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Choc (typeface)
Choc (French: "shock") is a display script typeface designed by Roger Excoffon in 1955. History The typeface grew out of Excoffon's repeated and ultimately abandoned efforts to make a bold of his typeface Mistral. In the 1980s, the prevailing opinion among designers was that, because of its lack of modernity, it was one of Excoffon's "tacky fonts that should only have been used for parodying the shop window of a provincial butcher, baker or hair salon". In the 1990s, Choc was distributed digitally with the graphics software CorelDraw under the name Staccato 555. CorelDraw's widespread use in signmaking shops may have helped Choc in becoming widely used in signage. Because the letterforms evoke the forms of East Asian calligraphy Calligraphy (from el, link=y, καλλιγραφία) is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as "t ... ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Excoffon
Roger Excoffon (7 September 1910 – 30 May 1983) was a French typeface designer and graphic designer. Excoffon was born in Marseille, studied law at the University of Aix-en-Provence, and then moved to Paris to apprentice in a print shop. In 1947, he formed his own advertising agency and concurrently became design director of a small foundry in Marseille called Fonderie Olive. Later, he co-founded the prestigious Studio U+O, named in reference to "Urbi et Orbi". Excoffon's best-known faces are Mistral and Antique Olive, the latter which he designed between 1962 and 1966. Air France, one of Excoffon's largest and most prestigious clients, used a customized variant of Antique Olive in its wordmark and livery until 2009, when a new logo was introduced. Excoffon's faces, even the sober Antique Olive, have an organic vibrancy not found in similar sans-serif types of the period. His typefaces gave voice to an exuberant body of contemporary French and European graphic design. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mistral (typeface)
Mistral is a casual script typeface designed by Roger Excoffon for the Fonderie Olive type foundry A type foundry is a company that designs or distributes typefaces. Before digital typography, type foundries manufactured and sold metal and wood typefaces for hand typesetting, and matrices for line-casting machines like the Linotype and M ..., and released in 1953. The Amsterdam Type foundry released a version in 1955. Excoffon based the form of the typeface on his own handwriting. The stroke has an informal graphic quality similar to brush and ink. The lowercase letters are carefully designed to connect on a line to an extent unusual in script fonts. Descenders are long, and increase the sense of motion. The face has several specially-designed ligatures (which have not been duplicated in digital versions). In lowercase Mistral is a true connecting script, similar to cursive writing. Choc, another typeface of Excoffon's, grew out of his repeated and ultimately abandone ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Display Typeface
A display typeface is a typeface that is intended for use at large sizes for headings, rather than for extended passages of body text. Display typefaces will often have more eccentric and variable designs than the simple, relatively restrained typefaces generally used for body text. They may take inspiration from other genres of lettering, such as handpainted signs, calligraphy or an aesthetic appropriate to their use, perhaps ornamented, exotic, abstracted or drawn in the style of a different writing system. Several genres of font are particularly associated with display setting, such as slab serif, script font, reverse-contrast and to a lesser extent sans serif. Walter Tracy defines display typefaces in the metal type sense as "sizes of type over 14 point" and in design that "text types when enlarged can be used for headings, display types, if reduced, cannot be used for text setting." Titling fonts are a subset of display typefaces which are typically used for headlines ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Script Typeface
Script typefaces are based upon the varied and often fluid stroke created by handwriting. They are generally used for display or trade printing, rather than for extended body text in the Latin alphabet. Some Greek alphabet typefaces, especially historically, have been a closer simulation of handwriting. Styles Script typefaces are organized into highly regular formal types similar to cursive writing and looser, more casual scripts. Formal scripts A majority of formal scripts are based upon the letterforms of seventeenth and eighteenth century writing-masters like George Bickham, George Shelley and George Snell. The letters in their original form are generated by a quill or metal nib of a pen. Both are able to create fine and thick strokes. Typefaces based upon their style of writing appear late in the eighteenth century and early nineteenth century. Contemporary revivals of formal script faces can be seen in Kuenstler Script and Matthew Carter's typeface Snell Roundhand. Thes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boldface
In typography, emphasis is the strengthening of words in a text with a font in a different style from the rest of the text, to highlight them. It is the equivalent of prosody stress in speech. Methods and use The most common methods in Western typography fall under the general technique of emphasis through a change or modification of font: ''italics'', boldface and . Other methods include the alteration of LETTER CASE and as well as and *additional graphic marks*. Font styles and variants The human eye is very receptive to differences in "brightness within a text body." Therefore, one can differentiate between types of emphasis according to whether the emphasis changes the " blackness" of text, sometimes referred to as typographic color. A means of emphasis that does not have much effect on blackness is the use of ''italics'', where the text is written in a script style, or ''oblique'', where the vertical orientation of each letter of the text is slanted to the left o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CorelDraw
