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Church Of St. Nicholas, Bačinci
Church of St. Nicholas ( sr, Црква светог Николе) in Bačinci is Serbian Orthodox church in Vojvodina, Serbia. The church was constructed in 1805 at the site of an older church which was destroyed in 1760. The iconostasis carving was done in 1826 by Marko Konstantinović while painted decoration from 1831 is the work of Konstantin Pantelić. The Institute for the Protection of Cultural Monuments of Sremska Mitrovica adopted the initial decision on protection (no. 127) of 5 June 1967 while the building was listed as a protected cultural heritage of Serbia in 1997. See also * Eparchy of Srem References 19th-century Eastern Orthodox church buildings Bačinci Cultural Monuments of Great Importance (Serbia) Bačinci Bačinci () is a village located in Syrmia, Vojvodina, Serbia. It is situated in the Šid municipality, in the Syrmia District. The village has a Serb ethnic majority and its population numbering 1,180 people (2011 census). Name The name of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serbian Orthodox
The Serbian Orthodox Church ( sr-Cyrl, Српска православна црква, Srpska pravoslavna crkva) is one of the autocephalous (ecclesiastically independent) Eastern Orthodox Christian churches. The majority of the population in Serbia, Montenegro and the Republika Srpska entity of Bosnia and Herzegovina are members of the Serbian Orthodox Church. It is organized into metropolitanates and eparchies, located primarily in Serbia, Bosnia and Herzegovina, Montenegro, and Croatia. Other congregations are located in the Serb diaspora. The Serbian Patriarch serves as first among equals in his church. The current patriarch is Porfirije, enthroned on 19 February 2021. The Church achieved autocephalous status in 1219, under the leadership of Saint Sava, becoming the independent Archbishopric of Žiča. Its status was elevated to that of a patriarchate in 1346, and was known afterwards as the Serbian Patriarchate of Peć. This patriarchate was abolished by the Ottoman Em ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neo-classicism
Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative Beauty is commonly described as a feature of objects that makes these objects pleasurable to perceive. Such objects include landscapes, sunsets, humans and works of art. Beauty, together with art and taste, is the main subject of aesthetics, o ... and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome largely thanks to the writings of Johann Joachim Winckelmann, at the time of the rediscovery of Pompeii and Herculaneum, but its popularity spread all over Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church (building)
A church, church building or church house is a building used for Christian worship services and other Christian religious activities. The earliest identified Christian church is a house church founded between 233 and 256. From the 11th through the 14th centuries, there was a wave of church construction in Western Europe. Sometimes, the word ''church'' is used by analogy for the buildings of other religions. ''Church'' is also used to describe the Christian religious community as a whole, or a body or an assembly of Christian believers around the world. In traditional Christian architecture, the plan view of a church often forms a Christian cross; the center aisle and seating representing the vertical beam with the Church architecture#Characteristics of the early Christian church building, bema and altar forming the horizontal. Towers or domes may inspire contemplation of the heavens. Modern churches have a variety of architectural styles and layouts. Some buildings designe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eparchy Of Srem
The Eparchy of Srem ( sr, Сремска епархија or ) is an eparchy (diocese) of the Serbian Orthodox Church in the Syrmia (Srem) region, Serbia. Most of the eparchy is in the autonomous province of Vojvodina, and it also includes a small south-eastern part of Syrmia within the city limits of Belgrade, as well as some West Syrmian parishes in the border region of Croatia. The seat of the eparchy is at Sremski Karlovci. Since 1986, the diocesan bishop is Vasilije Vadić. History The Eparchy of Srem is one of the oldest ecclesiastical institutions in this part of Southeastern Europe. The Bishopric of Sirmium was an important ecclesiastical center of the late Roman Empire in the 4th and 5th centuries. The bishopric collapsed after 582 when ancient Sirmium was finally destroyed by Avars. After the Christianization of the Slavs, the eparchy was revived, and from 1018 it belonged to the Eastern Orthodox Archbishopric of Ohrid. During the late Middle Ages, the region of Sr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bačinci
