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Chile Con Soul
''Chile Con Soul'', recorded in 1965 and released on the Pacific Jazz label, is the ninth album by The Jazz Crusaders. accessed January 12, 2016 Reception rated the album with 4 stars; in their review, Lindsay Planer said: "''Chile con Soul'' (1965) is one of the best examples of The Jazz Crusaders at one of the many musical pinnacles in their 30-plus year existence".Track listing # "Agua Dulce (Sweetwater)" (Joe Sample) - 5:25 # "Soul Bourgeoisie" (Hubert Laws) - 7:44 # "Ontem a Note" (Clare Fischer) - 4:19 # "Tough Talk" (Wayne Henderson, Stix Hooper) - 2:38 # "Tacos" (Laws) - 4:08 # "Latin Bit" ( |
The Crusaders (Houston Group)
The Crusaders (formerly known as The Jazz Crusaders) were an American jazz group that was successful from the 1960s to the 1990s. The group was known as the Jazz Crusaders from their formation in 1960 until shortening their name in 1971. The Crusaders were comfortable playing a wide assortment of genres, from straight ahead jazz, to urban R&B, to R&B-based jazz, to even blues. The band reached a commercial apex in 1979 with their hit single " Street Life", featuring lead vocals by Randy Crawford, and their accompanying album of the same name. History High school friends Joe Sample (piano), Wilton Felder (tenor saxophone) and Nesbert "Stix" Hooper (drums) formed their first band together, the Swingsters, in Houston, Texas in 1954. They played a mixture of jazz and R&B, and were joined by Wayne Henderson (trombone), Hubert Laws (flute), and Henry Wilson (bass). The group soon turned more to hard bop, and renamed themselves the Modern Jazz Sextet, but also recorded in a more R& ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hubert Laws
Hubert Laws (born November 10, 1939) is an American flutist and saxophonist with a career spanning over 40 years in jazz, classical, and other music genres. Laws is one of the few classical artists who has also mastered jazz, pop, and rhythm-and-blues genres, moving effortlessly from one repertory to another. Biography Hubert Laws, Jr. was born November 10, 1939, in the Studewood section of Houston, Texas, the second of eight children to Hubert Laws, Sr. and Miola Luverta Donahue. Many of his siblings also entered the music industry, including saxophonist Ronnie and vocalists Eloise, Debra, and Johnnie Laws. He began playing flute in high school after volunteering to substitute for the school orchestra's regular flutist. He became adept at jazz improvisation by playing in the Houston-area jazz group the Swingsters, which eventually evolved into the Modern Jazz Sextet, the Night Hawks, and The Crusaders. At the age of 15, he was a member of the early Jazz Crusaders while in T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cowbell (instrument)
The cowbell is an idiophone hand percussion instrument used in various styles of music, such as Latin and rock. It is named after the similar bell used by herdsmen to keep track of the whereabouts of cows. The instrument initially and traditionally has been metallic; however, contemporarily, some variants are made of synthetic materials. Origins While the cowbell is commonly found in musical contexts, its origin can be traced to freely roaming animals. In order to help identify the herd to which these animals belonged, herdsmen placed these bells around the animal's neck. As the animals moved about the bell would ring, thus making it easier to know of the animal's whereabouts. Though the bells were used on various types of animals, they are typically referred to as "cowbells" due to their extensive use with cattle. Tuned cowbells Tuned cowbells or ''Almglocken'' (their German name, ‘Alm’ meaning a mountain meadow, and ‘Glocken’ bells), sometimes known by the Engli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbales
Timbales () or pailas are shallow single-headed drums with metal casing. They are shallower than single-headed tom-toms and usually tuned much higher, especially for their size.Orovio, Helio 1981. ''Diccionario de la música cubana: biográfico y técnico''. Entries for ''Paila criolla''; ''Timbal criollo''. They were developed as an alternative to classical timpani in Cuba in the early 20th century and later spread across Latin America and the United States. Timbales are struck with wooden sticks on the heads and shells, although bare hands are sometimes used. The player (called a ''timbalero'') uses a variety of stick strokes, rim shots, and rolls to produce a wide range of percussive expression during solos and at transitional sections of music, and usually plays the shells (or auxiliary percussion such as a cowbell or cymbal) to keep time in other parts of the song. The shells and the typical pattern played on them are referred to as ''cáscara''. Common stroke patterns incl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Congas
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlos Vidal Bolado
