How to Marry a Millionaire'' was the studio's first film to be shot in the new CinemaScope wide-screen sound process, although it was the second CinemaScope film released by Fox after the biblical epic film '' The Robe'' (also 1953). It was also the first color and CinemaScope film ever shown on prime-time network television (though panned-and-scanned) when it was presented as the first film on NBC's '' Saturday Night at the Movies'' on Septem ...
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Color Motion Picture Film
Color motion picture film refers both to unexposed color photography, color photographic film in a format suitable for use in a Movie camera, motion picture camera, and to finished motion picture film, ready for use in a projector, which bears images in color. The first color cinematography was by additive color systems such as the one patented by Edward Raymond Turner in 1899 and tested in 1902. A simplified additive system was successfully commercialized in 1909 as Kinemacolor. These early systems used black-and-white film to photograph and project two or more component images through different color filter (optics), filters. During the 1930s, the first practical subtractive color processes were introduced. These also used black-and-white film to photograph multiple color-filtered source images, but the final product was a multicolored print that did not require special projection equipment. Before 1932, when three-strip Technicolor was introduced, commercialized subtractive p ...
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3D Film
3D films are motion pictures made to give an illusion of three-dimensional solidity, usually with the help of special glasses worn by viewers. 3D films were prominently featured in the 1950s in American cinema and later experienced a worldwide resurgence in the 1980s and 1990s driven by IMAX high-end theaters and Disney-themed venues. 3D films became increasingly successful throughout the 2000s, peaking with the success of 3D presentations of ''Avatar'' in December 2009, after which 3D films again decreased in popularity. Certain directors have also taken more experimental approaches to 3D filmmaking, most notably celebrated auteur Jean-Luc Godard in his film '' Goodbye to Language''. History Before film The basic components of 3D film were introduced separately between 1833 and 1839. Stroboscopic animation was developed by Joseph Plateau in 1832 and published in 1833 in the form of a stroboscopic disc, which he later called the fantascope and became better known as the phén ...
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Film Perforations
Film perforations, also known as perfs and sprocket holes, are the holes placed in the film stock during manufacturing and used for transporting (by sprockets and claws) and steadying (by pin registration) the film. Films may have different types of perforations depending on film gauge, film format, and intended usage. Perforations are also used as a standard measuring reference within certain camera systems to refer to the size of the frame. Some formats are referred to in terms of the ratio "perforations per frame/gauge size" to provide an easy way of denoting size. For instance, 35mm Academy is also known as 4 perf-35mm; VistaVision is 8 perf-35mm; the long-time standard Todd-AO 70 mm film is 5 perf-70mm; and IMAX is 15 perf-70mm. This description does not indicate whether the film transport is horizontal or vertical, but uncertainty is precluded because there are currently no horizontal systems using the same number of perforations on the same gauge as a vertical on ...
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