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Church Of Our Saviour, Esbjerg
The Church of Our Saviour ( da, Vor Frelsers Kirke) is a parish church in Esbjerg, Denmark. Completed in 1887 to a design by Axel Møller, it was the first church to be built in the rapidly growing new town. History When Esbjerg was first developed in the late 1860s, the nearest church was in Jerne to the east. A committee set up in 1885 called for a new church to be built in the centre of Esbjerg as soon as possible. The government responded in 1886, granting half the necessary funding, the remainder being provided by Ribe Diocese. Construction began in May 1887 and the church was consecrated on 18 December the same year. In late 1990, the church became a parish in its own right. The first priest was installed in March 1891. Architecture Located on the corner of Skolegade and Kirkegade, the church is a typical Neoromantic building in red brick with belts of grey stone on a granite socle. It originally consisted of a nave with a chancel and apse at the east end and an entranc ...
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Church Of Denmark
The Evangelical-Lutheran Church in Denmark or National Church, sometimes called the Church of Denmark ( da, Folkekirken, literally: "The People's Church" or unofficially da, Den danske folkekirke, literally: "The Danish People's Church"; kl, Ilagiit, literally: "The Congregation"), is the established, state-supported church in Denmark. The supreme secular authority of the church is composed of the reigning monarch and Denmark's Parliament, the Folketing. , 73.2% of the population of Denmark are members,Church membership 1990-2021
Kirkeministeriet
though membership is voluntary.Freedom of reli ...
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Ole Søndergaard
Ole Laurits Olsen Søndergaard (24 May 1876 – 10 November 1958) was a Danish landscape painter. He also decorated a number of Danish churches with paintings and frescos. Biography Born in Allerslev near Lejre in northwestern Zealand, Søndergaard studied painting at the Royal Danish Academy of Fine Arts from 1898 to 1900. He completed his education at Kunstnernes Frie Studieskoler under Kristian Zahrtmann in 1902. Søndergaard was a versatile artist, remembered for his portraits and landscapes of the countryside around Roskilde. His paintings reveal his association with his friend L.A. Ring, especially his winter scenes with stooping figures shovelling snow. For his ''Roskilde Fjord ved Marbæk'', he received the Eckersberg Medal in 1945. Other notable works are ''Kirken og smedjen i Jystrup'' and ''Snekasten, Jystrup'', both painted in the early 1930s. Another important aspect of Søndergaard's work was church decoration. On assignments for the National Museum of Denmark, he ...
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Churches In The Region Of Southern Denmark
Church may refer to: Religion * Church (building), a building for Christian religious activities * Church (congregation), a local congregation of a Christian denomination * Church service, a formalized period of Christian communal worship * Christian denomination, a Christian organization with distinct doctrine and practice * Christian Church, either the collective body of all Christian believers, or early Christianity Places United Kingdom * Church (Liverpool ward), a Liverpool City Council ward * Church (Reading ward), a Reading Borough Council ward * Church (Sefton ward), a Metropolitan Borough of Sefton ward * Church, Lancashire, England United States * Church, Iowa, an unincorporated community * Church Lake, a lake in Minnesota Arts, entertainment, and media * '' Church magazine'', a pastoral theology magazine published by the National Pastoral Life Center Fictional entities * Church (''Red vs. Blue''), a fictional character in the video web series ''Red vs. Blue'' ...
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Buildings And Structures In Esbjerg
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artis ...
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Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the developme ...
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Emmaus
Emmaus (; Greek: Ἐμμαούς, ''Emmaous''; la, Emmaus; , ''Emmaom''; ar, عمواس, ''ʻImwas'') is a town mentioned in the Gospel of Luke of the New Testament. Luke reports that Jesus appeared, after his death and resurrection, before two of his disciples while they were walking on the road to Emmaus. Although its geographical identification is not certain, several locations have been suggested throughout history, chiefly Emmaus Nicopolis. It is known only that it was connected by a road to Jerusalem; the distance given by Luke varies in different manuscripts and the figure given has been made even more ambiguous by interpretations. Name The place-name Emmaus is relatively common in classical sources about the Levant and is usually derived through Greek and Latin from the Semitic word for "warm spring", the Hebrew form of which is ''hamma'' or ''hammat'' (חמת). In the ancient and present-day Middle East, many sites are named Hama Hamath and variations thereof. The ...
