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Christoph Bernhard
Christoph Bernhard (1 January 1628 – 14 November 1692) was born in Kolberg, Pomerania, and died in Dresden. He was a German Baroque composer and musician. He studied with former Sweelinck-pupil Paul Siefert in Danzig (now Gdańsk) and in Warsaw. By the age of 20 he was singing at the electoral court in Dresden under Heinrich Schütz and composed some of the music for the Master's funeral. He then spent a year in Copenhagen Copenhagen ( or .; da, København ) is the capital and most populous city of Denmark, with a proper population of around 815.000 in the last quarter of 2022; and some 1.370,000 in the urban area; and the wider Copenhagen metropolitan ar ... to study singing with Agostino Fontana. After his appointment as assistant ''kapellmeister'' in Dresden in 1655, Bernhard made two sojourns to Italy to further his musical education. When he was 35, he moved to Hamburg to work as the director of music for the Gelehrtenschule des Johanneums, Johanneum and for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach Family
The Bach family refers to several notable composers of the Baroque music, baroque and Classical period (music), classical periods of music, the best-known of whom was Johann Sebastian Bach (1685–1750). A family genealogy was drawn up by Johann Sebastian Bach himself in 1735 when he was 50 and was completed by his son Carl Philipp Emanuel Bach, Carl Philipp Emanuel. Ancestors of Johann Sebastian Bach Four branches of the Bach family were known at the beginning of the 16th century; a Hans Bach of Wechmar, a village between Gotha and Arnstadt in Thuringia, is known to have been alive in 1561. He is believed to be the father of Veit Bach. * Veit (Vitus) Bach (c. 1550–1619, Wechmar) was, according to Johann Sebastian's genealogy, "a white-bread baker in Hungary" who had to flee Hungary because he was a Lutheranism, Lutheran, settling in Wechmar. He "found the greatest pleasure in a little cittern which he took with him even into the mill"; * His son Johannes Bach I (c. 1580–16 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matthias Weckmann
Matthias Weckmann (''Weckman'') (''c''.1616 24 February 1674) was a German musician and composer of the Baroque period. He was born in Niederdorla (Thuringia) and died in Hamburg. Life His musical training took place in Dresden (as a chorister at the Saxon Court, under the direction of Heinrich Schütz), then in Hamburg where he worked with the famous organist Jacob Praetorius at the Saint Peter's church (Petrikirche). He was introduced to the Italian concertato, polychoral and monodic styles — because Schütz had journeyed in Italy when a young man and he had met Giovanni Gabrieli and Monteverdi — as well as the style of Sweelinck's pupils, some of whom had settled in Hamburg. Weckmann travelled to Denmark in 1637 with Schütz, became organist in Dresden at the Electoral Court of Saxony from 1638 to 1642, and returned to Denmark until 1647 (during the Thirty Years' War). During a new (and his last) stay in Dresden from 1649 to 1655, he met Johann Jakob Froberger during a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Classical Composers
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1692 Deaths
Year 169 ( CLXIX) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Senecio and Apollinaris (or, less frequently, year 922 ''Ab urbe condita''). The denomination 169 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Marcomannic Wars: Germanic tribes invade the frontiers of the Roman Empire, specifically the provinces of Raetia and Moesia. * Northern African Moors invade what is now Spain. * Marcus Aurelius becomes sole Roman Emperor upon the death of Lucius Verus. * Marcus Aurelius forces his daughter Lucilla into marriage with Claudius Pompeianus. * Galen moves back to Rome for good. China * Confucian scholars who had denounced the court eunuchs are arrested, killed or banished from the capital of Luoyang and official life duri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1628 Births
Sixteen or 16 may refer to: *16 (number), the natural number following 15 and preceding 17 *one of the years 16 BC, AD 16, 1916, 2016 Films * '' Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music *The Sixteen, an English choir *16 (band), a sludge metal band * Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"16", by Craig David from ''Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16", by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Evangelische Verlagsanstalt
The Evangelische Verlagsanstalt (EVA) is a denominational media company founded in Berlin in 1946. Its shareholders are the and the Evangelical-Lutheran Church of Saxony. The managing director is Sebastian Knöfel. Book publisher The range includes numerous theological-scientific publications, religious education, congregational literature including calendars as well as Christian Belles-lettres with a focus on biographies and stories. Newspapers and magazines The EVA publishes, among others, the ', the ', the ''Berliner Theologische Zeitschrift'' and the ' (formerly ''Die Christenlehre''). Private radio The Evangelische Verlagsanstalt GmbH is a shareholder in commercial broadcasting. In addition, female employees of the Evangelische Verlagsanstalt work as church radio editors in the Saxon broadcasters and . History 1946–1989 Under the licence number 54 of the Soviet Military Administration in Germany, the Evangelische Verlagsanstalt GmbH was founded in 1946 with he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neue Bachgesellschaft