Bačinci () is a village located in Syrmia, Vojvodina, Serbia. It is situated in the Šid municipality, in the Syrmia District. The village has a Serb ethnic majority and its population numbering 1,180 people (2011 census). Name The name of the village in Serbian language, Serbian is plural. Historical population *1961: 1,694 *1971: 1,538 *1981: 1,324 *1991: 1,298 *2002: 1,374 References *Slobodan Ćurčić, Broj stanovnika Vojvodine, Novi Sad, 1996. See also * List of places in Serbia * List of cities, towns and villages in Vojvodina * Church of St. Nicholas, Bačinci Populated places in Syrmia {{SremRS-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cultural Monuments Of Great Importance
Immovable Cultural Heritage of Great Importance ( sr, Непокретна културна добра од великог значаја / ''Nepokretna kulturna dobra od velikog značaja'') are those objects of Immovable Cultural Heritage of Serbia, cultural heritage that enjoy the second-highest level of state protection in the Republic of Serbia, behind the Immovable Cultural Heritage of Exceptional Importance (Serbia), Immovable Cultural Heritage of Exceptional Importance. Immovable Cultural Heritage is classified as being of Great Importance upon decision by the National Assembly of Serbia. They are inscribed in the ''Central Register of Immovable cultural property'' maintained by the Institute for the Protection of Cultural Monuments of Serbia. Objects of Immovable cultural heritage have to fulfill one or more of those criteria defined in the ''Law on Cultural Heritage'' of 1994 in order to be categorized as being "of great importance": # importance for a certain area or time-s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vojvodina
Vojvodina ( sr-Cyrl, Војводина}), officially the Autonomous Province of Vojvodina, is an autonomous province that occupies the northernmost part of Serbia. It lies within the Pannonian Basin, bordered to the south by the national capital Belgrade and the Sava and Danube Rivers. The administrative center, Novi Sad, is the second-largest city in Serbia. The historic regions of Banat, Bačka, and Syrmia overlap the province. Modern Vojvodina is multi-ethnic and multi-cultural, with some 26 ethnic groups and six official languages. About two million people, nearly 27% of Serbia's population, live in the province. Naming ''Vojvodina'' is also the Serbian word for voivodeship, a type of duchy overseen by a voivode. The Serbian Voivodeship, a precursor to modern Vojvodina, was an Austrian province from 1849 to 1860. Its official name is the Autonomous Province of Vojvodina. Its name in the province's six official languages is: * Croatian: ''Autonomna Pokrajina Vojvodina'' * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serbia
Serbia (, ; Serbian language, Serbian: , , ), officially the Republic of Serbia (Serbian language, Serbian: , , ), is a landlocked country in Southeast Europe, Southeastern and Central Europe, situated at the crossroads of the Pannonian Basin and the Balkans. It shares land borders with Hungary to the north, Romania to the northeast, Bulgaria to the southeast, North Macedonia to the south, Croatia and Bosnia and Herzegovina to the west, and Montenegro to the southwest, and claims a border with Albania through the Political status of Kosovo, disputed territory of Kosovo. Serbia without Kosovo has about 6.7 million inhabitants, about 8.4 million if Kosvo is included. Its capital Belgrade is also the List of cities in Serbia, largest city. Continuously inhabited since the Paleolithic Age, the territory of modern-day Serbia faced Slavs#Migrations, Slavic migrations in the 6th century, establishing several regional Principality of Serbia (early medieval), states in the early Mid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marko Konstantinović
Marko may refer to: * Marko (given name) * Marko (surname) * Márkó, a village in Hungary See also * Marco (other) * Markko (other) * Marka (other) * Markov * Marku * * {{disambiguation, surname ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konstantin Pantelić
Konstantin Pantelić (Serbian language, Serbian Serbian Cyrillic Alphabet, Cyrillic: Константин Пантелић, 1802–1882) was a Serbian portraitist, icon painter, and monk of the Serbian Orthodox Church. He painted many Icon (religion), icons, especially for iconostasis, as well as frescos for churches throughout Srem, Banat and Bačka. Biography Konstantin Pantelić's antecedents originally came from Ruma in the Srem district of the Serbian autonomous province of Vojvodina. He was born in 1802 in his ancestral town of Ruma, where he attended school. His very first art lessons were from his father Jovan, a lesser-known artist, who also painted icons for the iconostasis. Pantelić became progressively interested in painting while still attending grammar school. He also spent a period of time at the ''Atelier'' of Arsenije Teodorović, and that of Stefan Gavrilović. After graduating from the Serbian Lyceum, he received a paid tuition to further his education abroad f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
