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Church Of The Girolamini, Naples
The Church and Convent of the Girolamini or Gerolamini is a church and ecclesiastical complex in Naples, Italy. It is located directly across from the Cathedral of Naples on via Duomo. The facade is across the homonymous piazza and street ( Via Tribunali) from Santa Maria della Colonna. It is one block west of Via Duomo. History The church was built site of an earlier building, the Palazzo Seripando, which was bought in 1586 with 5500 ducats for the priests of the Congregation of the Oratory of St Philip Neri. Archbishop Mario Carafa, had requested disciples from the order, and received the future cardinal Francesco Tarugi. Once the Palace was demolished, construction started in 1592 using by the Florentine architect Giovanni Antonio Dosio, with help by Nencioni. Completed in 1619, the church was in a sober Florentine Renaissance style, with a Latin cross with three naves supported by arcuated colonnades and with lateral chapels. It was initially consecrated to the Birth o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Fracanzano
Francesco Fracanzano (1612–1656) was an Italian painter who participated in the Masaniello rebellion. Francanzano was the brother of Cesare Fracanzano, a pupil of Spagnoletto Jusepe de Ribera (1591 – 1652) was a painter and printmaker, who along with Francisco de Zurbarán, Bartolomé Esteban Murillo, and the singular Diego Velázquez, are regarded as the major artists of Spanish Baroque painting. Referring to ... and the master of Salvator Rosa, whose sister he had married. His married life was an unhappy one, as by the instigation of his wife he committed crimes for which he suffered death at Naples in 1656. References * External links *Jusepe de Ribera, 1591-1652', a full text exhibition catalog from The Metropolitan Museum of Art, which includes material on Francesco Frazanzano (see index) 1612 births 1656 deaths 17th-century Italian painters Italian male painters Painters from Naples People from Monopoli {{Italy-painter-17thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BBC News
BBC News is an operational business division of the British Broadcasting Corporation (BBC) responsible for the gathering and broadcasting of news and current affairs in the UK and around the world. The department is the world's largest broadcast news organisation and generates about 120 hours of radio and television output each day, as well as online news coverage. The service maintains 50 foreign news bureaus with more than 250 correspondents around the world. Deborah Turness has been the CEO of news and current affairs since September 2022. In 2019, it was reported in an Ofcom report that the BBC spent £136m on news during the period April 2018 to March 2019. BBC News' domestic, global and online news divisions are housed within the largest live newsroom in Europe, in Broadcasting House in central London. Parliamentary coverage is produced and broadcast from studios in London. Through BBC English Regions, the BBC also has regional centres across England and national news c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Benaschi
''The Deploration of Abel'', Madrid.html"_;"title="Real_Academia_de_Bellas_Artes_de_San_Fernando_(Madrid">Real_Academia_de_Bellas_Artes_de_San_Fernando_(Madrid). Giovanni_Battista_Benaschi,_or_Beinaschi,_(1636–1688)_was_an_Real_Academia_de_Bellas_Artes_de_San_Fernando_(Madrid).">Madrid.html"_;"title="Real_Academia_de_Bellas_Artes_de_San_Fernando_(Madrid">Real_Academia_de_Bellas_Artes_de_San_Fernando_(Madrid). Giovanni_Battista_Benaschi,_or_Beinaschi,_(1636–1688)_was_an_list_of_Italian_painters">Italian_painter_and_engraver_active_in_the_Mannerism.html" "title="list_of_Italian_painters.html" "title="Madrid)..html" ;"title="Madrid.html" ;"title="Real Academia de Bellas Artes de San Fernando (Madrid">Real Academia de Bellas Artes de San Fernando (Madrid).">Madrid.html" ;"title="Real Academia de Bellas Artes de San Fernando (Madrid">Real Academia de Bellas Artes de San Fernando (Madrid). Giovanni Battista Benaschi, or Beinaschi, (1636–1688) was an list of Italian painters">I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Philip Neri
Philip Romolo Neri ( ; it, italics=no, Filippo Romolo Neri, ; 22 July 151526 May 1595), known as the "Second Apostle of Rome", after Saint Peter, was an Italian priest noted for founding a society of secular clergy called the Congregation of the Oratory. Early life Philip was the son of Francesco di Neri, a lawyer, and his wife Lucrezia da Mosciano, whose family were nobility in the service of the state. He was carefully brought up, and received his early teaching from the friars at San Marco, the famous Dominican monastery in Florence. He was accustomed in later life to ascribing most of his progress to the teaching of two of them, Zenobio de' Medici and Servanzio Mini. At the age of 18, in 1533, Philip was sent to his uncle, Romolo, a wealthy merchant at San Germano (now Cassino), a then Neapolitan town near the base of Monte Cassino, to assist him in his business, and with the hope that he might inherit his uncle's fortune. He gained Romolo's confidence and affection, but so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Girolamo Della Carità
San Girolamo della Carità is a church in Rome, Italy, located near the Palazzo Farnese and Campo de' Fiori. History According to tradition, this is the site of the domus of the matron Saint Paola who hosted Saint Jerome when he served as secretary to Pope Damasus. Later it was transformed into a small church dedicated to him. In 1419 the Franciscan Observants built a hospice with a chapel, which they replaced with a new church in 1508. In 1524 it was taken over by the Archconfraternita della Carità ("Archconfraternity of Charity"), founded by Giulio de' Medici (later Pope Clement VII) in 1519; a society of noblemen from Florence. Philip Neri lived in the hospice from 1551 to 1583. It served as a first meeting place for the Oratorians founded in 1561 before they were established as a Congregation in 1575 and, in the same year, given the church of Santa Maria in Vallicella. A fire destroyed the hospice in 1631, damaging the church. In 1632 Cardinal Francesco Barberini, prot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco La Mura
