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Church Of St Mary The Virgin, Wistaston
The Church of St Mary the Virgin is in the village of Wistaston, Cheshire, England. The church is recorded in the National Heritage List for England as a designated Grade II listed building. It is an active Anglican parish church in the diocese of Chester, the archdeaconry of Macclesfield and the deanery of Nantwich. History It is believed that there has been a church or chapel on or near the present site for nearly 700 years. The first record of a rector goes back to 1379. The first church on the site would have been a wooden building. The existing records start in 1572. In 1827 the decision was taken that "due to decay it he churchwas unsuitable for public worship". The present church was built in 1827–28 to a design by George Latham. The chancel was lengthened, and a transept was added in 1884. Further alterations were made in 1905. Architecture Exterior The church is built in brick with a slate roof. Its plan consists of a west tower, a nave and a chancel. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wistaston
Wistaston is a civil parish and village in the unitary authority of Cheshire East and the ceremonial county of Cheshire, in North West England. It is approximately west of Crewe town centre and east of Nantwich town centre. It has a population of 8,222, reducing to 8,117 at the 2011 Census. History In the ''Domesday Survey of 1086'', the area was called Wistanestune and was a going concern having a population of 25 to 30 people, valuable woodland and arable land, and deer roaming about. It had been worth 30 shillings, but after William the Conqueror's devastation of Cheshire, it was worth just ten shillings in 1086. It was one of several local villages with the suffix ‘tune’ or ‘ton’ - meaning a ‘farmstead’. Awards The village has won the following awards, Cheshire Community Council ‘Best Kept Village Competition’ (1984, 1988, 1998, 1999, 2000), Civic Pride Award (1993, 1994, 1995) and Cheshire Community Council ‘Community Pride’ (2005). Parish coun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slate
Slate is a fine-grained, foliated, homogeneous metamorphic rock derived from an original shale-type sedimentary rock composed of clay or volcanic ash through low-grade regional metamorphism. It is the finest grained foliated metamorphic rock. Foliation may not correspond to the original sedimentary layering, but instead is in planes perpendicular to the direction of metamorphic compression. The foliation in slate is called "slaty cleavage". It is caused by strong compression causing fine grained clay flakes to regrow in planes perpendicular to the compression. When expertly "cut" by striking parallel to the foliation, with a specialized tool in the quarry, many slates will display a property called fissility, forming smooth flat sheets of stone which have long been used for roofing, floor tiles, and other purposes. Slate is frequently grey in color, especially when seen, en masse, covering roofs. However, slate occurs in a variety of colors even from a single locality; for ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whitechapel Bell Foundry
The Whitechapel Bell Foundry was a business in the London Borough of Tower Hamlets. At the time of the closure of its Whitechapel premises, it was the oldest manufacturing company in Great Britain. The bell foundry primarily made church bells and their fittings and accessories, although it also provided single tolling bells, carillon bells and handbells. The foundry was notable for being the original manufacturer of the Liberty Bell, a famous symbol of American independence, and for re-casting Big Ben, which rings from the north clock tower (the Elizabeth Tower) at the Houses of Parliament in London. The Whitechapel premises are a Grade II* listed building. The foundry closed on 12 June 2017, after nearly 450 years of bell-making and 250 years at its Whitechapel site, with the final bell cast given to the Museum of London along with other artefacts used in the manufacturing process, and the building has been sold. Following the sale of the Whitechapel Bell Foundry, the bell pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gillett & Johnston
Gillett & Johnston was a clockmaker and bell foundry based in Croydon, England from 1844 until 1957. Between 1844 and 1950, over 14,000 tower clocks were made at the works. The company's most successful and prominent period of activity as a bellfounder was in the 1920s and 1930s, when it was responsible for supplying many important bells and carillons for sites across Britain and around the world. A successor company continues operation in Bletchingley, Surrey, under the Gillett & Johnston name, engaged in clock-making and clock and carillon repair. History The company traced its roots to a clockmaking business established by William Gillett in Hadlow, Kent, in the early 19th century. In 1837, Gillett moved his business to Clerkenwell, London; and in 1844 to the site in what later became known as Union Road, Thornton Heath, Croydon, which would remain its home for the next 113 years. Charles Bland became a partner in 1854, and the company subsequently traded as Gillett & Bla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ring Of Bells
A "ring of bells" is the name bell ringers give to a set of bell (instrument), bells hung for English full circle ringing. The term "peal of bells" is often used, though peal also refers to a change ringing performance of more than about 5,000 Method ringing, changes. By ringing a bell in a full circle, it was found in the early 17th century that the speed of the bell could be easily altered and the interval between successive soundings (strikes) of the bell could be accurately controlled. A set of bells rung in this manner can be made to strike in different sequences. This ability to control the speed of bells soon led to the development of change ringing where the striking sequence of the bells is changed to give variety and musicality to the sound. The vast majority of "rings" are in bell tower, church towers in the Anglican church in England and can be three to sixteen bells, though six and eight bell towers are the most common. They are musical tuning, tuned to the notes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Institute Of Organ Studies
