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Chôros No. 4
''Chôros No. 4'' is a quartet for three horns and trombone, written in 1926 by the Brazilian composer Heitor Villa-Lobos. It forms a part of a series of fourteen numbered compositions collectively titled ''Chôros'', ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. ''Chôros No. 4'' is one of the shorter members of the series, a performance lasting about five-and-a-half minutes. History ''Chôros No. 4'' was composed in Rio de Janeiro in 1926, and was premiered on 24 October 1927 at the Salle Gaveau in Paris, in the first of a pair of concerts devoted to works by Villa-Lobos. The performers were Edmond Entraigue, Jean-Lazare Pénable, and Mr. Marquette, horns; Jules Dervaux, trombone. On the same programme, Arthur Rubinstein gave the premiere of ''Rudepoêma''. The first North American performance took place on 16 October 1940 at the Museum of Modern Art The Museum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chôros
''Chôros'' is the title of a series of compositions by the Brazilian composer Heitor Villa-Lobos, composed between 1920 and 1929. Origin and conception The word ''chôro'' (; nowadays spelled simply ''choro'') is Portuguese for "weeping", "cry", and came to be the name used for music played by an ensemble of Brazilian street musicians (called ''chorões'') using both African and European instruments, who improvise in a free and often dissonant kind of counterpoint called ''contracanto''. In this context, the term does not refer to any definite form of composition, but rather includes a variety of Brazilian types. Villa-Lobos described the basic concept of his ''Chôros'' as a "brasilofonia"—an extension of the popular street-musicians' chôro to a pan-Brazilian synthesis of native folklore, both Indian and popular. The tenth work in the series is for mixed choir and large orchestra, and quotes at length from a popular song, originally composed as an instrumental schottische ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heitor Villa-Lobos
Heitor Villa-Lobos (March 5, 1887November 17, 1959) was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has globally become one of the most recognizable South American composers in music history. A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2,000 works by his death in 1959. His music was influenced by both Brazilian folk music and stylistic elements from the European classical tradition, as exemplified by his '' Bachianas Brasileiras'' (Brazilian Bach-pieces) and his Chôros. His Etudes for classical guitar (1929) were dedicated to Andrés Segovia, while his ''5 Preludes'' (1940) were dedicated to his spouse Arminda Neves d'Almeida, a.k.a. "Mindinha". Both are important works in the classical guitar repertory. Biography Youth and exploration Villa-Lobos was born in Rio de Janeiro. His father, Ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaveau
Gaveau of Paris was a French piano manufacturer. The company was established by Joseph Gabriel Gaveau in 1847 in Paris and was one of the three largest piano makers in France (after Érard and Pleyel). Its factory was located at Fontenay-sous-Bois. Some Gaveau pianos were constructed with art cabinets. Many pianos have been equipped with pneumatic systems (Odeola, Ampico and Welte). In 1960, Gaveau merged with Érard. From 1971 to 1994 Gaveau pianos were made by pianoforte manufacturing company Wilhelm Schimmel. The brand is currently owned by Manufacture Française de Pianos, the same company that owns the Pleyel and Erard brands. Today, Manufacture Française de Pianos manufactures certain models under the Gaveau name. Family competition Joseph Gabriel Gaveau had six children, and Étienne Gaveau received competition from his brothers. Gabriel Gaveau was established in 1911. Gabriel Gaveau made some pianos with pedal or Duo-Art systems, and was located in 1919, 55-57 Av. M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlos Guinle And Her Chrysler Imperial 80
Carlos may refer to: Places ;Canada * Carlos, Alberta, a locality ;United States * Carlos, Indiana, an unincorporated community * Carlos, Maryland, a place in Allegany County * Carlos, Minnesota, a small city * Carlos, West Virginia ;Elsewhere * Carlos (crater), Montes Apenninus, LQ12, Moon; a lunar crater near Mons Hadley People * Carlos (given name), including a list of name holders * Carlos (surname), including a list of name holders Sportspeople * Carlos (Timorese footballer) (Carlos Mateus Ximenes, born 1986) * Carlos (footballer, born 1995) (Carlos Alberto Carvalho da Silva Júnior), Brazilian footballer * Carlos (footballer, born 1985) (Carlos Santos de Jesus), Brazilian footballer Others * Carlos (Calusa) (died 1567), king or paramount chief of the Calusa people of Southwest Florida * Carlos (singer) (1943—2008), French entertainer * Carlos the Jackal, a Venezuelan terrorist Arts and entertainment * ''Carlos'' (miniseries), 2010 biopic about the terrorist Carlo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudepoêma
''Rudepoêma'' (, ''Savage Poem'') is a composition by Heitor Villa-Lobos. It was written in Rio de Janeiro from 1921 to 1926 and is the largest and most challenging work Villa-Lobos wrote for the solo piano. It is in one continuous movement and runs about 19–20 minutes. The piece has been described (with license) as "'' Le Sacre du printemps'' meets the Brazilian jungle". For the title of this work, as he also did for other compositions, such as ''Vidapura'' and ''Momoprecoce'', Villa-Lobos compounded two words together: ''rude'', meaning "rude", "coarse", "uncultured", "discourteous", and '' poema'', "poem". However, the score's dedicatee, Arthur Rubinstein, explained, "The 'Rude' of the title did not have the English meaning. In Brazil it meant 'savage'. When I asked him if he considered me a savage pianist, he said excitedly, 'We are both savage! We don't care much for pedantic detail. I compose and you play, off the heart, making the music live, and this is what I hope I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museum Of Modern Art