CorelDRAW is a vector graphics editor developed and marketed by Corel Corporation. It is also the name of the Corel graphics suite, which includes the bitmap-image editor Corel Photo-Paint as well as other graphics-related programs (see below). The latest version is marketed as CorelDraw Graphics Suite (internally, version 24), and was released for Windows and macOS on March 8, 2022. It is designed to edit two-dimensional images such as logos and posters. Reduced-feature Standard and Essentials versions are also offered. History In 1987, Corel engineers Michel Bouillon and Pat Beirne undertook to develop a vector-based illustration program to bundle with their desktop publishing systems. That program, CorelDraw, was initially released in 1989. CorelDraw 1.x and 2.x ran under Windows 2.x and 3.0. CorelDraw 3.0 came into its own with Microsoft's release of Windows 3.1. The inclusion of TrueType in Windows 3.1 transformed CorelDraw into a serious illustration program capable of usi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Signage
Signage is the design or use of signs and symbols to communicate a message. A signage also means signs ''collectively'' or being considered as a group. The term ''signage'' is documented to have been popularized in 1975 to 1980. Signs are any kind of visual graphics created to display information to a particular audience. This is typically manifested in the form of wayfinding information in places such as streets or on the inside and outside buildings. Signs vary in form and size based on location and intent, from more expansive banners, billboards, and murals, to smaller street signs, street name signs, sandwich boards and lawn signs. Newer signs may also use digital or electronic displays. The main purpose of signs is to communicate, to convey information designed to assist the receiver with decision-making based on the information provided. Alternatively, promotional signage may be designed to persuade receivers of the merits of a given product or service. Signage is disti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Letterforms
A letterform, letter-form or letter form, is a term used especially in typography, palaeography, calligraphy and epigraphy to mean a letter's shape. A letterform is a type of glyph, which is a specific, concrete way of writing an abstract character or grapheme. For example, medieval scholars may discuss the particular handwritten letterforms that distinguish one script from another. The history of letterforms is discussed in fields of study relating to materials used in writing. Epigraphy includes the study of letterforms carved in stone or other permanent materials. Palaeography is the study of writing in ancient and medieval manuscripts. Calligraphy treats the letterforms of decorative writing, usually in ink. In the field of typography, type design is the process of designing typefaces that consist of sets of letterforms for use with metal print or computer. More broadly letterforms may be discussed wherever letters appear stylistically—in graffiti for example. In context ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
East Asian Calligraphy
Calligraphy (from el, link=y, καλλιγραφία) is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner". Modern calligraphy ranges from functional inscriptions and designs to fine-art pieces where the letters may or may not be readable. Classical calligraphy differs from type design and non-classical hand-lettering, though a calligrapher may practice both. CD-ROM Calligraphy continues to flourish in the forms of wedding invitations and event invitations, font design and typography, original hand-lettered logo design, religious art, announcements, graphic design and commissioned calligraphic art, cut stone inscriptions, and memorial documents. It is also used for props and moving images for film and television, and also for testimonials, birth and death certifi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Letterpress Typefaces
Letterpress printing is a technique of relief printing. Using a printing press, the process allows many copies to be produced by repeated direct impression of an inked, raised surface against sheets or a continuous roll of paper. A worker composes and locks movable type into the "bed" or "chase" of a press, inks it, and presses paper against it to transfer the ink from the type, which creates an impression on the paper. In practice, letterpress also includes other forms of relief printing with printing presses, such as wood engravings, photo-etched zinc "cuts" (plates), and linoleum blocks, which can be used alongside metal type, or wood type in a single operation, as well as stereotypes and electrotypes of type and blocks. With certain letterpress units, it is also possible to join movable type with slugs cast using hot metal typesetting. In theory, anything that is "type high" and so forms a layer exactly 0.918 in. thick between the bed and the paper can be printed using l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Typefaces
Digital usually refers to something using discrete digits, often binary digits. Technology and computing Hardware *Digital electronics, electronic circuits which operate using digital signals **Digital camera, which captures and stores digital images ***Digital versus film photography **Digital computer, a computer that handles information represented by discrete values **Digital recording, information recorded using a digital signal Socioeconomic phenomena *Digital culture, the anthropological dimension of the digital social changes * Digital divide, a form of economic and social inequality in access to or use of information and communication technologies * Digital economy, an economy based on computing and telecommunications resources Other uses in technology and computing *Digital data, discrete data, usually represented using binary numbers *Digital marketing, search engine & social media presence booster, usually represented using online visibility. *Digital media, media s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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