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Choralschola
A Choralschola, known simply as ''schola'', is a choir for singing Gregorian chant or plainsong. It consists traditionally of only men, but more recent groups sometimes also include female voices. A schola often performs in uniform. The group may perform in the liturgy of church services, but some specialized ensembles also perform concerts and recordings, such as the and the Schola Gregoriana Pragensis. Chant singing is usually responsorial, responses being sung by cantor. the congregation or by groups within the schola. Parts of the liturgy sung by the schola include the ordinary, and the changing parts Introit, Psalms, Sequence, Tract, calls to the gospel and the offertory, and Gradual. Traditionally the schola performs without accompaniment. After the Second Vatican Council, the frequency of Latin liturgy was reduced and is less known. Therefore organ accompaniment has been used to support the singing. A Choralschola is one of singing groups in the oratorio ''Laudato si''', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choralschola
A Choralschola, known simply as ''schola'', is a choir for singing Gregorian chant or plainsong. It consists traditionally of only men, but more recent groups sometimes also include female voices. A schola often performs in uniform. The group may perform in the liturgy of church services, but some specialized ensembles also perform concerts and recordings, such as the and the Schola Gregoriana Pragensis. Chant singing is usually responsorial, responses being sung by cantor. the congregation or by groups within the schola. Parts of the liturgy sung by the schola include the ordinary, and the changing parts Introit, Psalms, Sequence, Tract, calls to the gospel and the offertory, and Gradual. Traditionally the schola performs without accompaniment. After the Second Vatican Council, the frequency of Latin liturgy was reduced and is less known. Therefore organ accompaniment has been used to support the singing. A Choralschola is one of singing groups in the oratorio ''Laudato si''', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laudato Si' (oratorio)
is an oratorio composed in 2016 by Peter Reulein on a libretto by Helmut Schlegel. Subtitled (a Franciscan Magnificat), it includes the full Latin text of the Magnificat, expanded by writings of Clare of Assisi, Francis of Assisi and Pope Francis. The composer set it for five soloists, children's choir, Choralschola, mixed choir, symphony orchestra and organ. It was published in 2016 by the Dehm Verlag, and was premiered on 6 November 2016 at the Limburg Cathedral, conducted by the composer. History The work was commissioned by the Referat Kirchenmusik im Bistum Limburg (RKM), the division of church music of the Diocese of Limburg, to celebrate the organization's 50th anniversary. The work was requested to include many different musical groups and styles, to represent the activities of the church musicians in the diocese, such as Gregorian chant, choral singing of children and adults, organ solo music, and Neues Geistliches Lied. The text was planned to contain writings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Reulein
Peter Reulein (born 1966) is a German composer, organ improviser, academic teacher and church musician, from 2000 at the church Liebfrauen in Frankfurt am Main. In 2016 he composed for the Catholic Diocese of Limburg the Franciscan oratorio ''Laudato si'''. Career Born in Frankfurt am Main, Reulein studied Catholic church music at the Hochschule für Musik und Darstellende Kunst Frankfurt am Main with Wolfgang Schäfer and Uwe Gronostay. After extended studies of organ improvisation with Daniel Roth in Paris, he won several national and international competitions in this field, for example in 1993 the competition of Belgian radio and the second prize and the public's prize at the Festival Europäische Kirchenmusik in Schwäbisch Gmünd. He continued his studies of interpretations with Ludger Lohmann, Ewald Kooiman and Wolfgang Rübsam. He took master classes with choral conductors such as Eric Ericson and Helmuth Rilling. From 1991, Reulein was the church musician at the Hei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gradual
The gradual ( la, graduale or ) is a chant or hymn in the Mass, the liturgical celebration of the Eucharist in the Catholic Church, and among some other Christians. It gets its name from the Latin (meaning "step") because it was once chanted on the step of the ambo or altar. In the Tridentine Mass, it is sung after the reading or chanting of the epistle and before the Alleluia, or, during penitential seasons, before the tract. In the Mass of Paul VI, the gradual is usually replaced with the responsorial psalm. Although the Gradual remains an option in the Mass of Paul VI, its use is extremely rare outside monasteries. The gradual is part of the proper of the Mass. A gradual can also refer to a book collecting all the musical items of the Mass. The official such book for the Roman Rite is the Roman Gradual (). Other such books include the Dominican Gradual. History The Gradual, like the Alleluia and Tract, is one of the responsorial chants of the Mass. Responsorial chants de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Limburg An Der Lahn