The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street (Manhattan), 53rd Street between Fifth Avenue, Fifth and Sixth Avenues. MoMA's collection spans the late 19th century to the present, and includes over 200,000 works of architecture and design, drawing, painting, sculpture, photography, screen printing, prints, book illustration, illustrated and artist's books, film, as well as electronic media. The institution was conceived in 1929 by Abby Aldrich Rockefeller, Lillie P. Bliss, and Mary Quinn Sullivan. Initially located in the Crown Building (Manhattan), Heckscher Building on Fifth Avenue, it opened just days after the Wall Street Crash of 1929, Wall Street Crash. The museum was led by Anson Goodyear, A. Conger Goodyear as president and Abby Rockefeller as treasurer, with Alfred H. Barr Jr., Alfred H. Barr Jr. as its first director. Under Barr's leadership, the museum's collection rapidly expanded, beginning with an inaug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chôros No
''Chôros'' is the title of a series of compositions by the Brazilian composer Heitor Villa-Lobos, composed between 1920 and 1929. Origin and conception The word ''chôro'' (; nowadays spelled simply ''choro'') is Portuguese for "weeping", "cry", and came to be the name used for music played by an ensemble of Brazilian street musicians (called ''chorões'') using both African and European instruments, who improvise in a free and often dissonant kind of counterpoint called ''contracanto''. In this context, the term does not refer to any definite form of composition, but rather includes a variety of Brazilian types. Villa-Lobos described the basic concept of his ''Chôros'' as a "brasilofonia"—an extension of the popular street-musicians' chôro to a pan-Brazilian synthesis of native folklore, both Indian and popular. The tenth work in the series is for mixed choir and large orchestra, and quotes at length from a popular song, originally composed as an instrumental schottische ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eero Tarasti
Eero Aarne Pekka Tarasti (born 27 September 1948 in Helsinki) is a Finnish musicologist and semiotician, currently serving as Professor Emeritus of Musicology at the University of Helsinki. He has contributed significantly to the semiotics of music. He received his Ph.D. degree at the University of Helsinki in 1978, writing his dissertation ''Myth and Music'' on Richard Wagner, Jean Sibelius, and Igor Stravinsky. Then, Tarasti served at the University of Jyväskylä between 1979–1984, where he was appointed Professor of Arts Education in 1979 and Professor of Musicology in 1983. In 1984 he took the position of Professor of Musicology in Helsinki, succeeding Erik Tawaststjerna. Tarasti has held posts as Director or President in several semiotic and musical societies and since the 1970s has written and edited numerous books encompassing a semiotic approach to music. He has been the President of the International Association for Semiotic Studies (2004–2014), and the Direct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chôros By Heitor Villa-Lobos
''Chôros'' is the title of a series of compositions by the Brazilian composer Heitor Villa-Lobos, composed between 1920 and 1929. Origin and conception The word ''chôro'' (; nowadays spelled simply ''choro'') is Portuguese for "weeping", "cry", and came to be the name used for music played by an ensemble of Brazilian street musicians (called ''chorões'') using both African and European instruments, who improvise in a free and often dissonant kind of counterpoint called ''contracanto''. In this context, the term does not refer to any definite form of composition, but rather includes a variety of Brazilian types. Villa-Lobos described the basic concept of his ''Chôros'' as a "brasilofonia"—an extension of the popular street-musicians' chôro to a pan-Brazilian synthesis of native folklore, both Indian and popular. The tenth work in the series is for mixed choir and large orchestra, and quotes at length from a popular song, originally composed as an instrumental schottische, '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1926 Compositions
Nineteen or 19 may refer to: * 19 (number) * One of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (1987 film), a 1987 science fiction film * '' 19-Nineteen'', a 2009 South Korean film * '' Diciannove'', a 2024 Italian drama film informally referred to as "Nineteen" in some sources Science * Potassium, an alkali metal * 19 Fortuna, an asteroid Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album '' 63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle * "Stone in Focus", officially "#19", a composition by Aphex Twin * "Nineteen", a song from the 1992 album ''Refugee'' by Bad4Good * "Nineteen", a song from the 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Music By Heitor Villa-Lobos
Chamber or The Chamber may refer to: Organizations and government *Chamber of commerce, a form of business network *Legislative chamber, a deliberative assembly within a legislature *Debate chamber, a room for people to discuss and debate Arts and entertainment *Chamber (character), in Marvel comics * ''The Chamber'' (game show), an American TV show * ''The Chamber'' (novel), by John Grisham, 1994 ** ''The Chamber'' (1996 film), based on the novel * ''The Chamber'' (2016 film), a survival film * , a German musical ensemble Business * Barristers' chamber - office used by Lawyers Other uses * Chamber (firearms), part of a weapon * Combustion chamber, part of an engine in which fuel is burned * Environmental chamber, used in testing environmental conditions * Execution chamber, where capital punishment is carried out * Gas chamber, apparatus for killing humans or animals * Chambar, or Chamber, a town in Pakistan See also * Chambers (other) * Chamber music (disam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