The British Institute of Organ Studies (BIOS) is a British organisation and registered charity which aims to promote study and appreciation of all aspects of the pipe organ. Further, it acts as a lobbying body to raise awareness of organ issues with appropriate statutory bodies. Membership is open to all. Aims The aims of BIOS are * To promote objective, scholarly research into the history of the organ and its music in all its aspects, and, in particular, into the Organ (music), organ and its music in United Kingdom, Britain. * To conserve the sources and materials for the history of the organ in Britain, and to make them accessible to scholars. * To work for the preservation and, where necessary, the faithful restoration of historic organs in Britain. * To encourage an exchange of scholarship with similar bodies and individuals abroad, and to promote, in Britain, a greater appreciation of historical overseas schools of organ-building. BIOS publishes a quarterly ''Reporter' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manual (music)
A manual is a musical keyboard designed to be played with the hands, on an instrument such as a pipe organ, harpsichord, clavichord, electronic organ, melodica, or synthesizer. The term "manual" is used with regard to any hand keyboard on these instruments to distinguish it from the pedalboard, which is a keyboard that the organist plays with their feet. It is proper to use "manual" rather than "keyboard", then, when referring to the hand keyboards on any instrument that has a pedalboard. Music written to be played only on the manuals (instead of using the pedals) can be designated by manualiter (first attested in 1511, but particularly common in the 17th and 18th centuries). Overview Organs and synthesizers can, and usually do, have more than one manual; most home instruments have two manuals, while most larger organs have two or three. Elaborate pipe organs and theater organs can have four or more manuals. The manuals are set into the organ console (or "keydesk"). The lay ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morris And Co
Morris, Marshall, Faulkner & Co. (1861–1875) was a furnishings and decorative arts manufacturer and retailer founded by the artist and designer William Morris with friends from the Pre-Raphaelites. With its successor Morris & Co. (1875–1940) the firm's medieval-inspired aesthetic and respect for hand-craftsmanship and traditional textile arts had a profound influence on the decoration of churches and houses into the early 20th century. Although its most influential period was during the flourishing of the Arts and Crafts Movement in the 1880s and 1890s, Morris & Co. remained in operation in a limited fashion from World War I until its closure in 1940. The firm's designs are still sold today under licences given to Sanderson & Sons, part of the Walker Greenbank wallpaper and fabrics business (which owns the "Morris & Co." brand,) and to Liberty of London. Early years Morris, Marshall, Faulkner & Co., "Fine Art Workmen in Painting, Carving, Furniture and the Metals", wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Burne-Jones
Sir Edward Coley Burne-Jones, 1st Baronet, (; 28 August, 183317 June, 1898) was a British painter and designer associated with the Pre-Raphaelite Brotherhood which included Dante Gabriel Rossetti, John Millais, Ford Madox Brown and Holman Hunt. Burne-Jones worked with William Morris as a founding partner in Morris, Marshall, Faulkner & Co in the design of decorative arts. Burne-Jones's early paintings show the influence of Dante Gabriel Rossetti, but by 1870 he had developed his own style. In 1877, he exhibited eight oil paintings at the Grosvenor Gallery (a new rival to the Royal Academy). These included ''The Beguiling of Merlin''. The timing was right and Burne-Jones was taken up as a herald and star of the new Aesthetic Movement. In the studio of Morris and Co. Burne-Jones worked as a designer of a wide range of crafts including ceramic tiles, jewellery, tapestries, and mosaics. Among his most significant and lasting designs are those for stained glass windows the pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alpha And Omega
Alpha (Α or α) and omega (Ω or ω) are the first and last letters of the Greek alphabet, and a title of Christ and God in the Book of Revelation. This pair of letters is used as a Christian symbol, and is often combined with the Cross, Chi-rho, or other Christian symbols. Origin The first written record we have of the phrase "alpha and omega" is from some old manuscripts of the Christian New Testament. The phrase "I am the Alpha and the Omega" (Koiné Greek: "ἐγώ εἰμί τὸ Ἄλφα καὶ τὸ Ὦ"), is an appellation of Jesus and of the Father in the Book of Revelation (verses 1:8, 21:6, and 22:13). The first part of this phrase ("I am the Alpha and the Omega") is first found in Chapter 1 verse 8 ("1:8"), and is found in every manuscript of Revelation that has 1:8. Several later manuscripts repeat "I am the Alpha and the Omega" in 1:11 too, but do not receive support here from most of the oldest manuscripts, including the Alexandrine, Sinaitic, and Codex Eph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agnus Dei
is the Latin name under which the " Lamb of God" is honoured within the Catholic Mass and other Christian liturgies descending from the Latin liturgical tradition. It is the name given to a specific prayer that occurs in these liturgies, and is the name given to the music pieces that accompany the text of this prayer. The use of the title "Lamb of God" in liturgy is based on , in which St. John the Baptist, upon seeing Jesus, proclaims "Behold, the Lamb of God, who takes away the sin of the world!" Liturgical usage Latin Catholic The Syrian custom of a chant addressed to the Lamb of God was introduced into the Roman Rite Mass by Pope Sergius I (687–701) in the context of his rejection of the Council of Trullo of 692 (which was well received in the Byzantine East), whose canons had forbidden the iconographic depiction of Christ as a lamb instead of a man. The verse used in the first and second invocations may be repeated as many times as necessary whilst the celebr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reredos
A reredos ( , , ) is a large altarpiece, a screen, or decoration placed behind the altar in a church. It often includes religious images. The term ''reredos'' may also be used for similar structures, if elaborate, in secular architecture, for example very grand carved chimneypieces. It also refers to a simple, low stone wall placed behind a hearth. Description A reredos can be made of stone, wood, metal, ivory, or a combination of materials. The images may be painted, carved, gilded, composed of mosaics, and/or embedded with niches for statues. Sometimes a tapestry or another fabric such as silk or velvet is used. Derivation and history of the term ''Reredos'' is derived through Middle English from the 14th-century Anglo-Norman ''areredos'', which in turn is from''arere'' 'behind' +''dos'' 'back', from Latin ''dorsum''. (Despite its appearance, the first part of the word is not formed by doubling the prefix "re-", but by an archaic spelling of "rear".) In the 14th and 15th cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