Francesco de Mura (21 April 1696 – 19 August 1782) was an Italian painter of the late- Baroque period, active mainly in Naples and Turin. His late work reflects the style of neoclassicism. Life Francesco de Mura, also referred to as ''Franceschiello'', was a pupil of Francesco Solimena, then later with Domenico Viola, where he met his contemporary, Mattia Preti. While still in his teens he painted frescoes (1715) in San Nicola alla Carità in Naples. He painted ten canvases of the ''Virtues'' and an ''Adoration of the Magi'' (1728) for the church of Santa Maria Donnaromita. His other works include frescoes of the ''Adoration of the Magi'' (1732) in the apsidal dome of the church of the Nunziatella. De Mura also painted portraits. Among his pupils were Pietro Bardellino, Giacinto Diano, Fedele Fischetti, Oronzo Tiso, Nicola Menzele and Girolamo Starace. Selected works Dated * ''Saint Benedict Welcomes Totila'' (vers 1710), study for the frescoes at the church of San ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo De Matteis
Paolo de Matteis (also known as ''Paolo de' Matteis''; 9 February 1662 – 26 January 1728) was an Italian painter. Biography He was born in Piano Vetrale, a hamlet of Orria, in the current Province of Salerno, and died in Naples. He trained with Francesco di Maria in Naples, then with Luca Giordano. He served in the employ of the Spanish Viceroy of Naples. From 1702 to 1705, de' Matteis worked in Paris, Calabria, and Genoa. In Genoa, he painted an ''Immaculate Conception with St. Jerome Appearing to St. Sevrio''. Returning to Naples, he painted decorative schemes for Neapolitan churches, including the vault of the chapel of San Ignatius in the church of Gesù Nuovo in Naples. He also painted an ''Assumption of the Virgin'' for the Abbey at Monte Cassino. Between 1723 and 1725, de' Matteis lived in Rome, where he received a commission from Pope Innocent XIII. He had as pupils Filippo Falciatore, Francesco Peresi, and members of the Sarnelli family including Francesco, Gennaro, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guido Reni
Guido Reni (; 4 November 1575 – 18 August 1642) was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci. Biography Born in Bologna into a family of musicians, Guido Reni was the only child of Daniele Reni and Ginevra Pozzi.Spear, Richard E. "Reni, Guido". ''Grove Art Online. Oxford Art Online''. Oxford University Press. Apprenticed at the age of nine to the Bolognese studio of Denis Calvaert, he was soon joined in that studio by Albani and Domenichino. When Reni was about twenty years old, the three Calvaert pupils migrated to the rising rival studio, named ''Accademia degli Incamminati'' (Academy of the "newly embarked", or progress ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Vico
Giambattista Vico (born Giovan Battista Vico ; ; 23 June 1668 – 23 January 1744) was an Italian philosopher, rhetorician, historian, and jurist during the Italian Enlightenment. He criticized the expansion and development of modern rationalism, finding Cartesian analysis and other types of reductionism impractical to human life, and he was an apologist for classical antiquity and the Renaissance humanities, in addition to being the first expositor of the fundamentals of social science and of semiotics. He is recognised as one of the first Counter-Enlightenment figures in history. The Latin aphorism ''Verum esse ipsum factum'' ("truth is itself something made") coined by Vico is an early instance of constructivist epistemology. He inaugurated the modern field of the philosophy of history, and, although the term ''philosophy of history'' is not in his writings, Vico spoke of a "history of philosophy narrated philosophically." Although he was not an historicist, contemporar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cristoforo Roncalli
Cristoforo Roncalli (c. 1552–1626) was an Italian mannerist painter. He was one of the three painters known as ''Pomarancio'' or ''Il Pomarancio''. Life Roncalli was born in Pomarance, a town near Volterra. His training occurred in Tuscany, and around 1578, he relocated to Rome, Italy where he worked for Niccolò Circignani (also known as ''il Pomarancio''). Most of his fresco work was in Rome, though he worked for a decade in Loreto (1605–1615), where he decorated the New Sacristy. In Rome he decorated the cupola of the church of Santa Maria di Loreto and of San Silvestro in Capite. He helped decorate ''Santa Maria in Vallicella'' for the Oratory of San Filippo Neri. He also painted for the Oratory of Santissimo Crocifisso, the ''Baptism of Constantine'' and ''St. Simon'' in the transept of San Giovanni in Laterano, and designed the mosaics in the ''Cappella Clementina'' in the St. Peter's Basilica. One of his pupils from Siena was Alessandro Casolano, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luca Giordano
Luca Giordano (18 October 1634 – 3 January 1705) was an Italian late-Baroque painter and printmaker in etching. Fluent and decorative, he worked successfully in Naples and Rome, Florence, and Venice, before spending a decade in Spain. Early life and training Born in Naples, Giordano was the son of the painter Antonio Giordano. In around 1650 he was apprenticed to Ribera on the recommendation of the viceroy of Naples and his early work was heavily influenced by his teacher. Like Ribera, he painted many half-length figures of philosophers, either imaginary portraits of specific figures, or generic types. He acquired the nickname ''Luca fa presto'', which translates into "Luca paints quickly." His speed, in design as well as handiwork, and his versatility, which enabled him to imitate other painters deceptively, earned for him two other epithets, "The Thunderbolt" (''Fulmine'') and "The Proteus" of painting. Following a period studying in Rome, Parma and Venice, Gior ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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