Carlos Vidal Bolado also known as "Vidal Bolado" (1914–1996) was a Cuban conga drummer and an original member of Machito and his Afro-Cubans. Vidal holds the double distinction of being the first to record authentic folkloric Cuban rumba and the first to play congas in Latin jazz (with Machito and his Afro-Cubans). Early career In the 1930s Vidal began performing with the Afro-Cuban Ensemble of Santos Ramírez and with the Casino de la Playa orchestra in and Havana, Cuba. Later career In the 1940s and 1950s, Carlos Vidal became one of a handful of Cuban ''congueros'' to emigrate to the United States and settled in New York. Other notable congueros who came to the U.S. during that time include Mongo Santamaria, Armando Peraza, Chano Pozo, Francisco Aguabella, Julito Collazo and Cándido Camero. Vidal arrived in the U.S. in 1943, before any of the other previously mentioned musicians. New York In 1943 he is first reported to have performed at the Havana-Madrid Club located o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stix Hooper
Stix or STIX may refer to: People * Stix Hooper (born 1938), American jazz musician * Gary Stix, American journalist * Thomas H. Stix (1924–2001), American physicist * Christine Stix-Hackl (born 1957), Austrian jurist Arts and entertainment * ''Stix'' (public art installation), a 2015 work by Christian Moeller * ''STIX'' (video game), a Commodore 64 video game * Stix, an animated stick character in the video game ''Bubba 'n' Stix'' * The stiX, a British music project * ''The Stix'', a 2003 album by Jaga Jazzist Computing * STIX Fonts project, providing mathematical symbols * Structured Threat Information eXpression, a structured language for cyber threat intelligence Other uses * Stix Baer & Fuller, an American department store chain (1892–1984) * Stix, Baer and Fuller F.C., an American soccer club (1931–1934) * Styx In Greek mythology, Styx (; grc, Στύξ ) is a river that forms the boundary between Earth (Gaia) and the Underworld. The rivers Acheron, Cocytus, Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al McKibbon
Al McKibbon (January 1, 1919 – July 29, 2005) was an American jazz double bassist, known for his work in bop, hard bop, and Latin jazz. In 1947, after working with Lucky Millinder, Tab Smith, J. C. Heard, and Coleman Hawkins, he replaced Ray Brown in Dizzy Gillespie's band, in which he played until 1950. In the 1950s he recorded with the Miles Davis nonet, Earl Hines, Count Basie, Johnny Hodges, Thelonious Monk, Mongo Santamaria, George Shearing, Cal Tjader, Herbie Nichols and Hawkins. McKibbon was credited with interesting Tjader in Latin music while he played in Shearing's group. McKibbon has always been highly regarded (among other signs of this regard, he was the bassist for the Giants of Jazz), and continued to perform until 2004. In 1999, the first album in his own name, ''Tumbao Para Los Congueros De Mi Vida'', was released. McKibbon's second album, ''Black Orchid'', was released in 2004 and was recorded at Icon Recording Studios, Hollywood, California. The album w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Organ
An electric organ, also known as electronic organ, is an electronic keyboard instrument which was derived from the harmonium, pipe organ and theatre organ. Originally designed to imitate their sound, or orchestral sounds, it has since developed into several types of instruments: * Hammond-style organs used in pop, rock and jazz; * digital church organs, which imitate pipe organs and are used primarily in churches; * other types including combo organs, home organs, and software organs. History Predecessors ;Harmonium The immediate predecessor of the electronic organ was the harmonium, or reed organ, an instrument that was common in homes and small churches in the late 19th and early 20th centuries. In a fashion not totally unlike that of pipe organs, reed organs generate sound by forcing air over a set of reeds by means of a bellows, usually operated by constantly pumping a set of pedals. While reed organs have limited tonal quality, they are small, inexpensive, self ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clare Fischer
Douglas Clare Fischer (October 22, 1928 – January 26, 2012) was an American keyboardist, composer, arranger, and bandleader. After graduating from Michigan State University (from which, five decades later, he would receive an honorary doctorate), he became the pianist and arranger for the vocal group the Hi-Lo's in the late 1950s. Fischer went on to work with Donald Byrd and Dizzy Gillespie, and became known for his Latin and bossa nova recordings in the 1960s. He composed the Latin jazz standard "Morning", and the jazz standard "Pensativa". Consistently cited by jazz pianist and composer Herbie Hancock as a major influence ("I wouldn't be me without Clare Fischer"Hancock, Herbie; as told to Michael J. West"Herbie Hancock Remembers Clare Fischer" ''JazzTimes''. April 5, 2013. Retrieved 2013-05-24.), he was nominated for eleven Grammy Awards during his lifetime, winning for his landmark album, '' 2+2'' (1981), the first of Fischer's records to incorporate the vocal ensemble writin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
