Christian Ehregott Weinlig
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Christian Ehregott Weinlig
Christian Ehregott Weinlig (September 30, 1743 – March 14, 1813) was a German composer and cantor of Dresden's Kreuzkirche. Born in Dresden, Weinlig received his musical training at the city's Kreuzschule from Gottfried August Homilius, and from the University of Leipzig in 1765. From 1767 to 1773 he was organist of the Reformed Church in Leipzig. From 1780 he was an accompanist for Italian opera and an organist for the Frauenkirche in Dresden. From 1785 to his death he served as Cantor of the Kreuzkirche and Kreuzschule in Dresden. Weinlig wrote several operas, oratorios ("Der Christ am Grabe Jesu"), cantatas ("Augusta"), hymns, pieces for piano, and sonatas in a sentimental style. His nephew, Christian Theodor Weinlig Christian Theodor Weinlig (July 25, 1780 – March 7, 1842) was a German music teacher, composer, and choir conductor, active in Dresden and Leipzig. Biography Born in Dresden, Weinlig initially studied and then practised law until 1803. He then be ..., was a ...
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Christian Ehregott Weinlig
Christian Ehregott Weinlig (September 30, 1743 – March 14, 1813) was a German composer and cantor of Dresden's Kreuzkirche. Born in Dresden, Weinlig received his musical training at the city's Kreuzschule from Gottfried August Homilius, and from the University of Leipzig in 1765. From 1767 to 1773 he was organist of the Reformed Church in Leipzig. From 1780 he was an accompanist for Italian opera and an organist for the Frauenkirche in Dresden. From 1785 to his death he served as Cantor of the Kreuzkirche and Kreuzschule in Dresden. Weinlig wrote several operas, oratorios ("Der Christ am Grabe Jesu"), cantatas ("Augusta"), hymns, pieces for piano, and sonatas in a sentimental style. His nephew, Christian Theodor Weinlig Christian Theodor Weinlig (July 25, 1780 – March 7, 1842) was a German music teacher, composer, and choir conductor, active in Dresden and Leipzig. Biography Born in Dresden, Weinlig initially studied and then practised law until 1803. He then be ..., was a ...
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Cantor (church)
In Christianity, the cantor, sometimes called the precentor or the protopsaltes (; from ), is the chief singer, and usually instructor, employed at a church, with responsibilities for the choir and the preparation of the Mass or worship service. Generally, a cantor must be competent to choose and conduct the vocals for the choir, to start any chant on demand, and to be able to identify and correct the missteps of singers placed under them. A cantor may be held accountable for the immediate rendering of the music, showing the course of the melody by movements of the hand(s) (''cheironomia''), similar to a conductor. Western Christianity Roman Catholicism Before and after the Second Vatican Council, a ''cantor'' in the Roman Catholic Church was the leading singer of the choir, a ''bona fide'' clerical role. The medieval cantor of the papal Schola Cantorum was called ''Prior scholae'' or ''Primicerius''. In medieval cathedrals, the cantor or precentor directed the music and ...
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Musicians From Dresden
A musician is a person who composes, conducts, or performs music. According to the United States Employment Service, "musician" is a general term used to designate one who follows music as a profession. Musicians include songwriters who write both music and lyrics for songs, conductors who direct a musical performance, or performers who perform for an audience. A music performer is generally either a singer who provides vocals or an instrumentalist who plays a musical instrument. Musicians may perform on their own or as part of a group, band or orchestra. Musicians specialize in a musical style, and some musicians play in a variety of different styles depending on cultures and background. A musician who records and releases music can be known as a recording artist. Types Composer A composer is a musician who creates musical compositions. The title is principally used for those who write classical music or film music. Those who write the music for popular songs may be ...
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1813 Deaths
Events January–March * January 18–January 23 – War of 1812: The Battle of Frenchtown is fought in modern-day Monroe, Michigan between the United States and a British and Native American alliance. * January 24 – The Philharmonic Society (later the Royal Philharmonic Society) is founded in London. * January 28 – Jane Austen's '' Pride and Prejudice'' is published anonymously in London. * January 31 – The Assembly of the Year XIII is inaugurated in Buenos Aires. * February – War of 1812 in North America: General William Henry Harrison sends out an expedition to burn the British vessels at Fort Malden by going across Lake Erie via the Bass Islands in sleighs, but the ice is not hard enough, and the expedition returns. * February 3 – Argentine War of Independence: José de San Martín and his Regiment of Mounted Grenadiers gain a largely symbolic victory against a Spanish royalist army in the Battle of San Lorenzo. * February ...
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1743 Births
Events January–March * January 1 – The Verendrye brothers, probably Louis-Joseph and François de La Vérendrye, become the first white people to see the Rocky Mountains from the eastern side (the Spanish conquistadors had seen the Rockies from the west side). * January 8 – King Augustus III of Poland, acting in his capacity as Elector of Saxony, signs an agreement with Austria, pledging help in war in return for part of Silesia to be conveyed to Saxony. * January 12 ** The Verendryes, and two members of the Mandan Indian tribe, reach the foot of the mountains, near the site of what is now Helena, Montana. ** An earthquake strikes the Philippines * January 16 –Cardinal André-Hercule de Fleury turns his effects over to King Louis XV of France, 13 days before his death on January 29. * January 23 –With mediation by France, Sweden and Russia begin peace negotiations at Åbo to end the Russo-Swedish War. By August 17, Sweden cedes all ...
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Christian Theodor Weinlig
Christian Theodor Weinlig (July 25, 1780 – March 7, 1842) was a German music teacher, composer, and choir conductor, active in Dresden and Leipzig. Biography Born in Dresden, Weinlig initially studied and then practised law until 1803. He then began musical training with his uncle Christian Ehregott Weinlig, with whom he studied for two years before travelling to Bologna to study with Stanislao Mattei in 1806. He was a member of the Accademia Filarmonica di Bologna. From 1814 to 1817, he worked as Cantor (church), Cantor of the Kreuzkirche in Dresden. In 1823, he became Cantor of the Thomanerchor in Leipzig, an office he kept until his death. Among his most well-known pupils were pianist Clara Schumann and composer Richard Wagner; he taught Wagner at St. Thomas School, Leipzig, Saint Thomas school in Leipzig. In 1877, Wagner recalled Weinlig's teaching style to Edward Dannreuther: References

Sources * * 1780 births 1842 deaths 19th-century classical composers 19th- ...
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Sonata (music)
Sonata (; Italian: , pl. ''sonate''; from Latin and Italian: ''sonare'' rchaic Italian; replaced in the modern language by ''suonare'' "to sound"), in music, literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cantare'', "to sing"), a piece ''sung''. The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance. Sonata is a vague term, with varying meanings depending on the context and time period. By the early 19th century, it came to represent a principle of composing large-scale works. It was applied to most instrumental genres and regarded—alongside the fugue—as one of two fundamental methods of organizing, interpreting and analyzing concert music. Though the musical style of sonatas has changed since the Classical era, most 20th- and 21st-century sonatas still maintain the same structure. The term sonatina, pl. ''sonatine'', the diminutive form of sonata, is of ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include the Egyptian ''Great Hymn to the Aten'', composed by Pharaoh Akhenaten; the Hurrian ''Hy ...
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Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ...
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Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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