The Neue Bachgesellschaft, or New Bach Society, is an organisation based in Leipzig, Germany, devoted to the music of the composer Johann Sebastian Bach. It was founded in 1900 as the successor to the Bach Gesellschaft, which between 1850 and 1900 produced a complete edition of Bach's works, publishing many pieces for the first time. On completion of these collected works (the ''Bach-Ausgabe''), the original Society dissolved itself. The new Society approved three enduring projects: * the annual edition of a ''Bach-Jahrbuch'' (Bach yearbook) * biannual (today: annual) ''Bachfeste'' (Bach festivals). The venues of the Bachfest have mainly been in Germany, but the 2012 Festival had an international dimension, being held in Görlitz-Zgorzelec on the German-Polish border. * the founding of a Bach museum. In 1907 the Society opened the first museum dedicated to Bach at Eisenach, the town where he was born. This Bachhaus is managed by the ''Bachhaus Eisenach gemeinnützige GmbH'', a re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach-Jahrbuch
The ''Bach-Jahrbuch'' ("Bach yearbook" or according to the publication's website "Bach Annals") is an Periodical literature, annual publication related to the composer Bach. It is published in German by the Neue Bachgesellschaft in Leipzig. It is the most respected publication for international Bach research. The ''Bach-Jahrbuch'' contains contributions of notable Bach scholars related to recent research of Bach and his family. It also provides a Bach bibliography. Begun in 1904, it is the oldest periodical dedicated to one composer. The first editor was the musicologist Arnold Schering from 1904. The present editor is Peter Wollny. Editors * Arnold Schering (1904–1939) * Max Schneider (music historian), Max Schneider (1940–1952) * Alfred Dürr and Werner Neumann (1953–1974) * Hans-Joachim Schulze and Christoph Wolff (1975–2005) * Peter Wollny (from 2005) External links * Neue Bachgesellschaft {{italic title Annual publications Classical music publications ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beatus Vir
Beatus vir (; "Blessed is the man...") are the first words in the Latin Vulgate Bible of both Psalm 1 and Psalm 112 (in the general modern numbering; it is Psalm 111 in the Greek Septuagint and the Vulgate). In each case, the words are used to refer to frequent and significant uses of these psalms in art, although the two psalms are prominent in different fields, art in the case of Psalm 1 and music in the case of Psalm 112. In psalter manuscripts, the initial letter B of Beatus is often rendered prominently as a Beatus initial. Altogether the phrase occurs 14 times in the Vulgate text, eight times in the Book of Psalms, and four times in the rest of the Old Testament, but no uses in the New Testament. Psalm 1 in art Psalm 1 naturally begins the text of the Book of Psalms. In illuminated manuscript psalters this start was traditionally marked by a large Beatus initial for the B of Beatus, and the two opening words are often much larger than the rest of the text. Between them t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach Digital
Bach Digital (German: ), developed by the Bach Archive in Leipzig, is an online database which gives access to information on compositions by Johann Sebastian Bach and members of Bach family, his family. Early manuscripts of such compositions are a major focus of the website, which provides access to high-resolution digitized versions of many of these. Scholarship on manuscripts and versions of compositions is summarized on separate pages, with references to scholarly sources and editions. The database portal has been online since 2010. History In 2000, two years after Uwe Wolf (musicologist), Uwe Wolf had suggested the possibility of supporting the publication of the New Bach Edition (NBE) with digital media, a project named Bach Digital started as an initiative of the Internationale Bachakademie Stuttgart, but without direct involvement of the then editor of the NBE, the Johann Sebastian Bach Institute in Göttingen. After four years the project remained unconvincing: it lagge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chromatic Fourth
In music theory, a chromatic fourth, or ''passus duriusculus'',Monelle, Raymond (2000). ''The Sense of Music: Semiotic Essays'', p.73. . is a melody or melodic fragment spanning a perfect fourth with all or almost all chromatic intervals filled in ( chromatic line). The quintessential example is in D minor with the tonic and dominant notes as boundaries: \relative c The chromatic fourth was first used in the madrigals of the 16th Century. The Latin term itself—"harsh" or "difficult" (''duriusculus'') "step" or "passage" (''passus'')—originates in Christoph Bernhard's 17th century ''Tractatus compositionis augmentatus'' (1648–49), where it appears to refer to repeated melodic motion by semitone creating consecutive semitones. The term may also relate to the ''pianto'' associated with weeping. In the Baroque, Johann Sebastian Bach used it in his choral as well as his instrumental music, in the ''Well-Tempered Clavier'', for example (the chromatic fourth is indicated by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
