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Chilla Katna
In Hindustani classical music, Chilla or Chilla Katna (Doing the Chilla) is a stage of training or ritual where the student is fully isolated from the outside world and lives for music only. Some musicians spend long periods of their training in varying degrees of isolation and describe these as their chilla; for others, it's a shorter, more extreme retreat, traditionally lasting 40 days. In either form, it is thought to have the power of transforming not only the student's music, but their whole life. Chilla is widely used in the Punjab gharānā (school) of tabla playing. Origin of Name The word Chilla in music comes from the practice of forty days after childbirth during which the mother is said to be "unclean", or quarantined, or more generally a period of religious fasting and worship. Method The musicians lock themselves up in a solitary cell called ''chilla-khana'' for forty days and practice their instrument severely. A special diet, often omitting meat and grains, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Classical Music
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. Hindustani classical music arose in the Ganga-Jamuni Tehzeeb, a period of great influence of Perso-Arabic arts in the subcontinent, especially the Northern parts. This music combines the Indian classical music tradition with Perso-Arab musical knowledge, resulting in a unique tradition of gharana system of music education. History Around the 12th century, Hindustani classical music diverged from what eventually came to be identified as Carnatic classical music.The central notion in both systems is that of a melodic musical mode or '' raga'', sung to a rhythmic cycle or '' tala''. It is melodic music, wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ritual
A ritual is a sequence of activities involving gestures, words, actions, or objects, performed according to a set sequence. Rituals may be prescribed by the traditions of a community, including a religious community. Rituals are characterized, but not defined, by formalism, traditionalism, invariance, rule-governance, sacral symbolism, and performance. Rituals are a feature of all known human societies. They include not only the worship rites and sacraments of organized religions and cults, but also rites of passage, atonement and purification rites, oaths of allegiance, dedication ceremonies, coronations and presidential inaugurations, marriages, funerals and more. Even common actions like hand-shaking and saying "hello" may be termed as ''rituals''. The field of ritual studies has seen a number of conflicting definitions of the term. One given by Kyriakidis is that a ritual is an outsider's or " etic" category for a set activity (or set of actions) that, to the outs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tabla
A tabla, bn, তবলা, prs, طبلا, gu, તબલા, hi, तबला, kn, ತಬಲಾ, ml, തബല, mr, तबला, ne, तबला, or, ତବଲା, ps, طبله, pa, ਤਬਲਾ, ta, தபலா, te, తబలా, ur, , group="nb", name="nb" is a pair of twin hand drums from the Indian subcontinent, that are somewhat similar in shape to the bongos. Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as accompaniment with other instruments and vocals, and as a part of larger ensembles. It is frequently played in popular and folk music performances in India, Bangladesh, Afghanistan, Pakistan, Nepal and Sri Lanka.Tabla Encyclopædia Britannica The tabla is an essential instrument in the |
Gharana
In Hindustani music (North Indian classical music), a ''gharānā'' is a system of social organisation in the Indian subcontinent, linking musicians or dancers by lineage or apprenticeship, and more importantly by adherence to a particular musical style. The word gharana comes from the Hindi word 'ghar' which is derived from the Sanskrit word ''Griha'', which means 'house'. It typically refers to the place where the musical ideology originated; for example, some of the gharanas well known for singing khyals are: Dilli(Delhi), Agra, Gwalior, Indore, Atrauli-Jaipur, Kirana and Patiala. Four famous kathak gharanas are: Lucknow, Atrauli-Jaipur, Benares and Raigarh. Vocal gharanas Khyal gharanas The gharana system in khyal was rooted in the ''guru–shishya tradition'' and was similar to the Dhrupad ''Bani'' system. The gharana system was greatly influenced by the gradual fall of the Mughal Empire, which forced musicians to move from Delhi to princely states such as Gwalior, Luc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abdul Karim Khan
Ustad Abdul Karim Khan ( Devanagari: उस्ताद अब्दुल करीम ख़ान, Persian: ) (11 November 1872 – 27 October 1937)Profile of Ustad Abdul Karim Khan on veethi.com website Updated 19 February 2014. Retrieved 9 January 2022 was an singer and, along with his cousin , the founder of the Kairana gharana of classical music. Early lif ...
