Chromatic Chord
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Chromatic Chord
Chromaticism is a compositional technique interspersing the primary diatonic pitches and chords with other pitches of the chromatic scale. In simple terms, within each octave, diatonic music uses only seven different notes, rather than the twelve available on a standard piano keyboard. Music is chromatic when it uses more than just these seven notes. Chromaticism is in contrast or addition to tonality or diatonicism and modality (the major and minor, or "white key", scales). Chromatic elements are considered, "elaborations of or substitutions for diatonic scale members".Matthew Brown; Schenker, "The Diatonic and the Chromatic in Schenker's "Theory of Harmonic Relations", ''Journal of Music Theory'', Vol. 30, No. 1 (Spring 1986), pp. 1–33, citation on p. 1. Development of chromaticism Chromaticism began to develop in the late Renaissance period, notably in the 1550s, often as part of ''musica reservata'', in the music of Cipriano de Rore, in Orlando Lasso's ''Propheti ...
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Lament Bass
In music, the lament bass is a ground bass, built from a descending perfect fourth from tonic to dominant, with each step harmonized.Brover-Lubovsky, Bella (2008). ''Tonal Space in the Music of Antonio Vivaldi'', p.151-52. . The diatonic version is the upper tetrachord from the natural minor scale, known as the Phrygian tetrachord, while the chromatic version, the chromatic fourth, has all semitones filled in. It is often used in music to denote tragedy or sorrow. However, "A common misperception exists that the 'lament bass' of Venetian opera became so prevalent that it immediately swept away all other possible affective associations with this bass pattern...To cite but one example, Peter Holman, writing about Henry Purcell, once characterized the minor tetrachord as 'the descending ground that was associated with love in seventeenth-century opera'." Compositional form There exists a short, free musical form of the Romantic Era, called complaint or "complainte" (Fr ...
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