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Chèo
''Chèo'' (, Chữ Nôm: 掉) is a form of generally satirical musical theatre, often encompassing dance, traditionally performed by Vietnamese peasants in northern Vietnam. It is usually performed outdoors by semi-amateur touring groups, stereotypically in a village square or the courtyard of a public building, although it is today increasingly also performed indoors and by professional performers. Chèo stage art is one of the great cultural heritage of the Vietnamese folk treasure. Chèo has been a popular art form of the Vietnamese people for many generations and has fostered the national spirit through its lyrical content. ''Hát chèo''s origins date to the 12th century during the Lý dynasty and has existed in its present form since roughly the 16th century. It derives from folk traditions, and was orally transmitted; unlike courtly theater traditions, it employs no scenery and sparse costumes and makeup. It involves a combination of traditional set pieces and improvisatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Vietnam
Traditional Vietnamese music encompasses a large umbrella of Vietnamese music from antiquity to present times, and can also encompass multiple groups, such as those from Vietnam's ethnic minority tribes. History Traditional Vietnamese music has been mainly used for religious activities, in daily life, and in traditional festivals. Vietnam's ethnic diversity has also made its music scene diverse. Each of Vietnam's ethnic group owns many unique types of musical instruments. The influence of Chinese culture on Vietnamese music is also quite prevalent, such as maids, harps and erhu. However, traditional Vietnamese music, whilst often compared to traditional Chinese music, is not exactly the same. Royal court music Royal Vietnamese court music first appeared in the 1040s after a successful seaborne raid against Champa led by king Lý Thái Tông in 1044. Cham women were taken as singers, dancers and entertainers for the court. The chronicles recorded that a special palace for Cham w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture Of Vietnam
The culture of Vietnam (Vietnamese: Văn hoá Việt Nam) is highly multicultural. The early culture in Vietnam started with the Bronze Age Đông Sơn culture considered to be one of its most important progenitors for its Ancient history. Vietnamese culture was heavily influenced by Chinese culture due to the 1000 years of Northern rule. In this period of time, Classical Chinese was used to write which was known as Hán văn. Vietnamese was written with chữ Hán, a Chinese script, and a Vietnamese derived script (''chữ Nôm'') from Chinese characters, but which included invented characters to represent native Vietnamese words. These scripts were known collectively as chữ Hán Nôm. This large impact on Vietnamese culture means that Vietnam is often considered to be part of the Sinosphere (with China, South Korea, North Korea, and Japan). Following independence from China in the 10th century, Vietnam began a southward expansion and annexed territories formerly belongi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vietnam
Vietnam or Viet Nam ( vi, Việt Nam, ), officially the Socialist Republic of Vietnam,., group="n" is a country in Southeast Asia, at the eastern edge of mainland Southeast Asia, with an area of and population of 96 million, making it the world's sixteenth-most populous country. Vietnam borders China to the north, and Laos and Cambodia to the west. It shares maritime borders with Thailand through the Gulf of Thailand, and the Philippines, Indonesia, and Malaysia through the South China Sea. Its capital is Hanoi and its largest city is Ho Chi Minh City (commonly known as Saigon). Vietnam was inhabited by the Paleolithic age, with states established in the first millennium BC on the Red River Delta in modern-day northern Vietnam. The Han dynasty annexed Northern and Central Vietnam under Chinese rule from 111 BC, until the first dynasty emerged in 939. Successive monarchical dynasties absorbed Chinese influences through Confucianism and Buddhism, and expanded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xẩm
Xẩm (Chữ Nôm: 眈) or Hát xẩm (咭眈, Xẩm singing) is a type of Vietnamese folk music which was popular in the Northern region of Vietnam but is nowadays considered an endangered form of traditional music in Vietnam. In the dynastic time, xẩm was generally performed by blind artists who wandered from town to town and earned their living by singing in common places. Xẩm artists often play đàn bầu or đàn nhị to accompany the songs themselves, and sometimes they form a band with one singer and others who play traditional instruments such as the drum or phách. The melodies of xẩm are borrowed from different types of Vietnamese folk music such as trống quân or quan họ, while its themes are generally ''The Tale of Kiều'', ''Lục Vân Tiên'', and other popular Vietnamese stories. History and performers The origin of xẩm was dated from the Trần dynasty in the 14th century. During the dynastic time, xẩm was popular in the Northern region of Vietnam. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Vietnam
The history of Vietnam can be traced back to around 20,000 years ago, as the first modern humans arrived and settled on this land, known as the Hoabinhians, which can be traced to modern-day Negritos. Archaeological findings from 1965, which are still under research, show the remains of two hominins closely related to the '' Sinanthropus'', dating as far back as the Middle Pleistocene era, roughly half a million years ago. Pre-historic Vietnam was home to some of the world's earliest civilizations and societies—making them one of the world's first people who had practiced agriculture. The Red River valley formed a natural geographic and economic unit, bounded to the north and west by mountains and jungles, to the east by the sea and to the south by the Red River Delta. The need to have a single authority to prevent floods of the Red River, to cooperate in constructing hydraulic systems, trade exchange, and to repel invaders, led to the creation of the first legendary Vietnamese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cải Lương