Limburg an der Lahn (officially abbreviated ''Limburg a. d. Lahn'') is the district seat of Limburg-Weilburg in Hesse, Germany. Geography Location Limburg lies in western Hessen between the Taunus and the Westerwald on the river Lahn. The town lies roughly centrally in a basin within the Rhenish Slate Mountains which is surrounded by the low ranges of the Taunus and Westerwald and called the Limburg Basin (''Limburger Becken''). Owing to the favourable soil and climate, the Limburg Basin stands as one of Hesse's richest agricultural regions and moreover, with its convenient Lahn crossing, it has been of great importance to transport since the Middle Ages. Within the basin, the Lahn's otherwise rather narrow lower valley broadens out noticeably, making Limburg's mean elevation only 117 m above sea level. Neighbouring communities Limburg forms, together with the town of Diez, a middle centre (in terms of Central place theory) but partially functions as an upper centre to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patrick Dehm
Patrick Dehm (born 1962) is a German Catholic theologian, supervisor and clinical Gestalt therapist. He and his brother founded the Eugen Dehm foundation, supporting a holistic health concept, in memory of their father. Dehm is director of the Dehm Verlag publishing music of the genre Neues Geistliches Lied (NGL), and president of the ecumenical association inTAKT for the support of NGL, which he initiated. Career Born in Freigericht, Dehm studied Catholic theology at the University of Würzburg, and was trained to be a ' ( Human resource manager) and Gestalt therapist. He worked for the Diocese of Fulda as ''Jugendreferent für kirchliche kommunale Jugendarbeit'' in Freigericht. He moved to the Diocese of Limburg in 1989, where he worked for 11 years as a member of the leading team for the ministry to young people. From 1996, he was president of the Arbeitskreis Kirchenmusik und Jugendseelsorge im Bistum Limburg. He published several song books with modern sacred songs ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helmut Schlegel
Helmut Alfons Schlegel (born 15 May 1943) is a German Franciscan, Catholic priest, meditation instructor, author, librettist and songwriter. He is known for writing new spiritual songs (Neues Geistliches Lied), set to music by various composers. Career Born Helmut Alfons Schlegel in Riedlingen, he grew up on his parents' farm in Upper Swabia and attended boarding schools of the Franciscans in Riedlingen and in Rottweil. He felt a connection to Francis of Assisi and joined the Franciscan Order. Then he studied philosophy and theology in Monastery Gorheim in Sigmaringen, Monastery Frauenberg in Fulda and Munich and was ordained priest in 1969 in Fulda. An extra-occupational course for meditation and Retreat (spiritual), retreat accompanist as well as in meaning-oriented psychology (Logotherapy) complemented his education. Schlegel worked for ten years in Wiesbaden and in other places as chaplain and as minister for young people (''Jugendpfarrer''). From 1988 he directed the ''Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Second Vatican Council
The Second Ecumenical Council of the Vatican, commonly known as the , or , was the 21st Catholic ecumenical councils, ecumenical council of the Roman Catholic Church. The council met in St. Peter's Basilica in Rome for four periods (or sessions), each lasting between 8 and 12 weeks, in the autumn of each of the four years 1962 to 1965. Preparation for the council took three years, from the summer of 1959 to the autumn of 1962. The council was opened on 11 October 1962 by Pope John XXIII, John XXIII (pope during the preparation and the first session), and was closed on 8 December 1965 by Pope Paul VI, Paul VI (pope during the last three sessions, after the death of John XXIII on 3 June 1963). Pope John XXIII called the council because he felt the Church needed “updating” (in Italian: ''aggiornamento''). In order to connect with 20th-century people in an increasingly secularized world, some of the Church's practices needed to be improved, and its teaching needed to be presente ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Offertory
The offertory (from Medieval Latin ''offertorium'' and Late Latin ''offerre'') is the part of a Eucharistic service when the bread and wine for use in the service are ceremonially placed on the altar. A collection of alms (offerings) from the congregation, which may take place also at non-Eucharistic services, often coincides with this ceremony. The Eucharistic theology may vary among those Christian denominations that have a liturgical offertory. In the Roman Rite, the term "Preparation of the Gifts" is used in addition to the term "Offertory" (both capitalized) or, rather, the term "Preparation of the Gifts" is used for the action of the priest, while the term "Offertory" is used for the section of the Mass at which this action is performed in particular when speaking of the accompanying chant. In Baptist churches, the offertory refers to the part of the service of worship in which collection plates or baskets are distributed by ushers, with the tithes and offerings subse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gregorian Chant
Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope Gregory I with inventing Gregorian chant, scholars believe that it arose from a later Carolingian synthesis of the Old Roman chant and Gallican chant. Gregorian chants were organized initially into four, then eight, and finally 12 modes. Typical melodic features include a characteristic ambitus, and also characteristic intervallic patterns relative to a referential mode final, incipits and cadences, the use of reciting tones at a particular distance from the final, around which the other notes of the melody revolve, and a vocabulary of musical motifs woven together through a process called centonization to create families of related ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