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Crucifixion
Crucifixion is a method of capital punishment in which the victim is tied or nailed to a large wooden cross or beam and left to hang until eventual death from exhaustion and asphyxiation. It was used as a punishment by the Persians, Carthaginians and Romans, among others. Crucifixion has been used in parts of the world as recently as the twentieth century. The crucifixion of Jesus of Nazareth is central to Christianity, and the cross (sometimes depicting Jesus nailed to it) is the main religious symbol for many Christian churches. Terminology Ancient Greek has two verbs for crucify: (), from (which in today's Greek only means "cross" but which in antiquity was used of any kind of wooden pole, pointed or blunt, bare or with attachments) and () "crucify on a plank", together with ( "impale"). In earlier pre-Roman Greek texts usually means "impale". The Greek used in the Christian New Testament uses four verbs, three of them based upon (), usually translated "cross". T ...
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Parable Of The Prodigal Son
The Parable of the Prodigal Son (also known as the parable of the Two Brothers, Lost Son, Loving Father, or of the Forgiving Father) is one of the parables of Jesus Christ in the Bible, appearing in Luke 15:11–32. Jesus shares the parable with his disciples, the Pharisees and others. In the story, a father has two sons. The younger son asks for his portion of inheritance from his father, who grants his son's request. This son, however, is (i.e., wasteful and extravagant), thus squandering his fortune and eventually becoming destitute. As consequence, he must now return home empty-handed and intends to beg his father to accept him back as a servant. To the son's surprise, he is not scorned by his father but is welcomed back with celebration and a welcoming party. Envious, the older son refuses to participate in the festivities. The father tells the older son: "you are ever with me, and all that I have is yours, but thy younger brother was lost and now he is found." The Prodiga ...
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Lamb Of God
Lamb of God ( el, Ἀμνὸς τοῦ Θεοῦ, Amnòs toû Theoû; la, Agnus Dei, ) is a title for Jesus that appears in the Gospel of John. It appears at John 1:29, where John the Baptist sees Jesus and exclaims, "Behold the Lamb of God who takes away the sin of the world." It appears again in John 1:36. Christian doctrine holds that a divine Jesus chose to suffer crucifixion at Calvary as a sign of his full obedience to the will of his divine Father, as an "agent and servant of God" in carrying away the sins of the world. In Christian theology the ''Lamb of God'' is viewed as both foundational and integral to the message of Christianity. A lion-like lamb that rises to deliver victory after being slain appears several times in the Book of Revelation. It is also referred to in Pauline writings; 1 Corinthians 5:7 suggests that Saint Paul intends to refer to the death of Jesus, who is the Paschal Lamb, using the theme found in Johannine writings. In Genesis 22, the bindi ...
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Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ...
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Esbjerg
Esbjerg (, ) is a seaport town and seat of Esbjerg Municipality on the west coast of the Jutland peninsula in southwest Denmark. By road, it is west of Kolding and southwest of Aarhus. With an urban population of 71,698 (1 January 2022)BY3: Population 1. January by urban areas, area and population density
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it is the fifth-largest city in Denmark, and the largest in West Jutland. Before a decision was made to establish a (now the second largest in Denmark) at Esbjerg in 1868 ...
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Cornice
In architecture, a cornice (from the Italian ''cornice'' meaning "ledge") is generally any horizontal decorative moulding that crowns a building or furniture element—for example, the cornice over a door or window, around the top edge of a pedestal, or along the top of an interior wall. A simple cornice may be formed just with a crown, as in crown moulding atop an interior wall or above kitchen cabinets or a bookcase. A projecting cornice on a building has the function of throwing rainwater free of its walls. In residential building practice, this function is handled by projecting gable ends, roof eaves and gutters. However, house eaves may also be called "cornices" if they are finished with decorative moulding. In this sense, while most cornices are also eaves (overhanging the sides of the building), not all eaves are usually considered cornices. Eaves are primarily functional and not necessarily decorative, while cornices have a decorative aspect. A building's projecti ...
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