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Kirana Gharana
Kirana gharana is one of the Indian classical khyal gharanas, and is concerned foremost with perfect intonation of notes (swara). Singing style The central concern of the Kirana style is swara, or individual notes, in particular precise tuning and expression of notes. In the Kirana Gayaki (singing style), the individual notes (swaras) of the raga are not just random points in the scale, but independent realms of music capable of horizontal expansion. Emotional ''pukars'' in the higher octaves form a part of the musical experience. Another unique feature of this gharana is the intricate and ornate use of the ''sargam taan'' (weaving patterns with the notations themselves) introduced by Abdul Karim Khan under influence from the Carnatic classical style. In the late nineteenth century Abdul Karim Khan and Abdul Wahid Khan revolutionized the khayal gayaki by introducing the vilambit (a slow tempo section) to delineate the structure of the raga note by note. Frequently performed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abdul Halim Jaffer Khan
Abdul Halim Jaffer Khan (18 February 1927 – 4 January 2017) was an Indian sitar player. Khan received the national awards Padma Shri (1970) and Padma Bhushan (2006) and was awarded the Sangeet Natak Akademi Award for 1987. Early life Abdul Halim was born in 1927 in Jaora (35 km away from Ratlam, Madhya Pradesh) as the son of Jaffer Khan, a versatile vocalist, sitarist and beenkar. He belonged to the Beenkar Gharana of Indore and was an All India Radio artiste since the early 1940s. A few years before the Beatles met Ravi Shankar, in 1958, Khan collaborated with jazz pianist and composer Dave Brubeck. Brubeck who was in Bombay through the U.S. State Department sponsoreJazz Ambassadors Programwas impressed by the improvisation in Indian music and said that the experience accompanying Halim Jaffer Khan led him to play in a different way. Brubeck says of that meeting, "We understood each other." Khan also performed with the noted English classical guitarist Julian Bream in 1963 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ravi Shankar
Ravi Shankar (; born Robindro Shaunkor Chowdhury, sometimes spelled as Rabindra Shankar Chowdhury; 7 April 1920 – 11 December 2012) was an Indian sitarist and composer. A sitar virtuoso, he became the world's best-known export of North Indian classical music in the second half of the 20th century, and influenced many musicians in India and throughout the world. Shankar was awarded India's highest civilian honour, the Bharat Ratna, in 1999. Shankar was born to a Bengali Brahmin family in India, and spent his youth as a dancer touring India and Europe with the dance group of his brother Uday Shankar. He gave up dancing in 1938 to study sitar playing under court musician Allauddin Khan. After finishing his studies in 1944, Shankar worked as a composer, creating the music for the '' Apu Trilogy'' by Satyajit Ray, and was music director of All India Radio, New Delhi, from 1949 to 1956. In 1956, Shankar began to tour Europe and the Americas playing Indian classical music an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zakir Hussain (musician)
Ustad Zakir Hussain (born 9 March 1951) is an Indian tabla player, composer, percussionist, music producer and film actor. He is the eldest son of tabla player Alla Rakha. He was awarded the Padma Shri in 1988, and the Padma Bhushan in 2002, by the Government of India presented by President Abdul Kalam. He was also awarded the Sangeet Natak Akademi Award in 1990, given by the Sangeet Natak Academy, India's National Academy of Music, Dance and Drama. In 1999, he was awarded the United States National Endowment for the Arts' National Heritage Fellowship, the highest award given to traditional artists and musicians. Early life and education Hussain attended St. Michael's High School in Mahim, and was graduated from the St. Xavier's College, Mumbai. Career Hussain played on George Harrison's 1973 album '' Living in the Material World'' and John Handy's 1973 album '' Hard Work''. He also performed on Van Morrison's 1979 album '' Into the Music'' and Earth, Wind & Fire's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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