''Tuồng cải lương'' (, Hán-Nôm: 從改良) often referred to as cải lương (Chữ Hán: 改良), roughly "reformed theater") is a form of modern folk opera in Vietnam. It blends southern Vietnamese folk songs, classical music, '' hát tuồng'' (a classical theatre form based on Chinese opera), and modern spoken drama. History and description Cải lương originated in Southern Vietnam in the early 20th century and blossomed in the 1930s as a theatre of the middle class during the country's French colonial period. Cải lương is now promoted as a national theatrical form. Unlike the other folk forms, it continued to prove popular with the masses as late as the 1970s and the 1980s, although it is now in decline. Beyond remedy for Cai luong. VietNamNet Bridge. 21 August 2008 Cải lương can be compared to a sort of play with the added aspect of Vọng cổ. This term literally means "nostalgia for the past", it is a special type of singing with the background mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cymbal
A cymbal is a common percussion instrument. Often used in pairs, cymbals consist of thin, normally round plates of various alloys. The majority of cymbals are of indefinite pitch, although small disc-shaped cymbals based on ancient designs sound a definite note (such as crotales). Cymbals are used in many ensembles ranging from the orchestra, percussion ensembles, jazz bands, heavy metal bands, and marching groups. Drum kits usually incorporate at least a crash, ride, or crash/ride, and a pair of hi-hat cymbals. A player of cymbals is known as a cymbalist. Etymology and names The word cymbal is derived from the Latin ''cymbalum'', which is the latinisation of the Greek word ''kymbalon'', "cymbal", which in turn derives from ''kymbē'', "cup, bowl". In orchestral scores, cymbals may be indicated by the French ''cymbales''; German ''Becken'', ''Schellbecken'', ''Teller'', or ''Tschinellen''; Italian ''piatti'' or ''cinelli''; and Spanish ''platillos''. Many of these deri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
đàn Bầu
The đàn bầu (; "gourd zither"; chữ Nôm: ), also called độc huyền cầm (獨絃琴, "one-string zither") is a Vietnamese stringed instrument, in the form of a monochord (one-string) zither. History While the earliest written records of the dan bau date its origin to 1770, scholars estimate its age to be up to one thousand years older than that. A popular legend of its beginning tells of a blind woman playing it in the market to earn a living for her family while her husband was at war. Whether this tale is based in fact or not, it remains true that the dan bau has historically been played by blind musicians. Until recent times, its soft volume limited the musical contexts in which it could be used. The dan bau, played solo, is central to Vietnamese folk music, a genre still popular today in the country. Its other traditional application is as an accompaniment to poetry readings. With the invention of the magnetic pickup, the usage of the dan bau spread to ensembl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
đàn Nhị
The (, Chữ Nôm: 彈二), also called , is a Vietnamese bowed string instrument with two strings. The word ''nhị'' means "two" in Vietnamese, and means "instrument". Its sound box is generally covered on one end with snakeskin.''Garland Encyclopedia of World Music'': "The đàn nhị or đàn cò ..is a two-stringed fiddle resembling the Chinese erhu." There is some variation in construction between different forms of the đàn nhị. Instruments colloquially referred to as đàn cò are often more similar to the Chinese Erxian Khmer tro and Thai saw duang, while instruments referred to as đàn nhị are often constructed more similarly to the modern ''erhu'' of China. However, in the past, both names referred to what is now generally called the đàn cò. In the past, it was often paired with the Đàn gáo, not unlike the pairing of the Yehu and Erxian/Gaohu in Cantonese music, or the pairing of the Saw duang and Saw u in Thailand, although this pairing is a bit more r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
đàn Nguyệt
The '' đàn nguyệt'' ( "moon lute", Chữ Nôm: 彈月) also called '' nguyệt cầm'' (Chữ Hán: 月琴), ''đàn kìm'', is a two-stringed Vietnamese traditional musical instrument.The Garland handbook of Southeast Asian music - Page 262 Terry E. Miller, Sean Williams - 2008 "This lute is the only stringed instrument used to accompany ca trù singing. The đàn nguyệt or đàn kìm is a moon-shaped, long-necked lute with two silk strings (Figure 13.17). Though literary sources suggest that this instrument has an ..." It is used in both folk and classical music, and remains popular throughout Vietnam (although during the 20th century many Vietnamese musicians increasingly gravitated toward the acoustic and electric guitar). The đàn nguyệt's strings, formerly made of twisted silk, are today generally made of nylon or fishing line. They are kept at a fairly low tension in comparison to the guitar and other European plucked instruments. This, and the instrument's rai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guanyin
Guanyin () is a Bodhisattva associated with compassion. She is the East Asian representation of Avalokiteśvara ( sa, अवलोकितेश्वर) and has been adopted by other Eastern religions, including Chinese folk religion. She was first given the appellation of "Goddess of Mercy" or "Mercy Goddess" by Jesuit missionaries in China. Guanyin is short for Guanshiyin, which means " he One WhoPerceives the Sounds of the World." On the 19th day of the sixth lunar month, Guanyin's attainment of Buddhahood is celebrated. Some Buddhists believe that when one of their adherents departs from this world, they are placed by Guanyin in the heart of a lotus, and then sent to the western pure land of Sukhāvatī. Guanyin is often referred to as the "most widely beloved Buddhist Divinity" with miraculous powers to assist all those who pray to her, as is mentioned in the ''Pumen chapter'' of ''Lotus Sutra'' and ''Kāraṇḍavyūha Sūtra''. Several large temples in East Asia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
